Overview
Description
Specifications
Delivery & Returns
FAQs
Knowledge Hub
Dark marble. Brass. Ribbed glass.
A wall light with a solid dark brown marble backplate, warm brass arm and clear ribbed glass shade. The dark marble anchors the fitting to the wall with contrast and geological presence that pale stone cannot match. Lighter veining against the deep ground becomes more visible when sidelight from the ribbed glass falls on it. 260 mm tall, 142 mm wide, 192 mm deep, 1.27 kg. Dimmable. E14 6 W LED, not included. Class 1, earth required. IP20 indoor only. 220-240 V.
What dark marble changes here.
- It anchors rather than blends: Dark marble creates a focal point. The deep stone contrasts with the wall rather than extending the palette. The eye goes to the stone first.
- It reveals more when lit: The lighter veining gains definition under warm sidelight. The marble looks more interesting on than off. The light the fitting produces illuminates the stone that holds it.
- It suits dark-painted walls: On charcoal, navy or deep olive the marble sits within the tonal range while the brass and ribbed glass provide the warmth above.
- It contrasts against light walls: On white or pale grey the dark backplate creates a graphic, deliberate element. The fitting becomes a focal point.
- It carries genuine weight: 1.27 kg. The stone adds mass and permanence. Use appropriate fixings.
- It wires to earth: Class 1. Live, neutral and earth connections required.
Dark walls, white walls, feature walls.
On a charcoal wall where the marble sits within the tone and the ribbed glass glows above. On a white wall where the dark backplate creates graphic contrast. In a hallway on warm grey where the veining picks up mid-tones. Beside a bed on dark olive, dimmed to low amber. For more ideas on using accent lighting and bold material contrasts in entertaining and living spaces, our home bar and drinks cabinet guide covers the approach.
Dark marble anchors differently from light.
The travertine version of this fitting blends. Its pale, warm stone extends the palette of the wall around it, settling into cream, linen and warm plaster without contrast. Dark brown marble does the opposite. It anchors. The deep stone creates a focal point on the wall that pulls the eye to the backplate before letting it rise to the brass arm and the ribbed glass above. The marble does not blend with the wall. It sits against it as a deliberate, contrasting element, and the fitting gains a visual weight and presence that lighter stone lacks.
The veining in dark marble runs lighter against the deep ground. Cream and gold threads through dark brown. When the ribbed glass shade is lit, warm sidelight falls on the marble and those lighter veins become more visible, not less. The darker the stone, the more the light reveals. This is the opposite of what happens with pale stone, where the light washes out the subtle tonal variation. Here, the light amplifies it. The marble becomes more interesting when the fitting is switched on.
The same brass arm and clear ribbed glass shade sit above. Same proportions: 260 mm tall, 142 mm wide, 192 mm deep. Same 1.27 kg. Same dimmable E14 fitting. But the dark marble backplate changes the character entirely. For a marble-topped surface to echo the stone on the wall, the White Marble Effect Round Coffee Table carries a complementary mineral presence at ground level.
What dark marble brings to light.
- Solid dark brown marble backplate. Natural stone with lighter veining against a deep ground. Each piece carries unique geological markings. The dark marble creates contrast on the wall rather than blending with it.
- Veining that light reveals. The lighter threads in the dark marble become more visible when sidelight from the ribbed glass falls on the backplate. The stone looks more interesting when the fitting is on than when it is off.
- Clear ribbed glass shade. Fine vertical flutes catch the E14 bulb and break its output into textured lines. The glass provides the upper register of warmth and texture above the dark, grounding stone below.
- Warm brass arm. The brass bridges the dark marble below and the clear glass above. The warm tone provides the transition between two very different materials.
- Dimmable with E14 6 W LED. Not included. Dimming shifts the ribbed glass to amber while the marble's veining deepens in the softer sidelight.
- Class 1, IP20, 220-240 V. Earth connection required. Indoor dry positions only. Standard UK mains wiring.
What the dark ground does differently.
On a pale stone backplate, warm sidelight washes across the surface and the tonal variation flattens. The stone glows but loses definition. On a dark marble backplate, the same warm sidelight falls on a surface that absorbs the darker areas and illuminates the lighter veins. The contrast between lit veining and dark ground increases. The stone gains definition under light rather than losing it. This means the fitting has two visual states: off, where the dark marble sits as a solid, grounding disc on the wall, and on, where the marble's internal structure is revealed by the light the fitting itself produces.
Dark walls and rooms with depth.
On a charcoal or deep navy wall where the dark marble sits within the tonal range and the ribbed glass and brass provide the only points of warmth and light above it. On a white wall where the dark backplate creates a graphic, deliberate contrast that makes the fitting a focal point. In a hallway on a warm grey wall where the marble's veining picks up the mid-tones. Beside a bed on a dark olive or aubergine wall, dimmed to a low amber where the marble's veins glow faintly beneath the ribbed glass. In a living room above a dark timber sideboard where the deep stone connects to the furniture below.
Before You Order.
- Bulb is E14 LED, 6 W max. Not included. Warm white dimmable E14 between 2700 K and 3000 K recommended to complement the marble and brass warmth.
- Class 1 with earth connection required. Live, neutral and earth wiring. Standard for metal-bodied wall fittings.
- Marble is natural and unique. Each dark brown marble backplate carries its own veining, colour depth and mineral character. Expect natural variation. This is a feature of genuine stone.
Delivery
| Service | Timescale | Cost |
|---|---|---|
| Standard | 3-5 working days | Free |
| Next working day | Order before 4pm | £5.95 |
UK mainland only. Orders placed on weekends or bank holidays are dispatched the next working day.
We are unable to deliver to Northern Ireland, the Scottish Isles, Jersey, Guernsey, the Isle of Wight, the Isle of Man, or the Isles of Scilly. Full delivery information.
Returns
28-day returns policy. Contact us within 28 days of receipt if you are not happy with your order.
Items must be returned unused and in their original packaging. Our UK-based team will guide you through the process. Full returns information.
FAQs: Dark Marble Brass Wall Light.
A round disc of solid dark brown marble with lighter veining running through it. Cream and gold threads against a deep ground. Each piece carries unique geological markings. The marble is genuine stone, not a marble-effect coating or a printed surface.
The travertine is pale and warm. It blends with cream, linen and warm plaster palettes. The dark marble is deep brown. It contrasts with the wall and anchors the fitting as a focal point rather than settling into the surface around it. Same dimensions, same brass and ribbed glass, completely different visual character.
A 6 W E14 LED, not included. Warm white dimmable at 2700 K to 3000 K recommended. The warm tone complements the marble depth and the brass arm. Cool white would fight the natural warmth of the stone and metal.
Charcoal or navy walls where the marble sits within the tonal range. White walls where the dark backplate creates graphic contrast. Warm grey hallways where the veining picks up mid-tones. Beside a bed on dark olive or aubergine walls. Above a dark timber sideboard in a living room. For a brass pendant to carry the warm metalwork overhead, the Traditional Ribbed Pendant in Antique Brass extends the ribbed glass direction.
The lighter veining gains definition under warm sidelight from the ribbed glass. On pale stone, light flattens tonal variation. On dark marble, light amplifies it. The marble looks more interesting when the fitting is on than when it is off.
Dimming shifts the ribbed glass to amber. The softer sidelight deepens the marble's contrast between dark ground and lighter veins. On low, the fitting becomes a warm sculptural object where the stone's internal structure is faintly illuminated.
No. Marble is natural and each piece has its own veining, colour depth and mineral character. Expect variation between units. This is inherent to genuine stone.
No. IP20 covers dry indoor positions only. The marble is not rated for wet environments. For bathrooms, choose a fitting rated IP44 or higher.
The metal arm must be connected to earth for safety. Live, neutral and earth wiring required. Standard for fittings with a metal frame.
Dimensions: 260 mm (H) x 142 mm (W) x 192 mm (D). Backplate: solid dark brown marble. Arm: warm brass on steel. Shade: clear ribbed glass. Bulb: 6 W E14 LED, not included. Dimmable: yes. Voltage: 220-240 V. Class: 1 (earth required). IP: 20. Weight: 1.27 kg.
Dark materials in rooms with depth.
A dark marble wall light works best in rooms that are not afraid of depth: dark-painted walls, rich upholstery, deep timber, layered textures. The fitting anchors the wall with geological weight and the ribbed glass provides the warmth above. These guides cover how to build rooms with the confidence to use dark, material-rich lighting.
Overview
Dark marble. Brass. Ribbed glass.
A wall light with a solid dark brown marble backplate, warm brass arm and clear ribbed glass shade. The dark marble anchors the fitting to the wall with contrast and geological presence that pale stone cannot match. Lighter veining against the deep ground becomes more visible when sidelight from the ribbed glass falls on it. 260 mm tall, 142 mm wide, 192 mm deep, 1.27 kg. Dimmable. E14 6 W LED, not included. Class 1, earth required. IP20 indoor only. 220-240 V.
What dark marble changes here.
- It anchors rather than blends: Dark marble creates a focal point. The deep stone contrasts with the wall rather than extending the palette. The eye goes to the stone first.
- It reveals more when lit: The lighter veining gains definition under warm sidelight. The marble looks more interesting on than off. The light the fitting produces illuminates the stone that holds it.
- It suits dark-painted walls: On charcoal, navy or deep olive the marble sits within the tonal range while the brass and ribbed glass provide the warmth above.
- It contrasts against light walls: On white or pale grey the dark backplate creates a graphic, deliberate element. The fitting becomes a focal point.
- It carries genuine weight: 1.27 kg. The stone adds mass and permanence. Use appropriate fixings.
- It wires to earth: Class 1. Live, neutral and earth connections required.
Dark walls, white walls, feature walls.
On a charcoal wall where the marble sits within the tone and the ribbed glass glows above. On a white wall where the dark backplate creates graphic contrast. In a hallway on warm grey where the veining picks up mid-tones. Beside a bed on dark olive, dimmed to low amber. For more ideas on using accent lighting and bold material contrasts in entertaining and living spaces, our home bar and drinks cabinet guide covers the approach.
Description
Dark marble anchors differently from light.
The travertine version of this fitting blends. Its pale, warm stone extends the palette of the wall around it, settling into cream, linen and warm plaster without contrast. Dark brown marble does the opposite. It anchors. The deep stone creates a focal point on the wall that pulls the eye to the backplate before letting it rise to the brass arm and the ribbed glass above. The marble does not blend with the wall. It sits against it as a deliberate, contrasting element, and the fitting gains a visual weight and presence that lighter stone lacks.
The veining in dark marble runs lighter against the deep ground. Cream and gold threads through dark brown. When the ribbed glass shade is lit, warm sidelight falls on the marble and those lighter veins become more visible, not less. The darker the stone, the more the light reveals. This is the opposite of what happens with pale stone, where the light washes out the subtle tonal variation. Here, the light amplifies it. The marble becomes more interesting when the fitting is switched on.
The same brass arm and clear ribbed glass shade sit above. Same proportions: 260 mm tall, 142 mm wide, 192 mm deep. Same 1.27 kg. Same dimmable E14 fitting. But the dark marble backplate changes the character entirely. For a marble-topped surface to echo the stone on the wall, the White Marble Effect Round Coffee Table carries a complementary mineral presence at ground level.
What dark marble brings to light.
- Solid dark brown marble backplate. Natural stone with lighter veining against a deep ground. Each piece carries unique geological markings. The dark marble creates contrast on the wall rather than blending with it.
- Veining that light reveals. The lighter threads in the dark marble become more visible when sidelight from the ribbed glass falls on the backplate. The stone looks more interesting when the fitting is on than when it is off.
- Clear ribbed glass shade. Fine vertical flutes catch the E14 bulb and break its output into textured lines. The glass provides the upper register of warmth and texture above the dark, grounding stone below.
- Warm brass arm. The brass bridges the dark marble below and the clear glass above. The warm tone provides the transition between two very different materials.
- Dimmable with E14 6 W LED. Not included. Dimming shifts the ribbed glass to amber while the marble's veining deepens in the softer sidelight.
- Class 1, IP20, 220-240 V. Earth connection required. Indoor dry positions only. Standard UK mains wiring.
What the dark ground does differently.
On a pale stone backplate, warm sidelight washes across the surface and the tonal variation flattens. The stone glows but loses definition. On a dark marble backplate, the same warm sidelight falls on a surface that absorbs the darker areas and illuminates the lighter veins. The contrast between lit veining and dark ground increases. The stone gains definition under light rather than losing it. This means the fitting has two visual states: off, where the dark marble sits as a solid, grounding disc on the wall, and on, where the marble's internal structure is revealed by the light the fitting itself produces.
Dark walls and rooms with depth.
On a charcoal or deep navy wall where the dark marble sits within the tonal range and the ribbed glass and brass provide the only points of warmth and light above it. On a white wall where the dark backplate creates a graphic, deliberate contrast that makes the fitting a focal point. In a hallway on a warm grey wall where the marble's veining picks up the mid-tones. Beside a bed on a dark olive or aubergine wall, dimmed to a low amber where the marble's veins glow faintly beneath the ribbed glass. In a living room above a dark timber sideboard where the deep stone connects to the furniture below.
Before You Order.
- Bulb is E14 LED, 6 W max. Not included. Warm white dimmable E14 between 2700 K and 3000 K recommended to complement the marble and brass warmth.
- Class 1 with earth connection required. Live, neutral and earth wiring. Standard for metal-bodied wall fittings.
- Marble is natural and unique. Each dark brown marble backplate carries its own veining, colour depth and mineral character. Expect natural variation. This is a feature of genuine stone.
Specifications
Delivery & Returns
Delivery
| Service | Timescale | Cost |
|---|---|---|
| Standard | 3-5 working days | Free |
| Next working day | Order before 4pm | £5.95 |
UK mainland only. Orders placed on weekends or bank holidays are dispatched the next working day.
We are unable to deliver to Northern Ireland, the Scottish Isles, Jersey, Guernsey, the Isle of Wight, the Isle of Man, or the Isles of Scilly. Full delivery information.
Returns
28-day returns policy. Contact us within 28 days of receipt if you are not happy with your order.
Items must be returned unused and in their original packaging. Our UK-based team will guide you through the process. Full returns information.
FAQs
FAQs: Dark Marble Brass Wall Light.
A round disc of solid dark brown marble with lighter veining running through it. Cream and gold threads against a deep ground. Each piece carries unique geological markings. The marble is genuine stone, not a marble-effect coating or a printed surface.
The travertine is pale and warm. It blends with cream, linen and warm plaster palettes. The dark marble is deep brown. It contrasts with the wall and anchors the fitting as a focal point rather than settling into the surface around it. Same dimensions, same brass and ribbed glass, completely different visual character.
A 6 W E14 LED, not included. Warm white dimmable at 2700 K to 3000 K recommended. The warm tone complements the marble depth and the brass arm. Cool white would fight the natural warmth of the stone and metal.
Charcoal or navy walls where the marble sits within the tonal range. White walls where the dark backplate creates graphic contrast. Warm grey hallways where the veining picks up mid-tones. Beside a bed on dark olive or aubergine walls. Above a dark timber sideboard in a living room. For a brass pendant to carry the warm metalwork overhead, the Traditional Ribbed Pendant in Antique Brass extends the ribbed glass direction.
The lighter veining gains definition under warm sidelight from the ribbed glass. On pale stone, light flattens tonal variation. On dark marble, light amplifies it. The marble looks more interesting when the fitting is on than when it is off.
Dimming shifts the ribbed glass to amber. The softer sidelight deepens the marble's contrast between dark ground and lighter veins. On low, the fitting becomes a warm sculptural object where the stone's internal structure is faintly illuminated.
No. Marble is natural and each piece has its own veining, colour depth and mineral character. Expect variation between units. This is inherent to genuine stone.
No. IP20 covers dry indoor positions only. The marble is not rated for wet environments. For bathrooms, choose a fitting rated IP44 or higher.
The metal arm must be connected to earth for safety. Live, neutral and earth wiring required. Standard for fittings with a metal frame.
Dimensions: 260 mm (H) x 142 mm (W) x 192 mm (D). Backplate: solid dark brown marble. Arm: warm brass on steel. Shade: clear ribbed glass. Bulb: 6 W E14 LED, not included. Dimmable: yes. Voltage: 220-240 V. Class: 1 (earth required). IP: 20. Weight: 1.27 kg.
Knowledge Hub
Dark materials in rooms with depth.
A dark marble wall light works best in rooms that are not afraid of depth: dark-painted walls, rich upholstery, deep timber, layered textures. The fitting anchors the wall with geological weight and the ribbed glass provides the warmth above. These guides cover how to build rooms with the confidence to use dark, material-rich lighting.
Dark Marble & Brass Ribbed Glass Wall Light
Overview
Description
Specifications
Delivery & Returns
FAQs
Knowledge Hub
Dark marble. Brass. Ribbed glass.
A wall light with a solid dark brown marble backplate, warm brass arm and clear ribbed glass shade. The dark marble anchors the fitting to the wall with contrast and geological presence that pale stone cannot match. Lighter veining against the deep ground becomes more visible when sidelight from the ribbed glass falls on it. 260 mm tall, 142 mm wide, 192 mm deep, 1.27 kg. Dimmable. E14 6 W LED, not included. Class 1, earth required. IP20 indoor only. 220-240 V.
What dark marble changes here.
- It anchors rather than blends: Dark marble creates a focal point. The deep stone contrasts with the wall rather than extending the palette. The eye goes to the stone first.
- It reveals more when lit: The lighter veining gains definition under warm sidelight. The marble looks more interesting on than off. The light the fitting produces illuminates the stone that holds it.
- It suits dark-painted walls: On charcoal, navy or deep olive the marble sits within the tonal range while the brass and ribbed glass provide the warmth above.
- It contrasts against light walls: On white or pale grey the dark backplate creates a graphic, deliberate element. The fitting becomes a focal point.
- It carries genuine weight: 1.27 kg. The stone adds mass and permanence. Use appropriate fixings.
- It wires to earth: Class 1. Live, neutral and earth connections required.
Dark walls, white walls, feature walls.
On a charcoal wall where the marble sits within the tone and the ribbed glass glows above. On a white wall where the dark backplate creates graphic contrast. In a hallway on warm grey where the veining picks up mid-tones. Beside a bed on dark olive, dimmed to low amber. For more ideas on using accent lighting and bold material contrasts in entertaining and living spaces, our home bar and drinks cabinet guide covers the approach.
Dark marble anchors differently from light.
The travertine version of this fitting blends. Its pale, warm stone extends the palette of the wall around it, settling into cream, linen and warm plaster without contrast. Dark brown marble does the opposite. It anchors. The deep stone creates a focal point on the wall that pulls the eye to the backplate before letting it rise to the brass arm and the ribbed glass above. The marble does not blend with the wall. It sits against it as a deliberate, contrasting element, and the fitting gains a visual weight and presence that lighter stone lacks.
The veining in dark marble runs lighter against the deep ground. Cream and gold threads through dark brown. When the ribbed glass shade is lit, warm sidelight falls on the marble and those lighter veins become more visible, not less. The darker the stone, the more the light reveals. This is the opposite of what happens with pale stone, where the light washes out the subtle tonal variation. Here, the light amplifies it. The marble becomes more interesting when the fitting is switched on.
The same brass arm and clear ribbed glass shade sit above. Same proportions: 260 mm tall, 142 mm wide, 192 mm deep. Same 1.27 kg. Same dimmable E14 fitting. But the dark marble backplate changes the character entirely. For a marble-topped surface to echo the stone on the wall, the White Marble Effect Round Coffee Table carries a complementary mineral presence at ground level.
What dark marble brings to light.
- Solid dark brown marble backplate. Natural stone with lighter veining against a deep ground. Each piece carries unique geological markings. The dark marble creates contrast on the wall rather than blending with it.
- Veining that light reveals. The lighter threads in the dark marble become more visible when sidelight from the ribbed glass falls on the backplate. The stone looks more interesting when the fitting is on than when it is off.
- Clear ribbed glass shade. Fine vertical flutes catch the E14 bulb and break its output into textured lines. The glass provides the upper register of warmth and texture above the dark, grounding stone below.
- Warm brass arm. The brass bridges the dark marble below and the clear glass above. The warm tone provides the transition between two very different materials.
- Dimmable with E14 6 W LED. Not included. Dimming shifts the ribbed glass to amber while the marble's veining deepens in the softer sidelight.
- Class 1, IP20, 220-240 V. Earth connection required. Indoor dry positions only. Standard UK mains wiring.
What the dark ground does differently.
On a pale stone backplate, warm sidelight washes across the surface and the tonal variation flattens. The stone glows but loses definition. On a dark marble backplate, the same warm sidelight falls on a surface that absorbs the darker areas and illuminates the lighter veins. The contrast between lit veining and dark ground increases. The stone gains definition under light rather than losing it. This means the fitting has two visual states: off, where the dark marble sits as a solid, grounding disc on the wall, and on, where the marble's internal structure is revealed by the light the fitting itself produces.
Dark walls and rooms with depth.
On a charcoal or deep navy wall where the dark marble sits within the tonal range and the ribbed glass and brass provide the only points of warmth and light above it. On a white wall where the dark backplate creates a graphic, deliberate contrast that makes the fitting a focal point. In a hallway on a warm grey wall where the marble's veining picks up the mid-tones. Beside a bed on a dark olive or aubergine wall, dimmed to a low amber where the marble's veins glow faintly beneath the ribbed glass. In a living room above a dark timber sideboard where the deep stone connects to the furniture below.
Before You Order.
- Bulb is E14 LED, 6 W max. Not included. Warm white dimmable E14 between 2700 K and 3000 K recommended to complement the marble and brass warmth.
- Class 1 with earth connection required. Live, neutral and earth wiring. Standard for metal-bodied wall fittings.
- Marble is natural and unique. Each dark brown marble backplate carries its own veining, colour depth and mineral character. Expect natural variation. This is a feature of genuine stone.
Delivery
| Service | Timescale | Cost |
|---|---|---|
| Standard | 3-5 working days | Free |
| Next working day | Order before 4pm | £5.95 |
UK mainland only. Orders placed on weekends or bank holidays are dispatched the next working day.
We are unable to deliver to Northern Ireland, the Scottish Isles, Jersey, Guernsey, the Isle of Wight, the Isle of Man, or the Isles of Scilly. Full delivery information.
Returns
28-day returns policy. Contact us within 28 days of receipt if you are not happy with your order.
Items must be returned unused and in their original packaging. Our UK-based team will guide you through the process. Full returns information.
FAQs: Dark Marble Brass Wall Light.
A round disc of solid dark brown marble with lighter veining running through it. Cream and gold threads against a deep ground. Each piece carries unique geological markings. The marble is genuine stone, not a marble-effect coating or a printed surface.
The travertine is pale and warm. It blends with cream, linen and warm plaster palettes. The dark marble is deep brown. It contrasts with the wall and anchors the fitting as a focal point rather than settling into the surface around it. Same dimensions, same brass and ribbed glass, completely different visual character.
A 6 W E14 LED, not included. Warm white dimmable at 2700 K to 3000 K recommended. The warm tone complements the marble depth and the brass arm. Cool white would fight the natural warmth of the stone and metal.
Charcoal or navy walls where the marble sits within the tonal range. White walls where the dark backplate creates graphic contrast. Warm grey hallways where the veining picks up mid-tones. Beside a bed on dark olive or aubergine walls. Above a dark timber sideboard in a living room. For a brass pendant to carry the warm metalwork overhead, the Traditional Ribbed Pendant in Antique Brass extends the ribbed glass direction.
The lighter veining gains definition under warm sidelight from the ribbed glass. On pale stone, light flattens tonal variation. On dark marble, light amplifies it. The marble looks more interesting when the fitting is on than when it is off.
Dimming shifts the ribbed glass to amber. The softer sidelight deepens the marble's contrast between dark ground and lighter veins. On low, the fitting becomes a warm sculptural object where the stone's internal structure is faintly illuminated.
No. Marble is natural and each piece has its own veining, colour depth and mineral character. Expect variation between units. This is inherent to genuine stone.
No. IP20 covers dry indoor positions only. The marble is not rated for wet environments. For bathrooms, choose a fitting rated IP44 or higher.
The metal arm must be connected to earth for safety. Live, neutral and earth wiring required. Standard for fittings with a metal frame.
Dimensions: 260 mm (H) x 142 mm (W) x 192 mm (D). Backplate: solid dark brown marble. Arm: warm brass on steel. Shade: clear ribbed glass. Bulb: 6 W E14 LED, not included. Dimmable: yes. Voltage: 220-240 V. Class: 1 (earth required). IP: 20. Weight: 1.27 kg.
Dark materials in rooms with depth.
A dark marble wall light works best in rooms that are not afraid of depth: dark-painted walls, rich upholstery, deep timber, layered textures. The fitting anchors the wall with geological weight and the ribbed glass provides the warmth above. These guides cover how to build rooms with the confidence to use dark, material-rich lighting.
Overview
Dark marble. Brass. Ribbed glass.
A wall light with a solid dark brown marble backplate, warm brass arm and clear ribbed glass shade. The dark marble anchors the fitting to the wall with contrast and geological presence that pale stone cannot match. Lighter veining against the deep ground becomes more visible when sidelight from the ribbed glass falls on it. 260 mm tall, 142 mm wide, 192 mm deep, 1.27 kg. Dimmable. E14 6 W LED, not included. Class 1, earth required. IP20 indoor only. 220-240 V.
What dark marble changes here.
- It anchors rather than blends: Dark marble creates a focal point. The deep stone contrasts with the wall rather than extending the palette. The eye goes to the stone first.
- It reveals more when lit: The lighter veining gains definition under warm sidelight. The marble looks more interesting on than off. The light the fitting produces illuminates the stone that holds it.
- It suits dark-painted walls: On charcoal, navy or deep olive the marble sits within the tonal range while the brass and ribbed glass provide the warmth above.
- It contrasts against light walls: On white or pale grey the dark backplate creates a graphic, deliberate element. The fitting becomes a focal point.
- It carries genuine weight: 1.27 kg. The stone adds mass and permanence. Use appropriate fixings.
- It wires to earth: Class 1. Live, neutral and earth connections required.
Dark walls, white walls, feature walls.
On a charcoal wall where the marble sits within the tone and the ribbed glass glows above. On a white wall where the dark backplate creates graphic contrast. In a hallway on warm grey where the veining picks up mid-tones. Beside a bed on dark olive, dimmed to low amber. For more ideas on using accent lighting and bold material contrasts in entertaining and living spaces, our home bar and drinks cabinet guide covers the approach.
Description
Dark marble anchors differently from light.
The travertine version of this fitting blends. Its pale, warm stone extends the palette of the wall around it, settling into cream, linen and warm plaster without contrast. Dark brown marble does the opposite. It anchors. The deep stone creates a focal point on the wall that pulls the eye to the backplate before letting it rise to the brass arm and the ribbed glass above. The marble does not blend with the wall. It sits against it as a deliberate, contrasting element, and the fitting gains a visual weight and presence that lighter stone lacks.
The veining in dark marble runs lighter against the deep ground. Cream and gold threads through dark brown. When the ribbed glass shade is lit, warm sidelight falls on the marble and those lighter veins become more visible, not less. The darker the stone, the more the light reveals. This is the opposite of what happens with pale stone, where the light washes out the subtle tonal variation. Here, the light amplifies it. The marble becomes more interesting when the fitting is switched on.
The same brass arm and clear ribbed glass shade sit above. Same proportions: 260 mm tall, 142 mm wide, 192 mm deep. Same 1.27 kg. Same dimmable E14 fitting. But the dark marble backplate changes the character entirely. For a marble-topped surface to echo the stone on the wall, the White Marble Effect Round Coffee Table carries a complementary mineral presence at ground level.
What dark marble brings to light.
- Solid dark brown marble backplate. Natural stone with lighter veining against a deep ground. Each piece carries unique geological markings. The dark marble creates contrast on the wall rather than blending with it.
- Veining that light reveals. The lighter threads in the dark marble become more visible when sidelight from the ribbed glass falls on the backplate. The stone looks more interesting when the fitting is on than when it is off.
- Clear ribbed glass shade. Fine vertical flutes catch the E14 bulb and break its output into textured lines. The glass provides the upper register of warmth and texture above the dark, grounding stone below.
- Warm brass arm. The brass bridges the dark marble below and the clear glass above. The warm tone provides the transition between two very different materials.
- Dimmable with E14 6 W LED. Not included. Dimming shifts the ribbed glass to amber while the marble's veining deepens in the softer sidelight.
- Class 1, IP20, 220-240 V. Earth connection required. Indoor dry positions only. Standard UK mains wiring.
What the dark ground does differently.
On a pale stone backplate, warm sidelight washes across the surface and the tonal variation flattens. The stone glows but loses definition. On a dark marble backplate, the same warm sidelight falls on a surface that absorbs the darker areas and illuminates the lighter veins. The contrast between lit veining and dark ground increases. The stone gains definition under light rather than losing it. This means the fitting has two visual states: off, where the dark marble sits as a solid, grounding disc on the wall, and on, where the marble's internal structure is revealed by the light the fitting itself produces.
Dark walls and rooms with depth.
On a charcoal or deep navy wall where the dark marble sits within the tonal range and the ribbed glass and brass provide the only points of warmth and light above it. On a white wall where the dark backplate creates a graphic, deliberate contrast that makes the fitting a focal point. In a hallway on a warm grey wall where the marble's veining picks up the mid-tones. Beside a bed on a dark olive or aubergine wall, dimmed to a low amber where the marble's veins glow faintly beneath the ribbed glass. In a living room above a dark timber sideboard where the deep stone connects to the furniture below.
Before You Order.
- Bulb is E14 LED, 6 W max. Not included. Warm white dimmable E14 between 2700 K and 3000 K recommended to complement the marble and brass warmth.
- Class 1 with earth connection required. Live, neutral and earth wiring. Standard for metal-bodied wall fittings.
- Marble is natural and unique. Each dark brown marble backplate carries its own veining, colour depth and mineral character. Expect natural variation. This is a feature of genuine stone.
Specifications
Delivery & Returns
Delivery
| Service | Timescale | Cost |
|---|---|---|
| Standard | 3-5 working days | Free |
| Next working day | Order before 4pm | £5.95 |
UK mainland only. Orders placed on weekends or bank holidays are dispatched the next working day.
We are unable to deliver to Northern Ireland, the Scottish Isles, Jersey, Guernsey, the Isle of Wight, the Isle of Man, or the Isles of Scilly. Full delivery information.
Returns
28-day returns policy. Contact us within 28 days of receipt if you are not happy with your order.
Items must be returned unused and in their original packaging. Our UK-based team will guide you through the process. Full returns information.
FAQs
FAQs: Dark Marble Brass Wall Light.
A round disc of solid dark brown marble with lighter veining running through it. Cream and gold threads against a deep ground. Each piece carries unique geological markings. The marble is genuine stone, not a marble-effect coating or a printed surface.
The travertine is pale and warm. It blends with cream, linen and warm plaster palettes. The dark marble is deep brown. It contrasts with the wall and anchors the fitting as a focal point rather than settling into the surface around it. Same dimensions, same brass and ribbed glass, completely different visual character.
A 6 W E14 LED, not included. Warm white dimmable at 2700 K to 3000 K recommended. The warm tone complements the marble depth and the brass arm. Cool white would fight the natural warmth of the stone and metal.
Charcoal or navy walls where the marble sits within the tonal range. White walls where the dark backplate creates graphic contrast. Warm grey hallways where the veining picks up mid-tones. Beside a bed on dark olive or aubergine walls. Above a dark timber sideboard in a living room. For a brass pendant to carry the warm metalwork overhead, the Traditional Ribbed Pendant in Antique Brass extends the ribbed glass direction.
The lighter veining gains definition under warm sidelight from the ribbed glass. On pale stone, light flattens tonal variation. On dark marble, light amplifies it. The marble looks more interesting when the fitting is on than when it is off.
Dimming shifts the ribbed glass to amber. The softer sidelight deepens the marble's contrast between dark ground and lighter veins. On low, the fitting becomes a warm sculptural object where the stone's internal structure is faintly illuminated.
No. Marble is natural and each piece has its own veining, colour depth and mineral character. Expect variation between units. This is inherent to genuine stone.
No. IP20 covers dry indoor positions only. The marble is not rated for wet environments. For bathrooms, choose a fitting rated IP44 or higher.
The metal arm must be connected to earth for safety. Live, neutral and earth wiring required. Standard for fittings with a metal frame.
Dimensions: 260 mm (H) x 142 mm (W) x 192 mm (D). Backplate: solid dark brown marble. Arm: warm brass on steel. Shade: clear ribbed glass. Bulb: 6 W E14 LED, not included. Dimmable: yes. Voltage: 220-240 V. Class: 1 (earth required). IP: 20. Weight: 1.27 kg.
Knowledge Hub
Dark materials in rooms with depth.
A dark marble wall light works best in rooms that are not afraid of depth: dark-painted walls, rich upholstery, deep timber, layered textures. The fitting anchors the wall with geological weight and the ribbed glass provides the warmth above. These guides cover how to build rooms with the confidence to use dark, material-rich lighting.
The Must Have Finishing Touch
Recently viewed
Overall rating: 0.0 / 5 from 0 reviews.
AI Generated Review Summary
Summary topics
Review topics: [].
Review highlights
Reviews
Q&A
Overall rating: 0.0 / 5 from 0 reviews.
AI Generated Review Summary
Summary topics
Review topics: [].
