Overview
Description
Specifications
Delivery & Returns
FAQs
Knowledge Hub
The Ceiling Finally Earns Its Place
Most rooms are designed from the floor upward. Rugs, furniture, soft furnishings, walls, and then as something of an afterthought, a ceiling fitting that does the job without contributing to the scheme. This one is different. Oak-stained solid ash wood, brushed aged brass metalwork and natural faux linen shades work together to make the ceiling a considered part of the room rather than a blank overhead plane. In daylight the combination of grain, aged metal and fabric has quiet presence. After dark, the linen shades produce a soft, even warmth that deepens the whole space rather than simply filling it with light. It is fully dimmable, takes an E14 LED bulb, and sits in a semi-flush profile that works with standard ceiling heights. The material combination suits both modern and traditional interiors without requiring any adjustment from the room.
Spec Details Worth Knowing
- Materials: Oak-stained solid ash wood frame, brushed aged brass steel metalwork, natural faux linen fabric shades
- Bulb: E14 LED 7W, not included. Warm white 2700K recommended
- Dimmable: Yes, with a compatible trailing-edge dimmer switch
- Class: Class 2, double insulated, no earth wire required
- IP Rating: IP20, dry indoor rooms only
Where This Fitting Belongs
The CL933G works wherever the ceiling has been treated as an afterthought. Bedrooms where side lamps have been carrying the whole atmospheric load. Landings that have never felt fully designed. Open-plan rooms where one end is considered and the other is still waiting. The warm grain of the ash wood and the settled tone of the brushed brass mean this fitting sits naturally against painted plaster, exposed timber, linen sofas and any palette built around natural or earthy tones. For how warm metals and natural textures are being used across current interior schemes, the 2025 home decor trends guide is a useful reference point before you commit to a scheme.
Three Materials. Zero Compromise.
There is a kind of ceiling light that looks fine. It fills the rose, provides brightness, and never makes you look up. This is not that light. The CL933G pairs oak-stained solid ash wood with brushed aged brass metalwork and natural faux linen shades, and the result is a fitting where every material does something the others cannot. Genuine grain in the ash. A settled, slightly browned warmth in the brass that polished finishes never achieve. Linen shades that filter the light before it reaches the room.
Switched off, the combination of wood grain, aged metal and fabric has quiet presence. Switched on, the linen shades cast a glow that makes the brass and ash tones richer rather than washing them out. For rooms where natural textures are already doing the work at floor level, the natural seagrass pendant light pairs well as a secondary fitting.
Six Ways It Earns Its Place
- Material warmth that exists before the bulb comes on. Ash wood, aged brass and linen each carry their own temperature. In a room with timber floors or earthy soft furnishings, this fitting already looks right in daylight. The light in the evening is warmer still.
- Ambient light that spreads rather than projects. The faux linen shades soften the output and push it outward across the room. The effect is generous and even, the kind of overhead light that makes a room feel inhabited rather than illuminated.
- A full dimming range for every hour of the day. This fitting dims from a bright, functional overhead light down to a low setting that makes the brass and wood the focus rather than the light itself. A compatible trailing-edge dimmer switch is required to use this range.
- Presence without bulk. The semi-flush format sits close enough to a standard ceiling to leave headroom unaffected. The visual weight comes entirely from the materials and the profile, not from the scale of the fitting.
- A style that does not pick a side. Aged brass and ash wood work in a modern flat with pale plaster walls, and equally well in a period cottage with exposed beams. Few materials manage both without looking like a compromise.
Why Faux Linen Works Better Here
Natural linen produces a warmth that glass diffusers cannot replicate. The problem in a ceiling fitting is exposure: dust collects, humidity shifts the shape, and in a busy household it loses form over months rather than years. Faux linen solves all of this. The texture and quality of light are indistinguishable from real fabric in a lit room. It wipes clean, holds its form, and for a shade you cannot easily launder, this is the version that makes practical sense without sacrificing anything visual.
Rooms That Were Waiting
A bedroom where the overhead light has always been the thing you switch off on the way to the lamp. A landing that has never felt like it belongs to the rest of the home. An open-plan sitting room where the kitchen side is bright and considered but the sofa end still depends on floor lamps alone. A study lined with warm timber shelving and a worn leather chair that has never had a ceiling light to match. In all of these, the problem is not the absence of light but the absence of the right light: something that makes the room feel finished overhead rather than just functional. For bedroom schemes built around natural textures, the boho bedroom design guide is worth reading before you finalise anything else.
Read Before You Order
- Bulb socket and type. This fitting uses E14 bulbs, the small Edison screw, narrower than the E27 in a standard table lamp. Bulbs are not included. A warm white LED at 2700K will complement the ash and brass tones; anything cooler will push the fitting toward a clinical feel that undercuts the materials.
- Dimming needs the right switch. The fitting is fully dimmable but requires a compatible trailing-edge dimmer. A standard on/off switch delivers full brightness only. If the room does not currently have a dimmer, budget for replacing the switch at the same time.
- Rated IP20, dry rooms only. This fitting is designed for dry indoor rooms and is not suitable for bathrooms or spaces with significant humidity. Bedrooms, landings, living rooms and studies are all appropriate locations.
Delivery
| Service | Timescale | Cost |
|---|---|---|
| Standard | 3-5 working days | Free |
| Next working day | Order before 4pm | £5.95 |
UK mainland only. Orders placed on weekends or bank holidays are dispatched the next working day.
We are unable to deliver to Northern Ireland, the Scottish Isles, Jersey, Guernsey, the Isle of Wight, the Isle of Man, or the Isles of Scilly. Full delivery information.
Returns
28-day returns policy. Contact us within 28 days of receipt if you are not happy with your order.
Items must be returned unused and in their original packaging. Our UK-based team will guide you through the process. Full returns information.
Straight Answers on the CL933G
Solid ash, oak-stained. Not a printed surface. The grain catches light at different angles in a way no printed finish can replicate, which is what gives the fitting depth when the bulbs are on.
Brushed aged brass sits between the two. Less yellow than polished antique brass, warmer than satin nickel. It works with pale plaster and modern lines as naturally as with timber and soft furnishings.
Not in a lit room. The texture and quality of light are consistent with genuine fabric shades. Faux linen holds its shape over years rather than months and resists the humidity that causes natural shades to sag or discolour.
Full range, from bright functional overhead light to a low atmospheric setting. This fitting requires a compatible trailing-edge dimmer switch. With a standard on/off switch you get full brightness only. With the correct dimmer, the range is usable at every point.
E14 LED, 7W. The E14 is the small Edison screw, narrower than the E27 in most table lamps. Bulbs not included. Choose warm white at 2700K. Cooler bulbs undercut the warmth of the ash and brass. The classic glass touch table lamp pairs well in a layered scheme.
No. IP20 means dry indoor rooms only. Bathrooms and steamy kitchens are outside its range. For a bedroom, landing, living room or study it presents no restriction at all.
Double insulated, so no earth wire is required. An advantage in older UK properties where the ceiling rose does not include an earth wire. Class 2 connects to live and neutral only, keeping installation straightforward.
The semi-flush format suits exactly this situation. Close enough to the ceiling to keep headroom clear in a standard room, but dropping enough to give the fitting visible presence. It sits between flush and pendant in a way that works at most ceiling heights.
At home in both. In a period property, wood grain and settled brass tone sit naturally with existing materials. In a new build with clean walls, the same combination introduces warmth without fighting the architecture. The linen shades do not push it either way.
Getting the Most from Natural Materials in Lighting
Wood, aged brass and fabric shades each change how a room feels at different times of day. Understanding how these materials interact with other elements in a scheme helps you make decisions that hold up across seasons and lighting conditions.
Overview
The Ceiling Finally Earns Its Place
Most rooms are designed from the floor upward. Rugs, furniture, soft furnishings, walls, and then as something of an afterthought, a ceiling fitting that does the job without contributing to the scheme. This one is different. Oak-stained solid ash wood, brushed aged brass metalwork and natural faux linen shades work together to make the ceiling a considered part of the room rather than a blank overhead plane. In daylight the combination of grain, aged metal and fabric has quiet presence. After dark, the linen shades produce a soft, even warmth that deepens the whole space rather than simply filling it with light. It is fully dimmable, takes an E14 LED bulb, and sits in a semi-flush profile that works with standard ceiling heights. The material combination suits both modern and traditional interiors without requiring any adjustment from the room.
Spec Details Worth Knowing
- Materials: Oak-stained solid ash wood frame, brushed aged brass steel metalwork, natural faux linen fabric shades
- Bulb: E14 LED 7W, not included. Warm white 2700K recommended
- Dimmable: Yes, with a compatible trailing-edge dimmer switch
- Class: Class 2, double insulated, no earth wire required
- IP Rating: IP20, dry indoor rooms only
Where This Fitting Belongs
The CL933G works wherever the ceiling has been treated as an afterthought. Bedrooms where side lamps have been carrying the whole atmospheric load. Landings that have never felt fully designed. Open-plan rooms where one end is considered and the other is still waiting. The warm grain of the ash wood and the settled tone of the brushed brass mean this fitting sits naturally against painted plaster, exposed timber, linen sofas and any palette built around natural or earthy tones. For how warm metals and natural textures are being used across current interior schemes, the 2025 home decor trends guide is a useful reference point before you commit to a scheme.
Description
Three Materials. Zero Compromise.
There is a kind of ceiling light that looks fine. It fills the rose, provides brightness, and never makes you look up. This is not that light. The CL933G pairs oak-stained solid ash wood with brushed aged brass metalwork and natural faux linen shades, and the result is a fitting where every material does something the others cannot. Genuine grain in the ash. A settled, slightly browned warmth in the brass that polished finishes never achieve. Linen shades that filter the light before it reaches the room.
Switched off, the combination of wood grain, aged metal and fabric has quiet presence. Switched on, the linen shades cast a glow that makes the brass and ash tones richer rather than washing them out. For rooms where natural textures are already doing the work at floor level, the natural seagrass pendant light pairs well as a secondary fitting.
Six Ways It Earns Its Place
- Material warmth that exists before the bulb comes on. Ash wood, aged brass and linen each carry their own temperature. In a room with timber floors or earthy soft furnishings, this fitting already looks right in daylight. The light in the evening is warmer still.
- Ambient light that spreads rather than projects. The faux linen shades soften the output and push it outward across the room. The effect is generous and even, the kind of overhead light that makes a room feel inhabited rather than illuminated.
- A full dimming range for every hour of the day. This fitting dims from a bright, functional overhead light down to a low setting that makes the brass and wood the focus rather than the light itself. A compatible trailing-edge dimmer switch is required to use this range.
- Presence without bulk. The semi-flush format sits close enough to a standard ceiling to leave headroom unaffected. The visual weight comes entirely from the materials and the profile, not from the scale of the fitting.
- A style that does not pick a side. Aged brass and ash wood work in a modern flat with pale plaster walls, and equally well in a period cottage with exposed beams. Few materials manage both without looking like a compromise.
Why Faux Linen Works Better Here
Natural linen produces a warmth that glass diffusers cannot replicate. The problem in a ceiling fitting is exposure: dust collects, humidity shifts the shape, and in a busy household it loses form over months rather than years. Faux linen solves all of this. The texture and quality of light are indistinguishable from real fabric in a lit room. It wipes clean, holds its form, and for a shade you cannot easily launder, this is the version that makes practical sense without sacrificing anything visual.
Rooms That Were Waiting
A bedroom where the overhead light has always been the thing you switch off on the way to the lamp. A landing that has never felt like it belongs to the rest of the home. An open-plan sitting room where the kitchen side is bright and considered but the sofa end still depends on floor lamps alone. A study lined with warm timber shelving and a worn leather chair that has never had a ceiling light to match. In all of these, the problem is not the absence of light but the absence of the right light: something that makes the room feel finished overhead rather than just functional. For bedroom schemes built around natural textures, the boho bedroom design guide is worth reading before you finalise anything else.
Read Before You Order
- Bulb socket and type. This fitting uses E14 bulbs, the small Edison screw, narrower than the E27 in a standard table lamp. Bulbs are not included. A warm white LED at 2700K will complement the ash and brass tones; anything cooler will push the fitting toward a clinical feel that undercuts the materials.
- Dimming needs the right switch. The fitting is fully dimmable but requires a compatible trailing-edge dimmer. A standard on/off switch delivers full brightness only. If the room does not currently have a dimmer, budget for replacing the switch at the same time.
- Rated IP20, dry rooms only. This fitting is designed for dry indoor rooms and is not suitable for bathrooms or spaces with significant humidity. Bedrooms, landings, living rooms and studies are all appropriate locations.
Specifications
Delivery & Returns
Delivery
| Service | Timescale | Cost |
|---|---|---|
| Standard | 3-5 working days | Free |
| Next working day | Order before 4pm | £5.95 |
UK mainland only. Orders placed on weekends or bank holidays are dispatched the next working day.
We are unable to deliver to Northern Ireland, the Scottish Isles, Jersey, Guernsey, the Isle of Wight, the Isle of Man, or the Isles of Scilly. Full delivery information.
Returns
28-day returns policy. Contact us within 28 days of receipt if you are not happy with your order.
Items must be returned unused and in their original packaging. Our UK-based team will guide you through the process. Full returns information.
FAQs
Straight Answers on the CL933G
Solid ash, oak-stained. Not a printed surface. The grain catches light at different angles in a way no printed finish can replicate, which is what gives the fitting depth when the bulbs are on.
Brushed aged brass sits between the two. Less yellow than polished antique brass, warmer than satin nickel. It works with pale plaster and modern lines as naturally as with timber and soft furnishings.
Not in a lit room. The texture and quality of light are consistent with genuine fabric shades. Faux linen holds its shape over years rather than months and resists the humidity that causes natural shades to sag or discolour.
Full range, from bright functional overhead light to a low atmospheric setting. This fitting requires a compatible trailing-edge dimmer switch. With a standard on/off switch you get full brightness only. With the correct dimmer, the range is usable at every point.
E14 LED, 7W. The E14 is the small Edison screw, narrower than the E27 in most table lamps. Bulbs not included. Choose warm white at 2700K. Cooler bulbs undercut the warmth of the ash and brass. The classic glass touch table lamp pairs well in a layered scheme.
No. IP20 means dry indoor rooms only. Bathrooms and steamy kitchens are outside its range. For a bedroom, landing, living room or study it presents no restriction at all.
Double insulated, so no earth wire is required. An advantage in older UK properties where the ceiling rose does not include an earth wire. Class 2 connects to live and neutral only, keeping installation straightforward.
The semi-flush format suits exactly this situation. Close enough to the ceiling to keep headroom clear in a standard room, but dropping enough to give the fitting visible presence. It sits between flush and pendant in a way that works at most ceiling heights.
At home in both. In a period property, wood grain and settled brass tone sit naturally with existing materials. In a new build with clean walls, the same combination introduces warmth without fighting the architecture. The linen shades do not push it either way.
Knowledge Hub
Getting the Most from Natural Materials in Lighting
Wood, aged brass and fabric shades each change how a room feels at different times of day. Understanding how these materials interact with other elements in a scheme helps you make decisions that hold up across seasons and lighting conditions.
Brass and Ash Wood Semi Flush Ceiling Light with Linen Shades
Overview
Description
Specifications
Delivery & Returns
FAQs
Knowledge Hub
The Ceiling Finally Earns Its Place
Most rooms are designed from the floor upward. Rugs, furniture, soft furnishings, walls, and then as something of an afterthought, a ceiling fitting that does the job without contributing to the scheme. This one is different. Oak-stained solid ash wood, brushed aged brass metalwork and natural faux linen shades work together to make the ceiling a considered part of the room rather than a blank overhead plane. In daylight the combination of grain, aged metal and fabric has quiet presence. After dark, the linen shades produce a soft, even warmth that deepens the whole space rather than simply filling it with light. It is fully dimmable, takes an E14 LED bulb, and sits in a semi-flush profile that works with standard ceiling heights. The material combination suits both modern and traditional interiors without requiring any adjustment from the room.
Spec Details Worth Knowing
- Materials: Oak-stained solid ash wood frame, brushed aged brass steel metalwork, natural faux linen fabric shades
- Bulb: E14 LED 7W, not included. Warm white 2700K recommended
- Dimmable: Yes, with a compatible trailing-edge dimmer switch
- Class: Class 2, double insulated, no earth wire required
- IP Rating: IP20, dry indoor rooms only
Where This Fitting Belongs
The CL933G works wherever the ceiling has been treated as an afterthought. Bedrooms where side lamps have been carrying the whole atmospheric load. Landings that have never felt fully designed. Open-plan rooms where one end is considered and the other is still waiting. The warm grain of the ash wood and the settled tone of the brushed brass mean this fitting sits naturally against painted plaster, exposed timber, linen sofas and any palette built around natural or earthy tones. For how warm metals and natural textures are being used across current interior schemes, the 2025 home decor trends guide is a useful reference point before you commit to a scheme.
Three Materials. Zero Compromise.
There is a kind of ceiling light that looks fine. It fills the rose, provides brightness, and never makes you look up. This is not that light. The CL933G pairs oak-stained solid ash wood with brushed aged brass metalwork and natural faux linen shades, and the result is a fitting where every material does something the others cannot. Genuine grain in the ash. A settled, slightly browned warmth in the brass that polished finishes never achieve. Linen shades that filter the light before it reaches the room.
Switched off, the combination of wood grain, aged metal and fabric has quiet presence. Switched on, the linen shades cast a glow that makes the brass and ash tones richer rather than washing them out. For rooms where natural textures are already doing the work at floor level, the natural seagrass pendant light pairs well as a secondary fitting.
Six Ways It Earns Its Place
- Material warmth that exists before the bulb comes on. Ash wood, aged brass and linen each carry their own temperature. In a room with timber floors or earthy soft furnishings, this fitting already looks right in daylight. The light in the evening is warmer still.
- Ambient light that spreads rather than projects. The faux linen shades soften the output and push it outward across the room. The effect is generous and even, the kind of overhead light that makes a room feel inhabited rather than illuminated.
- A full dimming range for every hour of the day. This fitting dims from a bright, functional overhead light down to a low setting that makes the brass and wood the focus rather than the light itself. A compatible trailing-edge dimmer switch is required to use this range.
- Presence without bulk. The semi-flush format sits close enough to a standard ceiling to leave headroom unaffected. The visual weight comes entirely from the materials and the profile, not from the scale of the fitting.
- A style that does not pick a side. Aged brass and ash wood work in a modern flat with pale plaster walls, and equally well in a period cottage with exposed beams. Few materials manage both without looking like a compromise.
Why Faux Linen Works Better Here
Natural linen produces a warmth that glass diffusers cannot replicate. The problem in a ceiling fitting is exposure: dust collects, humidity shifts the shape, and in a busy household it loses form over months rather than years. Faux linen solves all of this. The texture and quality of light are indistinguishable from real fabric in a lit room. It wipes clean, holds its form, and for a shade you cannot easily launder, this is the version that makes practical sense without sacrificing anything visual.
Rooms That Were Waiting
A bedroom where the overhead light has always been the thing you switch off on the way to the lamp. A landing that has never felt like it belongs to the rest of the home. An open-plan sitting room where the kitchen side is bright and considered but the sofa end still depends on floor lamps alone. A study lined with warm timber shelving and a worn leather chair that has never had a ceiling light to match. In all of these, the problem is not the absence of light but the absence of the right light: something that makes the room feel finished overhead rather than just functional. For bedroom schemes built around natural textures, the boho bedroom design guide is worth reading before you finalise anything else.
Read Before You Order
- Bulb socket and type. This fitting uses E14 bulbs, the small Edison screw, narrower than the E27 in a standard table lamp. Bulbs are not included. A warm white LED at 2700K will complement the ash and brass tones; anything cooler will push the fitting toward a clinical feel that undercuts the materials.
- Dimming needs the right switch. The fitting is fully dimmable but requires a compatible trailing-edge dimmer. A standard on/off switch delivers full brightness only. If the room does not currently have a dimmer, budget for replacing the switch at the same time.
- Rated IP20, dry rooms only. This fitting is designed for dry indoor rooms and is not suitable for bathrooms or spaces with significant humidity. Bedrooms, landings, living rooms and studies are all appropriate locations.
Delivery
| Service | Timescale | Cost |
|---|---|---|
| Standard | 3-5 working days | Free |
| Next working day | Order before 4pm | £5.95 |
UK mainland only. Orders placed on weekends or bank holidays are dispatched the next working day.
We are unable to deliver to Northern Ireland, the Scottish Isles, Jersey, Guernsey, the Isle of Wight, the Isle of Man, or the Isles of Scilly. Full delivery information.
Returns
28-day returns policy. Contact us within 28 days of receipt if you are not happy with your order.
Items must be returned unused and in their original packaging. Our UK-based team will guide you through the process. Full returns information.
Straight Answers on the CL933G
Solid ash, oak-stained. Not a printed surface. The grain catches light at different angles in a way no printed finish can replicate, which is what gives the fitting depth when the bulbs are on.
Brushed aged brass sits between the two. Less yellow than polished antique brass, warmer than satin nickel. It works with pale plaster and modern lines as naturally as with timber and soft furnishings.
Not in a lit room. The texture and quality of light are consistent with genuine fabric shades. Faux linen holds its shape over years rather than months and resists the humidity that causes natural shades to sag or discolour.
Full range, from bright functional overhead light to a low atmospheric setting. This fitting requires a compatible trailing-edge dimmer switch. With a standard on/off switch you get full brightness only. With the correct dimmer, the range is usable at every point.
E14 LED, 7W. The E14 is the small Edison screw, narrower than the E27 in most table lamps. Bulbs not included. Choose warm white at 2700K. Cooler bulbs undercut the warmth of the ash and brass. The classic glass touch table lamp pairs well in a layered scheme.
No. IP20 means dry indoor rooms only. Bathrooms and steamy kitchens are outside its range. For a bedroom, landing, living room or study it presents no restriction at all.
Double insulated, so no earth wire is required. An advantage in older UK properties where the ceiling rose does not include an earth wire. Class 2 connects to live and neutral only, keeping installation straightforward.
The semi-flush format suits exactly this situation. Close enough to the ceiling to keep headroom clear in a standard room, but dropping enough to give the fitting visible presence. It sits between flush and pendant in a way that works at most ceiling heights.
At home in both. In a period property, wood grain and settled brass tone sit naturally with existing materials. In a new build with clean walls, the same combination introduces warmth without fighting the architecture. The linen shades do not push it either way.
Getting the Most from Natural Materials in Lighting
Wood, aged brass and fabric shades each change how a room feels at different times of day. Understanding how these materials interact with other elements in a scheme helps you make decisions that hold up across seasons and lighting conditions.
Overview
The Ceiling Finally Earns Its Place
Most rooms are designed from the floor upward. Rugs, furniture, soft furnishings, walls, and then as something of an afterthought, a ceiling fitting that does the job without contributing to the scheme. This one is different. Oak-stained solid ash wood, brushed aged brass metalwork and natural faux linen shades work together to make the ceiling a considered part of the room rather than a blank overhead plane. In daylight the combination of grain, aged metal and fabric has quiet presence. After dark, the linen shades produce a soft, even warmth that deepens the whole space rather than simply filling it with light. It is fully dimmable, takes an E14 LED bulb, and sits in a semi-flush profile that works with standard ceiling heights. The material combination suits both modern and traditional interiors without requiring any adjustment from the room.
Spec Details Worth Knowing
- Materials: Oak-stained solid ash wood frame, brushed aged brass steel metalwork, natural faux linen fabric shades
- Bulb: E14 LED 7W, not included. Warm white 2700K recommended
- Dimmable: Yes, with a compatible trailing-edge dimmer switch
- Class: Class 2, double insulated, no earth wire required
- IP Rating: IP20, dry indoor rooms only
Where This Fitting Belongs
The CL933G works wherever the ceiling has been treated as an afterthought. Bedrooms where side lamps have been carrying the whole atmospheric load. Landings that have never felt fully designed. Open-plan rooms where one end is considered and the other is still waiting. The warm grain of the ash wood and the settled tone of the brushed brass mean this fitting sits naturally against painted plaster, exposed timber, linen sofas and any palette built around natural or earthy tones. For how warm metals and natural textures are being used across current interior schemes, the 2025 home decor trends guide is a useful reference point before you commit to a scheme.
Description
Three Materials. Zero Compromise.
There is a kind of ceiling light that looks fine. It fills the rose, provides brightness, and never makes you look up. This is not that light. The CL933G pairs oak-stained solid ash wood with brushed aged brass metalwork and natural faux linen shades, and the result is a fitting where every material does something the others cannot. Genuine grain in the ash. A settled, slightly browned warmth in the brass that polished finishes never achieve. Linen shades that filter the light before it reaches the room.
Switched off, the combination of wood grain, aged metal and fabric has quiet presence. Switched on, the linen shades cast a glow that makes the brass and ash tones richer rather than washing them out. For rooms where natural textures are already doing the work at floor level, the natural seagrass pendant light pairs well as a secondary fitting.
Six Ways It Earns Its Place
- Material warmth that exists before the bulb comes on. Ash wood, aged brass and linen each carry their own temperature. In a room with timber floors or earthy soft furnishings, this fitting already looks right in daylight. The light in the evening is warmer still.
- Ambient light that spreads rather than projects. The faux linen shades soften the output and push it outward across the room. The effect is generous and even, the kind of overhead light that makes a room feel inhabited rather than illuminated.
- A full dimming range for every hour of the day. This fitting dims from a bright, functional overhead light down to a low setting that makes the brass and wood the focus rather than the light itself. A compatible trailing-edge dimmer switch is required to use this range.
- Presence without bulk. The semi-flush format sits close enough to a standard ceiling to leave headroom unaffected. The visual weight comes entirely from the materials and the profile, not from the scale of the fitting.
- A style that does not pick a side. Aged brass and ash wood work in a modern flat with pale plaster walls, and equally well in a period cottage with exposed beams. Few materials manage both without looking like a compromise.
Why Faux Linen Works Better Here
Natural linen produces a warmth that glass diffusers cannot replicate. The problem in a ceiling fitting is exposure: dust collects, humidity shifts the shape, and in a busy household it loses form over months rather than years. Faux linen solves all of this. The texture and quality of light are indistinguishable from real fabric in a lit room. It wipes clean, holds its form, and for a shade you cannot easily launder, this is the version that makes practical sense without sacrificing anything visual.
Rooms That Were Waiting
A bedroom where the overhead light has always been the thing you switch off on the way to the lamp. A landing that has never felt like it belongs to the rest of the home. An open-plan sitting room where the kitchen side is bright and considered but the sofa end still depends on floor lamps alone. A study lined with warm timber shelving and a worn leather chair that has never had a ceiling light to match. In all of these, the problem is not the absence of light but the absence of the right light: something that makes the room feel finished overhead rather than just functional. For bedroom schemes built around natural textures, the boho bedroom design guide is worth reading before you finalise anything else.
Read Before You Order
- Bulb socket and type. This fitting uses E14 bulbs, the small Edison screw, narrower than the E27 in a standard table lamp. Bulbs are not included. A warm white LED at 2700K will complement the ash and brass tones; anything cooler will push the fitting toward a clinical feel that undercuts the materials.
- Dimming needs the right switch. The fitting is fully dimmable but requires a compatible trailing-edge dimmer. A standard on/off switch delivers full brightness only. If the room does not currently have a dimmer, budget for replacing the switch at the same time.
- Rated IP20, dry rooms only. This fitting is designed for dry indoor rooms and is not suitable for bathrooms or spaces with significant humidity. Bedrooms, landings, living rooms and studies are all appropriate locations.
Specifications
Delivery & Returns
Delivery
| Service | Timescale | Cost |
|---|---|---|
| Standard | 3-5 working days | Free |
| Next working day | Order before 4pm | £5.95 |
UK mainland only. Orders placed on weekends or bank holidays are dispatched the next working day.
We are unable to deliver to Northern Ireland, the Scottish Isles, Jersey, Guernsey, the Isle of Wight, the Isle of Man, or the Isles of Scilly. Full delivery information.
Returns
28-day returns policy. Contact us within 28 days of receipt if you are not happy with your order.
Items must be returned unused and in their original packaging. Our UK-based team will guide you through the process. Full returns information.
FAQs
Straight Answers on the CL933G
Solid ash, oak-stained. Not a printed surface. The grain catches light at different angles in a way no printed finish can replicate, which is what gives the fitting depth when the bulbs are on.
Brushed aged brass sits between the two. Less yellow than polished antique brass, warmer than satin nickel. It works with pale plaster and modern lines as naturally as with timber and soft furnishings.
Not in a lit room. The texture and quality of light are consistent with genuine fabric shades. Faux linen holds its shape over years rather than months and resists the humidity that causes natural shades to sag or discolour.
Full range, from bright functional overhead light to a low atmospheric setting. This fitting requires a compatible trailing-edge dimmer switch. With a standard on/off switch you get full brightness only. With the correct dimmer, the range is usable at every point.
E14 LED, 7W. The E14 is the small Edison screw, narrower than the E27 in most table lamps. Bulbs not included. Choose warm white at 2700K. Cooler bulbs undercut the warmth of the ash and brass. The classic glass touch table lamp pairs well in a layered scheme.
No. IP20 means dry indoor rooms only. Bathrooms and steamy kitchens are outside its range. For a bedroom, landing, living room or study it presents no restriction at all.
Double insulated, so no earth wire is required. An advantage in older UK properties where the ceiling rose does not include an earth wire. Class 2 connects to live and neutral only, keeping installation straightforward.
The semi-flush format suits exactly this situation. Close enough to the ceiling to keep headroom clear in a standard room, but dropping enough to give the fitting visible presence. It sits between flush and pendant in a way that works at most ceiling heights.
At home in both. In a period property, wood grain and settled brass tone sit naturally with existing materials. In a new build with clean walls, the same combination introduces warmth without fighting the architecture. The linen shades do not push it either way.
Knowledge Hub
Getting the Most from Natural Materials in Lighting
Wood, aged brass and fabric shades each change how a room feels at different times of day. Understanding how these materials interact with other elements in a scheme helps you make decisions that hold up across seasons and lighting conditions.