Overview
Description
Specifications
Delivery & Returns
FAQs
Knowledge Hub
Solid oak. Organic edge. Landscape.
A wall mirror with a softly rounded, pebble-like silhouette in solid oak. Close to a circle and deliberately not one: 800 mm wide against 780 mm tall, with an edge that swells and eases rather than holding a constant radius. Real timber, so the grain follows the curve and every frame differs. Plain glass, no bevel. 800 mm wide, 780 mm tall, 37 mm deep, 5.6 kg. Oak, glass and MDF. D-ring fixing, landscape orientation. Indoor dry positions only.
What the uneven edge changes here.
- It reads as found, not drawn: A true circle is exact and unmistakably manufactured. This shape is twenty millimetres off, and the asymmetry is what makes it read as organic rather than geometric.
- It shows real grain: Solid oak, not a printed finish on board. The grain turns as the frame turns and varies between pieces. No two are identical.
- It stays close to the wall: 37 mm deep. The silhouette does the work rather than the projection, so the mirror reads as a soft outline instead of a heavy object.
- It softens a room of straight lines: Wardrobe doors, skirting, window reveals, headboards. The pebble shape is the only curve in most rooms and does not need styling around.
- It hangs landscape: D-rings set for horizontal. Because the shape is asymmetric, orientation is a design decision, not just a fixing one.
- It carries timber weight: 5.6 kg of solid oak. Use fixings rated for the load, particularly on plasterboard.
Where an off-circle beats a circle.
Above a bed where a true circle reads as too formal over the headboard. In a hallway on warm plaster where the soft edge takes the hardness out of a narrow space. Above a sideboard where the landscape format echoes the furniture below. On sage, clay or off-white where natural oak sits in the same tonal family. For how organic shapes and natural timber work within a pared-back scheme, our Scandinavian living room guide covers the approach.
Most mirrors hang portrait. This one doesn't.
Taller than wide is the default, and it is a default with a reason behind it: mirrors were made to reflect a standing person, so they were built to the proportions of one. Decoratively that habit has outlasted its purpose. At 800 mm wide against 780 mm tall it spreads across a wall instead of climbing it. On paper the difference is twenty millimetres. On a wall it changes the entire relationship between the mirror and everything underneath it.
Furniture runs horizontal. Sideboards, consoles, chests of drawers, headboards. Hang a portrait mirror above a wide low piece and you leave dead wall on either side, which is why those arrangements usually need lamps or prints to close the gap. A landscape mirror does not create the gap in the first place. It picks up the line of the furniture below and carries it. In a room with a low ceiling the effect goes further: a portrait format emphasises the height the room does not have, while this one widens the wall instead.
The proportions: 800 mm wide, 780 mm tall, 37 mm deep, 5.6 kg. Plain glass, no bevel. The frame is solid oak in a natural finish over an MDF backing, hung landscape on D-ring fixings. For the same honest timber in a formal shape, the Walnut Wooden Oval Wall Mirror takes a true oval and a darker grain in portrait format.
What solid oak and an uneven edge bring.
- Organic pebble silhouette. Softly rounded, close to circular, deliberately not exact. 800 mm wide against 780 mm tall. The asymmetry is what makes the shape read as natural rather than drawn.
- Solid oak frame. Real timber, not a printed or foil finish over board. The grain follows the curve and varies between pieces. Every frame is different, which is the point.
- Slim 37 mm profile. The frame sits close to the wall rather than standing off it. The shape does the work, not the depth, so the mirror reads as a soft outline rather than a heavy object.
- Plain glass, no bevel. An irregular edge and a bevelled edge compete. Plain glass keeps the silhouette as the single detail and lets the reflection run clean to the timber.
- Landscape orientation. D-rings set for horizontal hanging. Because the shape is asymmetric, the orientation is a design decision rather than a technical one.
- 5.6 kg, D-ring fixing. Solid timber gives it weight without bulk. Use fixings rated for the load, particularly on plasterboard.
Why solid oak beats a printed grain.
Most oak-look mirror frames are board with an image of oak applied to the surface. At a glance the difference is small. In a room it is not. A printed grain repeats on a cycle, runs in one direction regardless of the shape it wraps, and stops dead at the edge where the pattern meets the substrate. Solid oak has none of those tells. The grain turns as the frame turns, the end grain shows at the profile, and the tone deepens with age and light rather than staying fixed. On an irregular shape this is what separates a considered piece from a cut-out. The timber and the silhouette are describing the same idea.
Where an off-circle beats a circle.
Above a bed where a true circle would read as too formal a full stop over the headboard. In a hallway on warm plaster where the soft edge takes the hardness out of a narrow space. Above a sideboard or a low console in a living room, the landscape format echoing the horizontal of the furniture rather than fighting it. In a bedroom against a room already full of straight lines: wardrobe doors, skirting, window reveals. On a sage, clay or off-white wall where natural oak sits in the same tonal family and the shape provides the only relief from the geometry.
Before You Order.
- Every frame is different. Solid oak carries its own grain pattern, figure and tone. Expect variation between units and against the product photography. This is inherent to real timber, not a fault.
- Landscape only. The D-rings are positioned for horizontal hanging and the silhouette is composed for it. Hung the other way the shape does not read correctly and the fixings will not sit level.
- Indoor dry positions. Solid oak on an MDF backing. Suitable for bedrooms, hallways and living spaces. Not for bathrooms, en suites or anywhere with sustained steam.
Delivery
| Service | Timescale | Cost |
|---|---|---|
| Standard | 3-5 working days | Free |
| Next working day | Order before 4pm | £5.95 |
UK mainland only. Orders placed on weekends or bank holidays are dispatched the next working day.
We are unable to deliver to Northern Ireland, the Scottish Isles, Jersey, Guernsey, the Isle of Wight, the Isle of Man, or the Isles of Scilly. Full delivery information.
Returns
28-day returns policy. Contact us within 28 days of receipt if you are not happy with your order.
Items must be returned unused and in their original packaging. Our UK-based team will guide you through the process. Full returns information.
FAQs: Organic Oak Pebble Wall Mirror.
Neither. It is an organic pebble shape: softly rounded, close to circular, with an edge that swells and eases rather than holding a constant radius. At 800 mm wide against 780 mm tall it is twenty millimetres off being a circle, and that difference is what makes it read as a natural form rather than a drawn one.
Yes. Solid oak on an MDF backing board, not a printed woodgrain or foil finish applied to board. The grain turns as the frame turns, end grain shows at the profile, and the tone will deepen slightly with age and light. A printed grain does none of those things.
The shape and dimensions will. The grain will not match exactly. Solid oak carries its own figure, colour and density in every piece, so expect variation between units and against the product images. That variation is the reason to choose real timber over a finish.
No. The D-rings are fixed for landscape and the silhouette is composed for horizontal hanging. Rotated, the fixings will not sit level and the balance of the shape is lost. Because the mirror is nearly square this is easy to overlook, so check the D-rings before marking the wall.
At 5.6 kg, fixings rated for the weight. On masonry, wall plugs with screws suited to the load. On plasterboard, hollow-wall anchors or a fixing into a stud. A standard picture hook is not sufficient.
Because an irregular edge and a bevelled edge compete. A bevel draws the eye around the perimeter, which is exactly where the shape is already doing the work. Plain glass keeps the silhouette as the single detail and lets the reflection run clean to the timber.
It keeps the mirror close to the wall. A deep frame stands proud and casts a shadow, which makes a mirror read as an object mounted on the surface. At 37 mm this one reads as a soft outline instead, so the shape carries the piece rather than the depth.
Above a bed where a true circle would be too formal over the headboard. Hallways on warm plaster where the soft edge relieves a narrow space. Above a sideboard where the landscape format echoes the furniture below. Sage, clay and off-white walls where natural oak sits in the same tonal family. For a floor-standing option in a room with space to spare, the Hand Crafted Antique Style Leaner Mirror in Cream takes a more traditional register.
No. Solid oak on an MDF backing is not rated for sustained moisture, and steam will reach the backing board at the edges over time. Bedrooms, hallways and living spaces only.
Dimensions: 780 mm (H) x 800 mm (W) x 37 mm (D). Shape: organic pebble, landscape. Frame: solid oak, natural finish. Glass: plain, no bevel. Materials: oak, glass, MDF. Type: wall mounted. Hanging orientation: landscape. Fixing: D-ring. Weight: 5.6 kg. Indoor dry positions only.
One Curve in a Room of Corners.
Give it a wall with straight lines to argue with: above a headboard, over a low sideboard, opposite a run of wardrobe doors. Keep the styling around it plain and let the oak grain and the soft edge carry the interest. For more on arranging the walls it sits on:
Overview
Solid oak. Organic edge. Landscape.
A wall mirror with a softly rounded, pebble-like silhouette in solid oak. Close to a circle and deliberately not one: 800 mm wide against 780 mm tall, with an edge that swells and eases rather than holding a constant radius. Real timber, so the grain follows the curve and every frame differs. Plain glass, no bevel. 800 mm wide, 780 mm tall, 37 mm deep, 5.6 kg. Oak, glass and MDF. D-ring fixing, landscape orientation. Indoor dry positions only.
What the uneven edge changes here.
- It reads as found, not drawn: A true circle is exact and unmistakably manufactured. This shape is twenty millimetres off, and the asymmetry is what makes it read as organic rather than geometric.
- It shows real grain: Solid oak, not a printed finish on board. The grain turns as the frame turns and varies between pieces. No two are identical.
- It stays close to the wall: 37 mm deep. The silhouette does the work rather than the projection, so the mirror reads as a soft outline instead of a heavy object.
- It softens a room of straight lines: Wardrobe doors, skirting, window reveals, headboards. The pebble shape is the only curve in most rooms and does not need styling around.
- It hangs landscape: D-rings set for horizontal. Because the shape is asymmetric, orientation is a design decision, not just a fixing one.
- It carries timber weight: 5.6 kg of solid oak. Use fixings rated for the load, particularly on plasterboard.
Where an off-circle beats a circle.
Above a bed where a true circle reads as too formal over the headboard. In a hallway on warm plaster where the soft edge takes the hardness out of a narrow space. Above a sideboard where the landscape format echoes the furniture below. On sage, clay or off-white where natural oak sits in the same tonal family. For how organic shapes and natural timber work within a pared-back scheme, our Scandinavian living room guide covers the approach.
Description
Most mirrors hang portrait. This one doesn't.
Taller than wide is the default, and it is a default with a reason behind it: mirrors were made to reflect a standing person, so they were built to the proportions of one. Decoratively that habit has outlasted its purpose. At 800 mm wide against 780 mm tall it spreads across a wall instead of climbing it. On paper the difference is twenty millimetres. On a wall it changes the entire relationship between the mirror and everything underneath it.
Furniture runs horizontal. Sideboards, consoles, chests of drawers, headboards. Hang a portrait mirror above a wide low piece and you leave dead wall on either side, which is why those arrangements usually need lamps or prints to close the gap. A landscape mirror does not create the gap in the first place. It picks up the line of the furniture below and carries it. In a room with a low ceiling the effect goes further: a portrait format emphasises the height the room does not have, while this one widens the wall instead.
The proportions: 800 mm wide, 780 mm tall, 37 mm deep, 5.6 kg. Plain glass, no bevel. The frame is solid oak in a natural finish over an MDF backing, hung landscape on D-ring fixings. For the same honest timber in a formal shape, the Walnut Wooden Oval Wall Mirror takes a true oval and a darker grain in portrait format.
What solid oak and an uneven edge bring.
- Organic pebble silhouette. Softly rounded, close to circular, deliberately not exact. 800 mm wide against 780 mm tall. The asymmetry is what makes the shape read as natural rather than drawn.
- Solid oak frame. Real timber, not a printed or foil finish over board. The grain follows the curve and varies between pieces. Every frame is different, which is the point.
- Slim 37 mm profile. The frame sits close to the wall rather than standing off it. The shape does the work, not the depth, so the mirror reads as a soft outline rather than a heavy object.
- Plain glass, no bevel. An irregular edge and a bevelled edge compete. Plain glass keeps the silhouette as the single detail and lets the reflection run clean to the timber.
- Landscape orientation. D-rings set for horizontal hanging. Because the shape is asymmetric, the orientation is a design decision rather than a technical one.
- 5.6 kg, D-ring fixing. Solid timber gives it weight without bulk. Use fixings rated for the load, particularly on plasterboard.
Why solid oak beats a printed grain.
Most oak-look mirror frames are board with an image of oak applied to the surface. At a glance the difference is small. In a room it is not. A printed grain repeats on a cycle, runs in one direction regardless of the shape it wraps, and stops dead at the edge where the pattern meets the substrate. Solid oak has none of those tells. The grain turns as the frame turns, the end grain shows at the profile, and the tone deepens with age and light rather than staying fixed. On an irregular shape this is what separates a considered piece from a cut-out. The timber and the silhouette are describing the same idea.
Where an off-circle beats a circle.
Above a bed where a true circle would read as too formal a full stop over the headboard. In a hallway on warm plaster where the soft edge takes the hardness out of a narrow space. Above a sideboard or a low console in a living room, the landscape format echoing the horizontal of the furniture rather than fighting it. In a bedroom against a room already full of straight lines: wardrobe doors, skirting, window reveals. On a sage, clay or off-white wall where natural oak sits in the same tonal family and the shape provides the only relief from the geometry.
Before You Order.
- Every frame is different. Solid oak carries its own grain pattern, figure and tone. Expect variation between units and against the product photography. This is inherent to real timber, not a fault.
- Landscape only. The D-rings are positioned for horizontal hanging and the silhouette is composed for it. Hung the other way the shape does not read correctly and the fixings will not sit level.
- Indoor dry positions. Solid oak on an MDF backing. Suitable for bedrooms, hallways and living spaces. Not for bathrooms, en suites or anywhere with sustained steam.
Specifications
Delivery & Returns
Delivery
| Service | Timescale | Cost |
|---|---|---|
| Standard | 3-5 working days | Free |
| Next working day | Order before 4pm | £5.95 |
UK mainland only. Orders placed on weekends or bank holidays are dispatched the next working day.
We are unable to deliver to Northern Ireland, the Scottish Isles, Jersey, Guernsey, the Isle of Wight, the Isle of Man, or the Isles of Scilly. Full delivery information.
Returns
28-day returns policy. Contact us within 28 days of receipt if you are not happy with your order.
Items must be returned unused and in their original packaging. Our UK-based team will guide you through the process. Full returns information.
FAQs
FAQs: Organic Oak Pebble Wall Mirror.
Neither. It is an organic pebble shape: softly rounded, close to circular, with an edge that swells and eases rather than holding a constant radius. At 800 mm wide against 780 mm tall it is twenty millimetres off being a circle, and that difference is what makes it read as a natural form rather than a drawn one.
Yes. Solid oak on an MDF backing board, not a printed woodgrain or foil finish applied to board. The grain turns as the frame turns, end grain shows at the profile, and the tone will deepen slightly with age and light. A printed grain does none of those things.
The shape and dimensions will. The grain will not match exactly. Solid oak carries its own figure, colour and density in every piece, so expect variation between units and against the product images. That variation is the reason to choose real timber over a finish.
No. The D-rings are fixed for landscape and the silhouette is composed for horizontal hanging. Rotated, the fixings will not sit level and the balance of the shape is lost. Because the mirror is nearly square this is easy to overlook, so check the D-rings before marking the wall.
At 5.6 kg, fixings rated for the weight. On masonry, wall plugs with screws suited to the load. On plasterboard, hollow-wall anchors or a fixing into a stud. A standard picture hook is not sufficient.
Because an irregular edge and a bevelled edge compete. A bevel draws the eye around the perimeter, which is exactly where the shape is already doing the work. Plain glass keeps the silhouette as the single detail and lets the reflection run clean to the timber.
It keeps the mirror close to the wall. A deep frame stands proud and casts a shadow, which makes a mirror read as an object mounted on the surface. At 37 mm this one reads as a soft outline instead, so the shape carries the piece rather than the depth.
Above a bed where a true circle would be too formal over the headboard. Hallways on warm plaster where the soft edge relieves a narrow space. Above a sideboard where the landscape format echoes the furniture below. Sage, clay and off-white walls where natural oak sits in the same tonal family. For a floor-standing option in a room with space to spare, the Hand Crafted Antique Style Leaner Mirror in Cream takes a more traditional register.
No. Solid oak on an MDF backing is not rated for sustained moisture, and steam will reach the backing board at the edges over time. Bedrooms, hallways and living spaces only.
Dimensions: 780 mm (H) x 800 mm (W) x 37 mm (D). Shape: organic pebble, landscape. Frame: solid oak, natural finish. Glass: plain, no bevel. Materials: oak, glass, MDF. Type: wall mounted. Hanging orientation: landscape. Fixing: D-ring. Weight: 5.6 kg. Indoor dry positions only.
Knowledge Hub
One Curve in a Room of Corners.
Give it a wall with straight lines to argue with: above a headboard, over a low sideboard, opposite a run of wardrobe doors. Keep the styling around it plain and let the oak grain and the soft edge carry the interest. For more on arranging the walls it sits on:
Organic Pebble Shape Oak Wall Mirror
Overview
Description
Specifications
Delivery & Returns
FAQs
Knowledge Hub
Solid oak. Organic edge. Landscape.
A wall mirror with a softly rounded, pebble-like silhouette in solid oak. Close to a circle and deliberately not one: 800 mm wide against 780 mm tall, with an edge that swells and eases rather than holding a constant radius. Real timber, so the grain follows the curve and every frame differs. Plain glass, no bevel. 800 mm wide, 780 mm tall, 37 mm deep, 5.6 kg. Oak, glass and MDF. D-ring fixing, landscape orientation. Indoor dry positions only.
What the uneven edge changes here.
- It reads as found, not drawn: A true circle is exact and unmistakably manufactured. This shape is twenty millimetres off, and the asymmetry is what makes it read as organic rather than geometric.
- It shows real grain: Solid oak, not a printed finish on board. The grain turns as the frame turns and varies between pieces. No two are identical.
- It stays close to the wall: 37 mm deep. The silhouette does the work rather than the projection, so the mirror reads as a soft outline instead of a heavy object.
- It softens a room of straight lines: Wardrobe doors, skirting, window reveals, headboards. The pebble shape is the only curve in most rooms and does not need styling around.
- It hangs landscape: D-rings set for horizontal. Because the shape is asymmetric, orientation is a design decision, not just a fixing one.
- It carries timber weight: 5.6 kg of solid oak. Use fixings rated for the load, particularly on plasterboard.
Where an off-circle beats a circle.
Above a bed where a true circle reads as too formal over the headboard. In a hallway on warm plaster where the soft edge takes the hardness out of a narrow space. Above a sideboard where the landscape format echoes the furniture below. On sage, clay or off-white where natural oak sits in the same tonal family. For how organic shapes and natural timber work within a pared-back scheme, our Scandinavian living room guide covers the approach.
Most mirrors hang portrait. This one doesn't.
Taller than wide is the default, and it is a default with a reason behind it: mirrors were made to reflect a standing person, so they were built to the proportions of one. Decoratively that habit has outlasted its purpose. At 800 mm wide against 780 mm tall it spreads across a wall instead of climbing it. On paper the difference is twenty millimetres. On a wall it changes the entire relationship between the mirror and everything underneath it.
Furniture runs horizontal. Sideboards, consoles, chests of drawers, headboards. Hang a portrait mirror above a wide low piece and you leave dead wall on either side, which is why those arrangements usually need lamps or prints to close the gap. A landscape mirror does not create the gap in the first place. It picks up the line of the furniture below and carries it. In a room with a low ceiling the effect goes further: a portrait format emphasises the height the room does not have, while this one widens the wall instead.
The proportions: 800 mm wide, 780 mm tall, 37 mm deep, 5.6 kg. Plain glass, no bevel. The frame is solid oak in a natural finish over an MDF backing, hung landscape on D-ring fixings. For the same honest timber in a formal shape, the Walnut Wooden Oval Wall Mirror takes a true oval and a darker grain in portrait format.
What solid oak and an uneven edge bring.
- Organic pebble silhouette. Softly rounded, close to circular, deliberately not exact. 800 mm wide against 780 mm tall. The asymmetry is what makes the shape read as natural rather than drawn.
- Solid oak frame. Real timber, not a printed or foil finish over board. The grain follows the curve and varies between pieces. Every frame is different, which is the point.
- Slim 37 mm profile. The frame sits close to the wall rather than standing off it. The shape does the work, not the depth, so the mirror reads as a soft outline rather than a heavy object.
- Plain glass, no bevel. An irregular edge and a bevelled edge compete. Plain glass keeps the silhouette as the single detail and lets the reflection run clean to the timber.
- Landscape orientation. D-rings set for horizontal hanging. Because the shape is asymmetric, the orientation is a design decision rather than a technical one.
- 5.6 kg, D-ring fixing. Solid timber gives it weight without bulk. Use fixings rated for the load, particularly on plasterboard.
Why solid oak beats a printed grain.
Most oak-look mirror frames are board with an image of oak applied to the surface. At a glance the difference is small. In a room it is not. A printed grain repeats on a cycle, runs in one direction regardless of the shape it wraps, and stops dead at the edge where the pattern meets the substrate. Solid oak has none of those tells. The grain turns as the frame turns, the end grain shows at the profile, and the tone deepens with age and light rather than staying fixed. On an irregular shape this is what separates a considered piece from a cut-out. The timber and the silhouette are describing the same idea.
Where an off-circle beats a circle.
Above a bed where a true circle would read as too formal a full stop over the headboard. In a hallway on warm plaster where the soft edge takes the hardness out of a narrow space. Above a sideboard or a low console in a living room, the landscape format echoing the horizontal of the furniture rather than fighting it. In a bedroom against a room already full of straight lines: wardrobe doors, skirting, window reveals. On a sage, clay or off-white wall where natural oak sits in the same tonal family and the shape provides the only relief from the geometry.
Before You Order.
- Every frame is different. Solid oak carries its own grain pattern, figure and tone. Expect variation between units and against the product photography. This is inherent to real timber, not a fault.
- Landscape only. The D-rings are positioned for horizontal hanging and the silhouette is composed for it. Hung the other way the shape does not read correctly and the fixings will not sit level.
- Indoor dry positions. Solid oak on an MDF backing. Suitable for bedrooms, hallways and living spaces. Not for bathrooms, en suites or anywhere with sustained steam.
Delivery
| Service | Timescale | Cost |
|---|---|---|
| Standard | 3-5 working days | Free |
| Next working day | Order before 4pm | £5.95 |
UK mainland only. Orders placed on weekends or bank holidays are dispatched the next working day.
We are unable to deliver to Northern Ireland, the Scottish Isles, Jersey, Guernsey, the Isle of Wight, the Isle of Man, or the Isles of Scilly. Full delivery information.
Returns
28-day returns policy. Contact us within 28 days of receipt if you are not happy with your order.
Items must be returned unused and in their original packaging. Our UK-based team will guide you through the process. Full returns information.
FAQs: Organic Oak Pebble Wall Mirror.
Neither. It is an organic pebble shape: softly rounded, close to circular, with an edge that swells and eases rather than holding a constant radius. At 800 mm wide against 780 mm tall it is twenty millimetres off being a circle, and that difference is what makes it read as a natural form rather than a drawn one.
Yes. Solid oak on an MDF backing board, not a printed woodgrain or foil finish applied to board. The grain turns as the frame turns, end grain shows at the profile, and the tone will deepen slightly with age and light. A printed grain does none of those things.
The shape and dimensions will. The grain will not match exactly. Solid oak carries its own figure, colour and density in every piece, so expect variation between units and against the product images. That variation is the reason to choose real timber over a finish.
No. The D-rings are fixed for landscape and the silhouette is composed for horizontal hanging. Rotated, the fixings will not sit level and the balance of the shape is lost. Because the mirror is nearly square this is easy to overlook, so check the D-rings before marking the wall.
At 5.6 kg, fixings rated for the weight. On masonry, wall plugs with screws suited to the load. On plasterboard, hollow-wall anchors or a fixing into a stud. A standard picture hook is not sufficient.
Because an irregular edge and a bevelled edge compete. A bevel draws the eye around the perimeter, which is exactly where the shape is already doing the work. Plain glass keeps the silhouette as the single detail and lets the reflection run clean to the timber.
It keeps the mirror close to the wall. A deep frame stands proud and casts a shadow, which makes a mirror read as an object mounted on the surface. At 37 mm this one reads as a soft outline instead, so the shape carries the piece rather than the depth.
Above a bed where a true circle would be too formal over the headboard. Hallways on warm plaster where the soft edge relieves a narrow space. Above a sideboard where the landscape format echoes the furniture below. Sage, clay and off-white walls where natural oak sits in the same tonal family. For a floor-standing option in a room with space to spare, the Hand Crafted Antique Style Leaner Mirror in Cream takes a more traditional register.
No. Solid oak on an MDF backing is not rated for sustained moisture, and steam will reach the backing board at the edges over time. Bedrooms, hallways and living spaces only.
Dimensions: 780 mm (H) x 800 mm (W) x 37 mm (D). Shape: organic pebble, landscape. Frame: solid oak, natural finish. Glass: plain, no bevel. Materials: oak, glass, MDF. Type: wall mounted. Hanging orientation: landscape. Fixing: D-ring. Weight: 5.6 kg. Indoor dry positions only.
One Curve in a Room of Corners.
Give it a wall with straight lines to argue with: above a headboard, over a low sideboard, opposite a run of wardrobe doors. Keep the styling around it plain and let the oak grain and the soft edge carry the interest. For more on arranging the walls it sits on:
Overview
Solid oak. Organic edge. Landscape.
A wall mirror with a softly rounded, pebble-like silhouette in solid oak. Close to a circle and deliberately not one: 800 mm wide against 780 mm tall, with an edge that swells and eases rather than holding a constant radius. Real timber, so the grain follows the curve and every frame differs. Plain glass, no bevel. 800 mm wide, 780 mm tall, 37 mm deep, 5.6 kg. Oak, glass and MDF. D-ring fixing, landscape orientation. Indoor dry positions only.
What the uneven edge changes here.
- It reads as found, not drawn: A true circle is exact and unmistakably manufactured. This shape is twenty millimetres off, and the asymmetry is what makes it read as organic rather than geometric.
- It shows real grain: Solid oak, not a printed finish on board. The grain turns as the frame turns and varies between pieces. No two are identical.
- It stays close to the wall: 37 mm deep. The silhouette does the work rather than the projection, so the mirror reads as a soft outline instead of a heavy object.
- It softens a room of straight lines: Wardrobe doors, skirting, window reveals, headboards. The pebble shape is the only curve in most rooms and does not need styling around.
- It hangs landscape: D-rings set for horizontal. Because the shape is asymmetric, orientation is a design decision, not just a fixing one.
- It carries timber weight: 5.6 kg of solid oak. Use fixings rated for the load, particularly on plasterboard.
Where an off-circle beats a circle.
Above a bed where a true circle reads as too formal over the headboard. In a hallway on warm plaster where the soft edge takes the hardness out of a narrow space. Above a sideboard where the landscape format echoes the furniture below. On sage, clay or off-white where natural oak sits in the same tonal family. For how organic shapes and natural timber work within a pared-back scheme, our Scandinavian living room guide covers the approach.
Description
Most mirrors hang portrait. This one doesn't.
Taller than wide is the default, and it is a default with a reason behind it: mirrors were made to reflect a standing person, so they were built to the proportions of one. Decoratively that habit has outlasted its purpose. At 800 mm wide against 780 mm tall it spreads across a wall instead of climbing it. On paper the difference is twenty millimetres. On a wall it changes the entire relationship between the mirror and everything underneath it.
Furniture runs horizontal. Sideboards, consoles, chests of drawers, headboards. Hang a portrait mirror above a wide low piece and you leave dead wall on either side, which is why those arrangements usually need lamps or prints to close the gap. A landscape mirror does not create the gap in the first place. It picks up the line of the furniture below and carries it. In a room with a low ceiling the effect goes further: a portrait format emphasises the height the room does not have, while this one widens the wall instead.
The proportions: 800 mm wide, 780 mm tall, 37 mm deep, 5.6 kg. Plain glass, no bevel. The frame is solid oak in a natural finish over an MDF backing, hung landscape on D-ring fixings. For the same honest timber in a formal shape, the Walnut Wooden Oval Wall Mirror takes a true oval and a darker grain in portrait format.
What solid oak and an uneven edge bring.
- Organic pebble silhouette. Softly rounded, close to circular, deliberately not exact. 800 mm wide against 780 mm tall. The asymmetry is what makes the shape read as natural rather than drawn.
- Solid oak frame. Real timber, not a printed or foil finish over board. The grain follows the curve and varies between pieces. Every frame is different, which is the point.
- Slim 37 mm profile. The frame sits close to the wall rather than standing off it. The shape does the work, not the depth, so the mirror reads as a soft outline rather than a heavy object.
- Plain glass, no bevel. An irregular edge and a bevelled edge compete. Plain glass keeps the silhouette as the single detail and lets the reflection run clean to the timber.
- Landscape orientation. D-rings set for horizontal hanging. Because the shape is asymmetric, the orientation is a design decision rather than a technical one.
- 5.6 kg, D-ring fixing. Solid timber gives it weight without bulk. Use fixings rated for the load, particularly on plasterboard.
Why solid oak beats a printed grain.
Most oak-look mirror frames are board with an image of oak applied to the surface. At a glance the difference is small. In a room it is not. A printed grain repeats on a cycle, runs in one direction regardless of the shape it wraps, and stops dead at the edge where the pattern meets the substrate. Solid oak has none of those tells. The grain turns as the frame turns, the end grain shows at the profile, and the tone deepens with age and light rather than staying fixed. On an irregular shape this is what separates a considered piece from a cut-out. The timber and the silhouette are describing the same idea.
Where an off-circle beats a circle.
Above a bed where a true circle would read as too formal a full stop over the headboard. In a hallway on warm plaster where the soft edge takes the hardness out of a narrow space. Above a sideboard or a low console in a living room, the landscape format echoing the horizontal of the furniture rather than fighting it. In a bedroom against a room already full of straight lines: wardrobe doors, skirting, window reveals. On a sage, clay or off-white wall where natural oak sits in the same tonal family and the shape provides the only relief from the geometry.
Before You Order.
- Every frame is different. Solid oak carries its own grain pattern, figure and tone. Expect variation between units and against the product photography. This is inherent to real timber, not a fault.
- Landscape only. The D-rings are positioned for horizontal hanging and the silhouette is composed for it. Hung the other way the shape does not read correctly and the fixings will not sit level.
- Indoor dry positions. Solid oak on an MDF backing. Suitable for bedrooms, hallways and living spaces. Not for bathrooms, en suites or anywhere with sustained steam.
Specifications
Delivery & Returns
Delivery
| Service | Timescale | Cost |
|---|---|---|
| Standard | 3-5 working days | Free |
| Next working day | Order before 4pm | £5.95 |
UK mainland only. Orders placed on weekends or bank holidays are dispatched the next working day.
We are unable to deliver to Northern Ireland, the Scottish Isles, Jersey, Guernsey, the Isle of Wight, the Isle of Man, or the Isles of Scilly. Full delivery information.
Returns
28-day returns policy. Contact us within 28 days of receipt if you are not happy with your order.
Items must be returned unused and in their original packaging. Our UK-based team will guide you through the process. Full returns information.
FAQs
FAQs: Organic Oak Pebble Wall Mirror.
Neither. It is an organic pebble shape: softly rounded, close to circular, with an edge that swells and eases rather than holding a constant radius. At 800 mm wide against 780 mm tall it is twenty millimetres off being a circle, and that difference is what makes it read as a natural form rather than a drawn one.
Yes. Solid oak on an MDF backing board, not a printed woodgrain or foil finish applied to board. The grain turns as the frame turns, end grain shows at the profile, and the tone will deepen slightly with age and light. A printed grain does none of those things.
The shape and dimensions will. The grain will not match exactly. Solid oak carries its own figure, colour and density in every piece, so expect variation between units and against the product images. That variation is the reason to choose real timber over a finish.
No. The D-rings are fixed for landscape and the silhouette is composed for horizontal hanging. Rotated, the fixings will not sit level and the balance of the shape is lost. Because the mirror is nearly square this is easy to overlook, so check the D-rings before marking the wall.
At 5.6 kg, fixings rated for the weight. On masonry, wall plugs with screws suited to the load. On plasterboard, hollow-wall anchors or a fixing into a stud. A standard picture hook is not sufficient.
Because an irregular edge and a bevelled edge compete. A bevel draws the eye around the perimeter, which is exactly where the shape is already doing the work. Plain glass keeps the silhouette as the single detail and lets the reflection run clean to the timber.
It keeps the mirror close to the wall. A deep frame stands proud and casts a shadow, which makes a mirror read as an object mounted on the surface. At 37 mm this one reads as a soft outline instead, so the shape carries the piece rather than the depth.
Above a bed where a true circle would be too formal over the headboard. Hallways on warm plaster where the soft edge relieves a narrow space. Above a sideboard where the landscape format echoes the furniture below. Sage, clay and off-white walls where natural oak sits in the same tonal family. For a floor-standing option in a room with space to spare, the Hand Crafted Antique Style Leaner Mirror in Cream takes a more traditional register.
No. Solid oak on an MDF backing is not rated for sustained moisture, and steam will reach the backing board at the edges over time. Bedrooms, hallways and living spaces only.
Dimensions: 780 mm (H) x 800 mm (W) x 37 mm (D). Shape: organic pebble, landscape. Frame: solid oak, natural finish. Glass: plain, no bevel. Materials: oak, glass, MDF. Type: wall mounted. Hanging orientation: landscape. Fixing: D-ring. Weight: 5.6 kg. Indoor dry positions only.
Knowledge Hub
One Curve in a Room of Corners.
Give it a wall with straight lines to argue with: above a headboard, over a low sideboard, opposite a run of wardrobe doors. Keep the styling around it plain and let the oak grain and the soft edge carry the interest. For more on arranging the walls it sits on:
The Must Have Finishing Touch
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