Overview
Description
Specifications
Delivery & Returns
FAQs
Knowledge Hub
White marble that returns the light.
A wall light with a solid white marble backplate, warm brass arm and clear ribbed glass shade. The white marble reflects sidelight from the ribbed glass back into the room, brightening the wall around the fitting rather than absorbing the glow. Grey veining against the pale ground provides mineral refinement. 260 mm tall, 142 mm wide, 192 mm deep, 1.27 kg. Dimmable. E14 6 W LED, not included. Class 1, earth required. IP20. 220-240 V.
What white marble does differently.
- It reflects rather than absorbs: The pale stone bounces sidelight outward. The backplate becomes part of the light output, creating a wider halo than dark materials produce.
- It lifts the wall it sits on: White marble brightens rather than anchors. On pale walls it extends the palette. On warmer walls it provides a clean, luminous accent.
- It gains warmth when dimmed: At full brightness the marble is cool white. Dimmed, the amber ribbed glass casts a golden tone onto the stone. The marble shifts character with the light level.
- It carries grey veining that shifts: The mineral threads catch light differently at every angle. The veining provides depth that paint or white metal cannot.
- It weighs 1.27 kg: Genuine stone mass. Use appropriate fixings for the weight.
- It wires to earth: Class 1. Live, neutral and earth connections required.
Pale walls and Scandinavian palettes.
On a white wall where the marble extends the tone and the brass arm provides the warm accent. In a hallway on pale grey plaster where the reflected glow brightens the corridor. Beside a bed on linen or ivory walls where the marble creates a bright, clean bedside presence. In a living room where restrained materials suit the scheme. For more ideas on how Scandinavian design principles build rooms around clean materials and considered lighting, our Scandinavian living room guide covers the approach.
White marble reflects. Everything else absorbs.
Travertine warms the wall behind the fitting. Dark marble absorbs the sidelight and reveals its veining in the shadows. White marble does neither. It reflects. The pale stone catches sidelight from the ribbed glass shade and bounces it back into the room, turning the backplate into part of the light output rather than just the mounting surface. The white marble does not just hold the light to the wall. It amplifies the glow, brightening the surrounding plaster and adding a reflected wash that darker stones consume.
The grey veining against the white ground is subtle and refined. It provides the mineral detail that plain white paint or a white metal disc cannot: the evidence that this is a piece of the earth, cut, polished and mounted as a backplate. The veining catches the ribbed glass light differently at every angle, shifting in visibility as you pass. Above the marble, the warm brass arm rises to hold the clear ribbed glass shade with its fine vertical flutes that break the E14 bulb into textured lines of refracted light.
At 260 mm tall, 142 mm wide, 192 mm deep and 1.27 kg, the proportions are identical to the travertine and dark marble versions. Dimmable with a compatible E14 LED. When dimmed, the ribbed glass softens to amber and the white marble catches the warmer tone, gaining a faint golden cast. For a table lamp with the same clean, sculptural white aesthetic, the Artichoke Table Lamp Base in White extends the pale, textured direction to the surface below.
What white marble delivers here.
- Solid white marble backplate. Natural stone with grey veining against a pale ground. Each piece is unique. The white marble reflects sidelight from the ribbed glass, brightening the wall around the fitting rather than absorbing the glow.
- Grey veining that shifts with angle. The mineral threads in the white ground catch light differently as you pass. The veining provides the refinement and depth that a plain white metal disc or painted surface lacks.
- Clear ribbed glass shade. Fine vertical flutes catch the E14 bulb and break its output into textured lines. The glass provides warm, refracted light above the cool, bright marble below.
- Warm brass arm. The brass bridges the white marble and the clear glass. The warm tone prevents the fitting from reading as cold or clinical despite the pale stone foundation.
- Dimmable with E14 6 W LED. Not included. Dimming shifts the ribbed glass to amber and the white marble catches the warmer tone, gaining a subtle golden cast it lacks at full brightness.
- Class 1, IP20, 220-240 V. Earth connection required. Indoor dry positions only. Standard UK mains wiring.
Why white marble brightens a room.
A dark backplate absorbs the sidelight the fitting produces. The glow stops at the surface and the wall behind receives only what escapes around the edges. A white marble backplate returns the sidelight. The pale surface acts as a secondary reflector, bouncing the ribbed glass glow outward and upward. The result is a wider, brighter halo than any dark material could produce at the same wattage. For rooms that need every lumen to count, white marble earns its place as a functional contributor to the light the fitting delivers.
Pale walls and rooms that breathe.
On a white wall where the marble extends the palette seamlessly and the brass arm provides the one warm accent in the scheme. In a hallway on pale grey plaster where the white stone lifts the wall and the reflected glow brightens the corridor. Beside a bed on a linen or ivory wall where the marble and ribbed glass create a bedside composition that is bright rather than moody. In a bathroom doorway where the white marble transitions from marble-clad wet room to painted dry room. On a Scandinavian-toned living room wall where clean stone, warm brass and textured glass suit the restrained palette.
Before You Order.
- Bulb is E14 LED, 6 W max. Not included. Warm white dimmable E14 between 2700 K and 3000 K recommended. The warm bulb prevents the white marble from reading as clinical.
- Class 1 with earth connection required. Live, neutral and earth wiring. Standard for metal-bodied wall fittings.
- Marble is natural and unique. Each white marble backplate carries its own grey veining and mineral character. Expect natural variation between pieces. This is a feature of genuine stone.
Delivery
| Service | Timescale | Cost |
|---|---|---|
| Standard | 3-5 working days | Free |
| Next working day | Order before 4pm | £5.95 |
UK mainland only. Orders placed on weekends or bank holidays are dispatched the next working day.
We are unable to deliver to Northern Ireland, the Scottish Isles, Jersey, Guernsey, the Isle of Wight, the Isle of Man, or the Isles of Scilly. Full delivery information.
Returns
28-day returns policy. Contact us within 28 days of receipt if you are not happy with your order.
Items must be returned unused and in their original packaging. Our UK-based team will guide you through the process. Full returns information.
FAQs: White Marble Brass Wall Light.
A round disc of solid white marble with grey veining running through it. The veining is subtle and refined, providing mineral detail against the pale ground. Each piece is unique natural stone, not a printed or coated effect. The surface is polished and smooth.
Travertine is beige and warm, blending with cream palettes. Dark marble is deep brown, anchoring with contrast. White marble reflects, bouncing sidelight from the ribbed glass back into the room and creating a wider halo. Three stones, three entirely different characters.
A 6 W E14 LED, not included. Warm white dimmable at 2700 K to 3000 K recommended. A warm bulb prevents the white marble from feeling cold or clinical. Cool white would make the stone appear sterile rather than luminous.
White walls where the marble extends the palette and the brass provides the warm accent. Pale grey hallways where the reflected glow brightens the space. Beside a bed on linen or ivory walls. In a Scandinavian-toned living room. Transitioning from a marble-clad bathroom to a painted hallway. For a mirror to pair with in a warm, classic hallway, the Hand-Crafted Antique Style Leaner Mirror provides a complementary cream frame.
The pale surface reflects sidelight from the ribbed glass rather than absorbing it. The result is a brighter halo on the surrounding wall than darker materials produce. The grey veining catches the light differently at every angle, shifting in visibility as you pass.
At full brightness the marble is cool white. Dimmed, the amber ribbed glass casts a golden tone onto the stone and the marble gains a warm cast it lacks at full output. The fitting shifts from bright and clean to warm and intimate.
No. Marble is natural and each piece has its own grey veining, tonal variation and mineral character. Expect subtle differences between units. This is inherent to genuine stone.
No. IP20 covers dry indoor positions only. The marble backplate is not rated for wet environments. For bathrooms, choose a fitting rated IP44 or higher.
The metal arm must be connected to earth. Live, neutral and earth wiring required. Standard for fittings with a metal frame.
Dimensions: 260 mm (H) x 142 mm (W) x 192 mm (D). Backplate: solid white marble. Arm: warm brass on steel. Shade: clear ribbed glass. Bulb: 6 W E14 LED, not included. Dimmable: yes. Voltage: 220-240 V. Class: 1 (earth required). IP: 20. Weight: 1.27 kg.
Clean stone in bright, pale rooms.
A white marble wall light works best in rooms that share its restraint: white walls, pale timbers, linen textiles, Scandinavian-toned furniture. The pale stone lifts rather than grounds, and the ribbed glass adds the warmth the room needs. These guides cover how to build bright, material-led interiors where clean lines and natural surfaces shape the scheme.
Overview
White marble that returns the light.
A wall light with a solid white marble backplate, warm brass arm and clear ribbed glass shade. The white marble reflects sidelight from the ribbed glass back into the room, brightening the wall around the fitting rather than absorbing the glow. Grey veining against the pale ground provides mineral refinement. 260 mm tall, 142 mm wide, 192 mm deep, 1.27 kg. Dimmable. E14 6 W LED, not included. Class 1, earth required. IP20. 220-240 V.
What white marble does differently.
- It reflects rather than absorbs: The pale stone bounces sidelight outward. The backplate becomes part of the light output, creating a wider halo than dark materials produce.
- It lifts the wall it sits on: White marble brightens rather than anchors. On pale walls it extends the palette. On warmer walls it provides a clean, luminous accent.
- It gains warmth when dimmed: At full brightness the marble is cool white. Dimmed, the amber ribbed glass casts a golden tone onto the stone. The marble shifts character with the light level.
- It carries grey veining that shifts: The mineral threads catch light differently at every angle. The veining provides depth that paint or white metal cannot.
- It weighs 1.27 kg: Genuine stone mass. Use appropriate fixings for the weight.
- It wires to earth: Class 1. Live, neutral and earth connections required.
Pale walls and Scandinavian palettes.
On a white wall where the marble extends the tone and the brass arm provides the warm accent. In a hallway on pale grey plaster where the reflected glow brightens the corridor. Beside a bed on linen or ivory walls where the marble creates a bright, clean bedside presence. In a living room where restrained materials suit the scheme. For more ideas on how Scandinavian design principles build rooms around clean materials and considered lighting, our Scandinavian living room guide covers the approach.
Description
White marble reflects. Everything else absorbs.
Travertine warms the wall behind the fitting. Dark marble absorbs the sidelight and reveals its veining in the shadows. White marble does neither. It reflects. The pale stone catches sidelight from the ribbed glass shade and bounces it back into the room, turning the backplate into part of the light output rather than just the mounting surface. The white marble does not just hold the light to the wall. It amplifies the glow, brightening the surrounding plaster and adding a reflected wash that darker stones consume.
The grey veining against the white ground is subtle and refined. It provides the mineral detail that plain white paint or a white metal disc cannot: the evidence that this is a piece of the earth, cut, polished and mounted as a backplate. The veining catches the ribbed glass light differently at every angle, shifting in visibility as you pass. Above the marble, the warm brass arm rises to hold the clear ribbed glass shade with its fine vertical flutes that break the E14 bulb into textured lines of refracted light.
At 260 mm tall, 142 mm wide, 192 mm deep and 1.27 kg, the proportions are identical to the travertine and dark marble versions. Dimmable with a compatible E14 LED. When dimmed, the ribbed glass softens to amber and the white marble catches the warmer tone, gaining a faint golden cast. For a table lamp with the same clean, sculptural white aesthetic, the Artichoke Table Lamp Base in White extends the pale, textured direction to the surface below.
What white marble delivers here.
- Solid white marble backplate. Natural stone with grey veining against a pale ground. Each piece is unique. The white marble reflects sidelight from the ribbed glass, brightening the wall around the fitting rather than absorbing the glow.
- Grey veining that shifts with angle. The mineral threads in the white ground catch light differently as you pass. The veining provides the refinement and depth that a plain white metal disc or painted surface lacks.
- Clear ribbed glass shade. Fine vertical flutes catch the E14 bulb and break its output into textured lines. The glass provides warm, refracted light above the cool, bright marble below.
- Warm brass arm. The brass bridges the white marble and the clear glass. The warm tone prevents the fitting from reading as cold or clinical despite the pale stone foundation.
- Dimmable with E14 6 W LED. Not included. Dimming shifts the ribbed glass to amber and the white marble catches the warmer tone, gaining a subtle golden cast it lacks at full brightness.
- Class 1, IP20, 220-240 V. Earth connection required. Indoor dry positions only. Standard UK mains wiring.
Why white marble brightens a room.
A dark backplate absorbs the sidelight the fitting produces. The glow stops at the surface and the wall behind receives only what escapes around the edges. A white marble backplate returns the sidelight. The pale surface acts as a secondary reflector, bouncing the ribbed glass glow outward and upward. The result is a wider, brighter halo than any dark material could produce at the same wattage. For rooms that need every lumen to count, white marble earns its place as a functional contributor to the light the fitting delivers.
Pale walls and rooms that breathe.
On a white wall where the marble extends the palette seamlessly and the brass arm provides the one warm accent in the scheme. In a hallway on pale grey plaster where the white stone lifts the wall and the reflected glow brightens the corridor. Beside a bed on a linen or ivory wall where the marble and ribbed glass create a bedside composition that is bright rather than moody. In a bathroom doorway where the white marble transitions from marble-clad wet room to painted dry room. On a Scandinavian-toned living room wall where clean stone, warm brass and textured glass suit the restrained palette.
Before You Order.
- Bulb is E14 LED, 6 W max. Not included. Warm white dimmable E14 between 2700 K and 3000 K recommended. The warm bulb prevents the white marble from reading as clinical.
- Class 1 with earth connection required. Live, neutral and earth wiring. Standard for metal-bodied wall fittings.
- Marble is natural and unique. Each white marble backplate carries its own grey veining and mineral character. Expect natural variation between pieces. This is a feature of genuine stone.
Specifications
Delivery & Returns
Delivery
| Service | Timescale | Cost |
|---|---|---|
| Standard | 3-5 working days | Free |
| Next working day | Order before 4pm | £5.95 |
UK mainland only. Orders placed on weekends or bank holidays are dispatched the next working day.
We are unable to deliver to Northern Ireland, the Scottish Isles, Jersey, Guernsey, the Isle of Wight, the Isle of Man, or the Isles of Scilly. Full delivery information.
Returns
28-day returns policy. Contact us within 28 days of receipt if you are not happy with your order.
Items must be returned unused and in their original packaging. Our UK-based team will guide you through the process. Full returns information.
FAQs
FAQs: White Marble Brass Wall Light.
A round disc of solid white marble with grey veining running through it. The veining is subtle and refined, providing mineral detail against the pale ground. Each piece is unique natural stone, not a printed or coated effect. The surface is polished and smooth.
Travertine is beige and warm, blending with cream palettes. Dark marble is deep brown, anchoring with contrast. White marble reflects, bouncing sidelight from the ribbed glass back into the room and creating a wider halo. Three stones, three entirely different characters.
A 6 W E14 LED, not included. Warm white dimmable at 2700 K to 3000 K recommended. A warm bulb prevents the white marble from feeling cold or clinical. Cool white would make the stone appear sterile rather than luminous.
White walls where the marble extends the palette and the brass provides the warm accent. Pale grey hallways where the reflected glow brightens the space. Beside a bed on linen or ivory walls. In a Scandinavian-toned living room. Transitioning from a marble-clad bathroom to a painted hallway. For a mirror to pair with in a warm, classic hallway, the Hand-Crafted Antique Style Leaner Mirror provides a complementary cream frame.
The pale surface reflects sidelight from the ribbed glass rather than absorbing it. The result is a brighter halo on the surrounding wall than darker materials produce. The grey veining catches the light differently at every angle, shifting in visibility as you pass.
At full brightness the marble is cool white. Dimmed, the amber ribbed glass casts a golden tone onto the stone and the marble gains a warm cast it lacks at full output. The fitting shifts from bright and clean to warm and intimate.
No. Marble is natural and each piece has its own grey veining, tonal variation and mineral character. Expect subtle differences between units. This is inherent to genuine stone.
No. IP20 covers dry indoor positions only. The marble backplate is not rated for wet environments. For bathrooms, choose a fitting rated IP44 or higher.
The metal arm must be connected to earth. Live, neutral and earth wiring required. Standard for fittings with a metal frame.
Dimensions: 260 mm (H) x 142 mm (W) x 192 mm (D). Backplate: solid white marble. Arm: warm brass on steel. Shade: clear ribbed glass. Bulb: 6 W E14 LED, not included. Dimmable: yes. Voltage: 220-240 V. Class: 1 (earth required). IP: 20. Weight: 1.27 kg.
Knowledge Hub
Clean stone in bright, pale rooms.
A white marble wall light works best in rooms that share its restraint: white walls, pale timbers, linen textiles, Scandinavian-toned furniture. The pale stone lifts rather than grounds, and the ribbed glass adds the warmth the room needs. These guides cover how to build bright, material-led interiors where clean lines and natural surfaces shape the scheme.
White Marble & Brass Ribbed Glass Wall Light
Overview
Description
Specifications
Delivery & Returns
FAQs
Knowledge Hub
White marble that returns the light.
A wall light with a solid white marble backplate, warm brass arm and clear ribbed glass shade. The white marble reflects sidelight from the ribbed glass back into the room, brightening the wall around the fitting rather than absorbing the glow. Grey veining against the pale ground provides mineral refinement. 260 mm tall, 142 mm wide, 192 mm deep, 1.27 kg. Dimmable. E14 6 W LED, not included. Class 1, earth required. IP20. 220-240 V.
What white marble does differently.
- It reflects rather than absorbs: The pale stone bounces sidelight outward. The backplate becomes part of the light output, creating a wider halo than dark materials produce.
- It lifts the wall it sits on: White marble brightens rather than anchors. On pale walls it extends the palette. On warmer walls it provides a clean, luminous accent.
- It gains warmth when dimmed: At full brightness the marble is cool white. Dimmed, the amber ribbed glass casts a golden tone onto the stone. The marble shifts character with the light level.
- It carries grey veining that shifts: The mineral threads catch light differently at every angle. The veining provides depth that paint or white metal cannot.
- It weighs 1.27 kg: Genuine stone mass. Use appropriate fixings for the weight.
- It wires to earth: Class 1. Live, neutral and earth connections required.
Pale walls and Scandinavian palettes.
On a white wall where the marble extends the tone and the brass arm provides the warm accent. In a hallway on pale grey plaster where the reflected glow brightens the corridor. Beside a bed on linen or ivory walls where the marble creates a bright, clean bedside presence. In a living room where restrained materials suit the scheme. For more ideas on how Scandinavian design principles build rooms around clean materials and considered lighting, our Scandinavian living room guide covers the approach.
White marble reflects. Everything else absorbs.
Travertine warms the wall behind the fitting. Dark marble absorbs the sidelight and reveals its veining in the shadows. White marble does neither. It reflects. The pale stone catches sidelight from the ribbed glass shade and bounces it back into the room, turning the backplate into part of the light output rather than just the mounting surface. The white marble does not just hold the light to the wall. It amplifies the glow, brightening the surrounding plaster and adding a reflected wash that darker stones consume.
The grey veining against the white ground is subtle and refined. It provides the mineral detail that plain white paint or a white metal disc cannot: the evidence that this is a piece of the earth, cut, polished and mounted as a backplate. The veining catches the ribbed glass light differently at every angle, shifting in visibility as you pass. Above the marble, the warm brass arm rises to hold the clear ribbed glass shade with its fine vertical flutes that break the E14 bulb into textured lines of refracted light.
At 260 mm tall, 142 mm wide, 192 mm deep and 1.27 kg, the proportions are identical to the travertine and dark marble versions. Dimmable with a compatible E14 LED. When dimmed, the ribbed glass softens to amber and the white marble catches the warmer tone, gaining a faint golden cast. For a table lamp with the same clean, sculptural white aesthetic, the Artichoke Table Lamp Base in White extends the pale, textured direction to the surface below.
What white marble delivers here.
- Solid white marble backplate. Natural stone with grey veining against a pale ground. Each piece is unique. The white marble reflects sidelight from the ribbed glass, brightening the wall around the fitting rather than absorbing the glow.
- Grey veining that shifts with angle. The mineral threads in the white ground catch light differently as you pass. The veining provides the refinement and depth that a plain white metal disc or painted surface lacks.
- Clear ribbed glass shade. Fine vertical flutes catch the E14 bulb and break its output into textured lines. The glass provides warm, refracted light above the cool, bright marble below.
- Warm brass arm. The brass bridges the white marble and the clear glass. The warm tone prevents the fitting from reading as cold or clinical despite the pale stone foundation.
- Dimmable with E14 6 W LED. Not included. Dimming shifts the ribbed glass to amber and the white marble catches the warmer tone, gaining a subtle golden cast it lacks at full brightness.
- Class 1, IP20, 220-240 V. Earth connection required. Indoor dry positions only. Standard UK mains wiring.
Why white marble brightens a room.
A dark backplate absorbs the sidelight the fitting produces. The glow stops at the surface and the wall behind receives only what escapes around the edges. A white marble backplate returns the sidelight. The pale surface acts as a secondary reflector, bouncing the ribbed glass glow outward and upward. The result is a wider, brighter halo than any dark material could produce at the same wattage. For rooms that need every lumen to count, white marble earns its place as a functional contributor to the light the fitting delivers.
Pale walls and rooms that breathe.
On a white wall where the marble extends the palette seamlessly and the brass arm provides the one warm accent in the scheme. In a hallway on pale grey plaster where the white stone lifts the wall and the reflected glow brightens the corridor. Beside a bed on a linen or ivory wall where the marble and ribbed glass create a bedside composition that is bright rather than moody. In a bathroom doorway where the white marble transitions from marble-clad wet room to painted dry room. On a Scandinavian-toned living room wall where clean stone, warm brass and textured glass suit the restrained palette.
Before You Order.
- Bulb is E14 LED, 6 W max. Not included. Warm white dimmable E14 between 2700 K and 3000 K recommended. The warm bulb prevents the white marble from reading as clinical.
- Class 1 with earth connection required. Live, neutral and earth wiring. Standard for metal-bodied wall fittings.
- Marble is natural and unique. Each white marble backplate carries its own grey veining and mineral character. Expect natural variation between pieces. This is a feature of genuine stone.
Delivery
| Service | Timescale | Cost |
|---|---|---|
| Standard | 3-5 working days | Free |
| Next working day | Order before 4pm | £5.95 |
UK mainland only. Orders placed on weekends or bank holidays are dispatched the next working day.
We are unable to deliver to Northern Ireland, the Scottish Isles, Jersey, Guernsey, the Isle of Wight, the Isle of Man, or the Isles of Scilly. Full delivery information.
Returns
28-day returns policy. Contact us within 28 days of receipt if you are not happy with your order.
Items must be returned unused and in their original packaging. Our UK-based team will guide you through the process. Full returns information.
FAQs: White Marble Brass Wall Light.
A round disc of solid white marble with grey veining running through it. The veining is subtle and refined, providing mineral detail against the pale ground. Each piece is unique natural stone, not a printed or coated effect. The surface is polished and smooth.
Travertine is beige and warm, blending with cream palettes. Dark marble is deep brown, anchoring with contrast. White marble reflects, bouncing sidelight from the ribbed glass back into the room and creating a wider halo. Three stones, three entirely different characters.
A 6 W E14 LED, not included. Warm white dimmable at 2700 K to 3000 K recommended. A warm bulb prevents the white marble from feeling cold or clinical. Cool white would make the stone appear sterile rather than luminous.
White walls where the marble extends the palette and the brass provides the warm accent. Pale grey hallways where the reflected glow brightens the space. Beside a bed on linen or ivory walls. In a Scandinavian-toned living room. Transitioning from a marble-clad bathroom to a painted hallway. For a mirror to pair with in a warm, classic hallway, the Hand-Crafted Antique Style Leaner Mirror provides a complementary cream frame.
The pale surface reflects sidelight from the ribbed glass rather than absorbing it. The result is a brighter halo on the surrounding wall than darker materials produce. The grey veining catches the light differently at every angle, shifting in visibility as you pass.
At full brightness the marble is cool white. Dimmed, the amber ribbed glass casts a golden tone onto the stone and the marble gains a warm cast it lacks at full output. The fitting shifts from bright and clean to warm and intimate.
No. Marble is natural and each piece has its own grey veining, tonal variation and mineral character. Expect subtle differences between units. This is inherent to genuine stone.
No. IP20 covers dry indoor positions only. The marble backplate is not rated for wet environments. For bathrooms, choose a fitting rated IP44 or higher.
The metal arm must be connected to earth. Live, neutral and earth wiring required. Standard for fittings with a metal frame.
Dimensions: 260 mm (H) x 142 mm (W) x 192 mm (D). Backplate: solid white marble. Arm: warm brass on steel. Shade: clear ribbed glass. Bulb: 6 W E14 LED, not included. Dimmable: yes. Voltage: 220-240 V. Class: 1 (earth required). IP: 20. Weight: 1.27 kg.
Clean stone in bright, pale rooms.
A white marble wall light works best in rooms that share its restraint: white walls, pale timbers, linen textiles, Scandinavian-toned furniture. The pale stone lifts rather than grounds, and the ribbed glass adds the warmth the room needs. These guides cover how to build bright, material-led interiors where clean lines and natural surfaces shape the scheme.
Overview
White marble that returns the light.
A wall light with a solid white marble backplate, warm brass arm and clear ribbed glass shade. The white marble reflects sidelight from the ribbed glass back into the room, brightening the wall around the fitting rather than absorbing the glow. Grey veining against the pale ground provides mineral refinement. 260 mm tall, 142 mm wide, 192 mm deep, 1.27 kg. Dimmable. E14 6 W LED, not included. Class 1, earth required. IP20. 220-240 V.
What white marble does differently.
- It reflects rather than absorbs: The pale stone bounces sidelight outward. The backplate becomes part of the light output, creating a wider halo than dark materials produce.
- It lifts the wall it sits on: White marble brightens rather than anchors. On pale walls it extends the palette. On warmer walls it provides a clean, luminous accent.
- It gains warmth when dimmed: At full brightness the marble is cool white. Dimmed, the amber ribbed glass casts a golden tone onto the stone. The marble shifts character with the light level.
- It carries grey veining that shifts: The mineral threads catch light differently at every angle. The veining provides depth that paint or white metal cannot.
- It weighs 1.27 kg: Genuine stone mass. Use appropriate fixings for the weight.
- It wires to earth: Class 1. Live, neutral and earth connections required.
Pale walls and Scandinavian palettes.
On a white wall where the marble extends the tone and the brass arm provides the warm accent. In a hallway on pale grey plaster where the reflected glow brightens the corridor. Beside a bed on linen or ivory walls where the marble creates a bright, clean bedside presence. In a living room where restrained materials suit the scheme. For more ideas on how Scandinavian design principles build rooms around clean materials and considered lighting, our Scandinavian living room guide covers the approach.
Description
White marble reflects. Everything else absorbs.
Travertine warms the wall behind the fitting. Dark marble absorbs the sidelight and reveals its veining in the shadows. White marble does neither. It reflects. The pale stone catches sidelight from the ribbed glass shade and bounces it back into the room, turning the backplate into part of the light output rather than just the mounting surface. The white marble does not just hold the light to the wall. It amplifies the glow, brightening the surrounding plaster and adding a reflected wash that darker stones consume.
The grey veining against the white ground is subtle and refined. It provides the mineral detail that plain white paint or a white metal disc cannot: the evidence that this is a piece of the earth, cut, polished and mounted as a backplate. The veining catches the ribbed glass light differently at every angle, shifting in visibility as you pass. Above the marble, the warm brass arm rises to hold the clear ribbed glass shade with its fine vertical flutes that break the E14 bulb into textured lines of refracted light.
At 260 mm tall, 142 mm wide, 192 mm deep and 1.27 kg, the proportions are identical to the travertine and dark marble versions. Dimmable with a compatible E14 LED. When dimmed, the ribbed glass softens to amber and the white marble catches the warmer tone, gaining a faint golden cast. For a table lamp with the same clean, sculptural white aesthetic, the Artichoke Table Lamp Base in White extends the pale, textured direction to the surface below.
What white marble delivers here.
- Solid white marble backplate. Natural stone with grey veining against a pale ground. Each piece is unique. The white marble reflects sidelight from the ribbed glass, brightening the wall around the fitting rather than absorbing the glow.
- Grey veining that shifts with angle. The mineral threads in the white ground catch light differently as you pass. The veining provides the refinement and depth that a plain white metal disc or painted surface lacks.
- Clear ribbed glass shade. Fine vertical flutes catch the E14 bulb and break its output into textured lines. The glass provides warm, refracted light above the cool, bright marble below.
- Warm brass arm. The brass bridges the white marble and the clear glass. The warm tone prevents the fitting from reading as cold or clinical despite the pale stone foundation.
- Dimmable with E14 6 W LED. Not included. Dimming shifts the ribbed glass to amber and the white marble catches the warmer tone, gaining a subtle golden cast it lacks at full brightness.
- Class 1, IP20, 220-240 V. Earth connection required. Indoor dry positions only. Standard UK mains wiring.
Why white marble brightens a room.
A dark backplate absorbs the sidelight the fitting produces. The glow stops at the surface and the wall behind receives only what escapes around the edges. A white marble backplate returns the sidelight. The pale surface acts as a secondary reflector, bouncing the ribbed glass glow outward and upward. The result is a wider, brighter halo than any dark material could produce at the same wattage. For rooms that need every lumen to count, white marble earns its place as a functional contributor to the light the fitting delivers.
Pale walls and rooms that breathe.
On a white wall where the marble extends the palette seamlessly and the brass arm provides the one warm accent in the scheme. In a hallway on pale grey plaster where the white stone lifts the wall and the reflected glow brightens the corridor. Beside a bed on a linen or ivory wall where the marble and ribbed glass create a bedside composition that is bright rather than moody. In a bathroom doorway where the white marble transitions from marble-clad wet room to painted dry room. On a Scandinavian-toned living room wall where clean stone, warm brass and textured glass suit the restrained palette.
Before You Order.
- Bulb is E14 LED, 6 W max. Not included. Warm white dimmable E14 between 2700 K and 3000 K recommended. The warm bulb prevents the white marble from reading as clinical.
- Class 1 with earth connection required. Live, neutral and earth wiring. Standard for metal-bodied wall fittings.
- Marble is natural and unique. Each white marble backplate carries its own grey veining and mineral character. Expect natural variation between pieces. This is a feature of genuine stone.
Specifications
Delivery & Returns
Delivery
| Service | Timescale | Cost |
|---|---|---|
| Standard | 3-5 working days | Free |
| Next working day | Order before 4pm | £5.95 |
UK mainland only. Orders placed on weekends or bank holidays are dispatched the next working day.
We are unable to deliver to Northern Ireland, the Scottish Isles, Jersey, Guernsey, the Isle of Wight, the Isle of Man, or the Isles of Scilly. Full delivery information.
Returns
28-day returns policy. Contact us within 28 days of receipt if you are not happy with your order.
Items must be returned unused and in their original packaging. Our UK-based team will guide you through the process. Full returns information.
FAQs
FAQs: White Marble Brass Wall Light.
A round disc of solid white marble with grey veining running through it. The veining is subtle and refined, providing mineral detail against the pale ground. Each piece is unique natural stone, not a printed or coated effect. The surface is polished and smooth.
Travertine is beige and warm, blending with cream palettes. Dark marble is deep brown, anchoring with contrast. White marble reflects, bouncing sidelight from the ribbed glass back into the room and creating a wider halo. Three stones, three entirely different characters.
A 6 W E14 LED, not included. Warm white dimmable at 2700 K to 3000 K recommended. A warm bulb prevents the white marble from feeling cold or clinical. Cool white would make the stone appear sterile rather than luminous.
White walls where the marble extends the palette and the brass provides the warm accent. Pale grey hallways where the reflected glow brightens the space. Beside a bed on linen or ivory walls. In a Scandinavian-toned living room. Transitioning from a marble-clad bathroom to a painted hallway. For a mirror to pair with in a warm, classic hallway, the Hand-Crafted Antique Style Leaner Mirror provides a complementary cream frame.
The pale surface reflects sidelight from the ribbed glass rather than absorbing it. The result is a brighter halo on the surrounding wall than darker materials produce. The grey veining catches the light differently at every angle, shifting in visibility as you pass.
At full brightness the marble is cool white. Dimmed, the amber ribbed glass casts a golden tone onto the stone and the marble gains a warm cast it lacks at full output. The fitting shifts from bright and clean to warm and intimate.
No. Marble is natural and each piece has its own grey veining, tonal variation and mineral character. Expect subtle differences between units. This is inherent to genuine stone.
No. IP20 covers dry indoor positions only. The marble backplate is not rated for wet environments. For bathrooms, choose a fitting rated IP44 or higher.
The metal arm must be connected to earth. Live, neutral and earth wiring required. Standard for fittings with a metal frame.
Dimensions: 260 mm (H) x 142 mm (W) x 192 mm (D). Backplate: solid white marble. Arm: warm brass on steel. Shade: clear ribbed glass. Bulb: 6 W E14 LED, not included. Dimmable: yes. Voltage: 220-240 V. Class: 1 (earth required). IP: 20. Weight: 1.27 kg.
Knowledge Hub
Clean stone in bright, pale rooms.
A white marble wall light works best in rooms that share its restraint: white walls, pale timbers, linen textiles, Scandinavian-toned furniture. The pale stone lifts rather than grounds, and the ribbed glass adds the warmth the room needs. These guides cover how to build bright, material-led interiors where clean lines and natural surfaces shape the scheme.
The Must Have Finishing Touch
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