Overview
Description
Specifications
Delivery & Returns
FAQs
Knowledge Hub
Three materials on one backplate.
Glass, ash and aged brass occupy the same fitting, and each one does something the others cannot. The flared clear glass shade opens the light outward and keeps the decorative bulb visible. The turned solid ash brings grain, warmth and a tactile quality that metal alone never delivers. The aged brass metalwork ties the two together with a tone that sits quietly between them. At 220mm tall and projecting 290mm from the wall, it is a fitting with presence rather than one that disappears into the plaster. Dimmable with a compatible switch and weighing 0.75 kg, it moves from task brightness to a low ambient glow depending on the hour and the room.
What the ash wood actually does.
- It introduces grain at eye level: From across the room the ash registers as a warm, pale tone. Up close, the turned surface reveals a tight, subtle figure that gives the fitting a handmade quality metal cannot replicate.
- It softens the transition from wall to fitting: Where metal sits on plaster as an obvious attachment, wood bridges the gap between the room's surfaces and the light source, making the fitting feel integrated rather than applied.
- It ages well: Ash develops a slightly deeper tone over time without discolouring or yellowing. The fitting improves with the years rather than looking tired.
- It pairs with the flared glass shade: The open dome lets the bulb throw light upward across the wall and ceiling while the wood beneath grounds the fitting with warmth and weight.
- It earns the country label honestly: The ash is turned from solid wood, not moulded or veneered. The material is genuine, which is the difference between country style and country styling.
- It works with the brass, not against it: Aged brass and pale ash share a tonal warmth that holds together without either material trying to lead. The glass stays neutral between them.
Country kitchens and calm bedrooms.
In a kitchen with painted Shaker cabinetry and open shelving, this fitting adds material warmth at face height where the room needs it most. In a bedroom paired either side of a headboard, it brings texture and light without cluttering the nightstand. The ash, brass and glass combination suits country, coastal, Scandi-rustic and transitional interiors. For more on working warm-toned materials into a considered scheme, our 2025 home decor trends guide covers the latest thinking on natural textures and layered lighting.
When wood meets the wall.
Most wall fittings are metal and glass. They work, they light the room, but they feel like hardware attached to a surface. The moment you introduce a third material, something turned from solid timber and finished by hand, the fitting stops being an accessory and starts belonging to the room. That shift is what this wall light delivers, and it happens at the exact height where it matters most: eye level, where you see the grain, the warmth and the detail every time you walk past.
The shade is a flared clear glass dome that keeps the decorative bulb fully visible and throws light upward and outward without restriction. Behind it, the arm and detailing are turned from solid ash, a pale, close-grained hardwood with a tone that sits naturally between painted walls and unpainted timber. The metalwork connecting glass to wood is finished in aged brass with a warm, understated tone that ties the three materials together without dominating any of them.
Fully dimmable with a compatible switch and fitted for an E14 golf bulb, it works as task lighting beside a mirror, accent lighting in a dining room or a low ambient glow in a bedroom. For rooms where natural materials set the overall direction, our industrial living room guide covers how to balance wood, metal and glass as a cohesive scheme.
Six things that set this apart.
- Turned solid ash wood. The wooden elements are lathe-turned from real ash, not moulded or veneered. At eye level, the grain and material warmth are visible and unmistakable.
- Flared clear glass shade. The open, widening shape lets light spread upward and outward without restriction. The clear glass keeps the decorative bulb on full display.
- Aged brass metalwork. The steel fittings connecting glass to wood carry a warm brass tone that avoids the sharpness of polished metal. It sits as a quiet connector, not the focal point.
- Class 2, double insulated. No earth connection required. The wiring is simpler than Class 1 fittings, which makes it suitable for a wider range of domestic circuits.
- E14 golf bulb fitting. The small Edison screw accepts golf-shaped LEDs and decorative filament bulbs. Choose a warm white for the best pairing with the ash and brass tones.
- Dimmable with a compatible switch. Full brightness for task use beside mirrors, then dialled back to a warm glow for dining or evening rooms.
What turned ash brings to glass.
Ash is a pale, tight-grained hardwood with a subtle figure that becomes more visible in warm light. Turned on a lathe rather than machine-moulded, the wood carries a tactile quality that changes how the fitting feels at close range. From across the room it registers as a warm tone between the glass and the brass. Up close, the grain becomes the detail. It also ages gently, developing a slightly deeper tone over time without discolouring, which gives the fitting a quality that improves rather than degrades with years on the wall.
Rooms that suit three materials.
In a country kitchen with painted Shaker cabinetry and warm cream walls, this fitting sits between the woodwork and the crockery without competing with either. In a dining room beside a large mirror or above a sideboard, it adds warmth at face height that overhead lighting cannot provide on its own. In a bedroom against a chalky sage or soft oatmeal wall, paired either side of a linen-covered headboard, it replaces the bedside lamp while adding material interest the room would otherwise lack. The 290mm projection gives it more presence than a typical compact sconce, so it works best on walls with enough space to let the fitting breathe. The ash, brass and glass combination suits country, coastal, Scandi-rustic and transitional interiors where natural textures carry the palette.
Before you order.
- Bulb type: E14 golf. The fitting accepts small Edison screw golf-shaped bulbs. Decorative filament styles show beautifully through the clear flared glass. A warm white between 2200K and 2700K pairs best with the ash and brass tones.
- Class 2, IP20. Double insulated with no earth connection required. This is an indoor fitting only, not rated for bathrooms or any location exposed to moisture.
- Dimensions: 220 x 175 x 290mm. The 290mm projection is deeper than many wall lights, so check clearance in narrow hallways or beside doorways before committing to a position.
Delivery
| Service | Timescale | Cost |
|---|---|---|
| Standard | 3-5 working days | Free |
| Next working day | Order before 4pm | £5.95 |
UK mainland only. Orders placed on weekends or bank holidays are dispatched the next working day.
We are unable to deliver to Northern Ireland, the Scottish Isles, Jersey, Guernsey, the Isle of Wight, the Isle of Man, or the Isles of Scilly. Full delivery information.
Returns
28-day returns policy. Contact us within 28 days of receipt if you are not happy with your order.
Items must be returned unused and in their original packaging. Our UK-based team will guide you through the process. Full returns information.
Ash wood wall light: questions answered.
It is real solid ash. The wooden elements are turned on a lathe from a single piece of timber, not moulded, veneered or printed. At close range the natural grain is clearly visible, and the tone will develop a slightly richer warmth over time.
An all-metal fitting looks like hardware on the wall. Adding turned ash introduces grain, warmth and a material quality that bridges the gap between the fitting and the room. It feels less applied and more like a considered part of the interior, particularly at eye level where every detail is visible.
It takes an E14 golf bulb. A warm white LED in the 2200K to 2700K range pairs best with the ash wood and aged brass tones. Decorative filament golf bulbs show well through the clear flared glass and add to the character of the fitting.
Country kitchens with painted cabinetry, dining rooms with natural wood furniture, and bedrooms with warm neutral walls all work well. The ash, brass and glass combination suits country, coastal, Scandi-rustic and transitional interiors. It pairs naturally with other fittings that use natural materials, such as the Scandi Wooden Table Lamp on a nearby surface.
Yes, with a compatible dimmer switch. The ash wood looks warmer and richer at lower brightness levels because the grain catches softer light differently. Dimming also shifts the fitting from task brightness to a gentle ambient glow suited to dining and evening rooms.
No. It is rated IP20, which means it is designed for dry indoor environments only. The solid ash wood is not treated for moisture exposure, so bathrooms, en-suites and any damp locations should be avoided entirely.
Class 2 means the fitting is double insulated and does not require an earth connection. This simplifies wiring compared to Class 1 fittings and makes it compatible with a wider range of UK domestic circuits, including older properties without an earth conductor.
290mm. That is deeper than many wall lights, so it has more presence on the wall but requires more clearance. Check the intended position against doorways, furniture edges and walking lines before committing, particularly in narrow hallways.
220mm tall, 175mm wide, 290mm projection. Weight 0.75 kg. Materials: clear flared glass shade, turned solid ash wood, steel metalwork in aged brass. E14 golf bulb fitting, dimmable, 220-240V, Class 2, IP20.
Natural materials deserve natural light.
A wall light built from ash, glass and brass belongs in a room where those materials are part of a wider scheme. Getting the balance right between texture, tone and lighting direction makes the difference between a room that feels considered and one that feels decorated.
Overview
Three materials on one backplate.
Glass, ash and aged brass occupy the same fitting, and each one does something the others cannot. The flared clear glass shade opens the light outward and keeps the decorative bulb visible. The turned solid ash brings grain, warmth and a tactile quality that metal alone never delivers. The aged brass metalwork ties the two together with a tone that sits quietly between them. At 220mm tall and projecting 290mm from the wall, it is a fitting with presence rather than one that disappears into the plaster. Dimmable with a compatible switch and weighing 0.75 kg, it moves from task brightness to a low ambient glow depending on the hour and the room.
What the ash wood actually does.
- It introduces grain at eye level: From across the room the ash registers as a warm, pale tone. Up close, the turned surface reveals a tight, subtle figure that gives the fitting a handmade quality metal cannot replicate.
- It softens the transition from wall to fitting: Where metal sits on plaster as an obvious attachment, wood bridges the gap between the room's surfaces and the light source, making the fitting feel integrated rather than applied.
- It ages well: Ash develops a slightly deeper tone over time without discolouring or yellowing. The fitting improves with the years rather than looking tired.
- It pairs with the flared glass shade: The open dome lets the bulb throw light upward across the wall and ceiling while the wood beneath grounds the fitting with warmth and weight.
- It earns the country label honestly: The ash is turned from solid wood, not moulded or veneered. The material is genuine, which is the difference between country style and country styling.
- It works with the brass, not against it: Aged brass and pale ash share a tonal warmth that holds together without either material trying to lead. The glass stays neutral between them.
Country kitchens and calm bedrooms.
In a kitchen with painted Shaker cabinetry and open shelving, this fitting adds material warmth at face height where the room needs it most. In a bedroom paired either side of a headboard, it brings texture and light without cluttering the nightstand. The ash, brass and glass combination suits country, coastal, Scandi-rustic and transitional interiors. For more on working warm-toned materials into a considered scheme, our 2025 home decor trends guide covers the latest thinking on natural textures and layered lighting.
Description
When wood meets the wall.
Most wall fittings are metal and glass. They work, they light the room, but they feel like hardware attached to a surface. The moment you introduce a third material, something turned from solid timber and finished by hand, the fitting stops being an accessory and starts belonging to the room. That shift is what this wall light delivers, and it happens at the exact height where it matters most: eye level, where you see the grain, the warmth and the detail every time you walk past.
The shade is a flared clear glass dome that keeps the decorative bulb fully visible and throws light upward and outward without restriction. Behind it, the arm and detailing are turned from solid ash, a pale, close-grained hardwood with a tone that sits naturally between painted walls and unpainted timber. The metalwork connecting glass to wood is finished in aged brass with a warm, understated tone that ties the three materials together without dominating any of them.
Fully dimmable with a compatible switch and fitted for an E14 golf bulb, it works as task lighting beside a mirror, accent lighting in a dining room or a low ambient glow in a bedroom. For rooms where natural materials set the overall direction, our industrial living room guide covers how to balance wood, metal and glass as a cohesive scheme.
Six things that set this apart.
- Turned solid ash wood. The wooden elements are lathe-turned from real ash, not moulded or veneered. At eye level, the grain and material warmth are visible and unmistakable.
- Flared clear glass shade. The open, widening shape lets light spread upward and outward without restriction. The clear glass keeps the decorative bulb on full display.
- Aged brass metalwork. The steel fittings connecting glass to wood carry a warm brass tone that avoids the sharpness of polished metal. It sits as a quiet connector, not the focal point.
- Class 2, double insulated. No earth connection required. The wiring is simpler than Class 1 fittings, which makes it suitable for a wider range of domestic circuits.
- E14 golf bulb fitting. The small Edison screw accepts golf-shaped LEDs and decorative filament bulbs. Choose a warm white for the best pairing with the ash and brass tones.
- Dimmable with a compatible switch. Full brightness for task use beside mirrors, then dialled back to a warm glow for dining or evening rooms.
What turned ash brings to glass.
Ash is a pale, tight-grained hardwood with a subtle figure that becomes more visible in warm light. Turned on a lathe rather than machine-moulded, the wood carries a tactile quality that changes how the fitting feels at close range. From across the room it registers as a warm tone between the glass and the brass. Up close, the grain becomes the detail. It also ages gently, developing a slightly deeper tone over time without discolouring, which gives the fitting a quality that improves rather than degrades with years on the wall.
Rooms that suit three materials.
In a country kitchen with painted Shaker cabinetry and warm cream walls, this fitting sits between the woodwork and the crockery without competing with either. In a dining room beside a large mirror or above a sideboard, it adds warmth at face height that overhead lighting cannot provide on its own. In a bedroom against a chalky sage or soft oatmeal wall, paired either side of a linen-covered headboard, it replaces the bedside lamp while adding material interest the room would otherwise lack. The 290mm projection gives it more presence than a typical compact sconce, so it works best on walls with enough space to let the fitting breathe. The ash, brass and glass combination suits country, coastal, Scandi-rustic and transitional interiors where natural textures carry the palette.
Before you order.
- Bulb type: E14 golf. The fitting accepts small Edison screw golf-shaped bulbs. Decorative filament styles show beautifully through the clear flared glass. A warm white between 2200K and 2700K pairs best with the ash and brass tones.
- Class 2, IP20. Double insulated with no earth connection required. This is an indoor fitting only, not rated for bathrooms or any location exposed to moisture.
- Dimensions: 220 x 175 x 290mm. The 290mm projection is deeper than many wall lights, so check clearance in narrow hallways or beside doorways before committing to a position.
Specifications
Delivery & Returns
Delivery
| Service | Timescale | Cost |
|---|---|---|
| Standard | 3-5 working days | Free |
| Next working day | Order before 4pm | £5.95 |
UK mainland only. Orders placed on weekends or bank holidays are dispatched the next working day.
We are unable to deliver to Northern Ireland, the Scottish Isles, Jersey, Guernsey, the Isle of Wight, the Isle of Man, or the Isles of Scilly. Full delivery information.
Returns
28-day returns policy. Contact us within 28 days of receipt if you are not happy with your order.
Items must be returned unused and in their original packaging. Our UK-based team will guide you through the process. Full returns information.
FAQs
Ash wood wall light: questions answered.
It is real solid ash. The wooden elements are turned on a lathe from a single piece of timber, not moulded, veneered or printed. At close range the natural grain is clearly visible, and the tone will develop a slightly richer warmth over time.
An all-metal fitting looks like hardware on the wall. Adding turned ash introduces grain, warmth and a material quality that bridges the gap between the fitting and the room. It feels less applied and more like a considered part of the interior, particularly at eye level where every detail is visible.
It takes an E14 golf bulb. A warm white LED in the 2200K to 2700K range pairs best with the ash wood and aged brass tones. Decorative filament golf bulbs show well through the clear flared glass and add to the character of the fitting.
Country kitchens with painted cabinetry, dining rooms with natural wood furniture, and bedrooms with warm neutral walls all work well. The ash, brass and glass combination suits country, coastal, Scandi-rustic and transitional interiors. It pairs naturally with other fittings that use natural materials, such as the Scandi Wooden Table Lamp on a nearby surface.
Yes, with a compatible dimmer switch. The ash wood looks warmer and richer at lower brightness levels because the grain catches softer light differently. Dimming also shifts the fitting from task brightness to a gentle ambient glow suited to dining and evening rooms.
No. It is rated IP20, which means it is designed for dry indoor environments only. The solid ash wood is not treated for moisture exposure, so bathrooms, en-suites and any damp locations should be avoided entirely.
Class 2 means the fitting is double insulated and does not require an earth connection. This simplifies wiring compared to Class 1 fittings and makes it compatible with a wider range of UK domestic circuits, including older properties without an earth conductor.
290mm. That is deeper than many wall lights, so it has more presence on the wall but requires more clearance. Check the intended position against doorways, furniture edges and walking lines before committing, particularly in narrow hallways.
220mm tall, 175mm wide, 290mm projection. Weight 0.75 kg. Materials: clear flared glass shade, turned solid ash wood, steel metalwork in aged brass. E14 golf bulb fitting, dimmable, 220-240V, Class 2, IP20.
Knowledge Hub
Natural materials deserve natural light.
A wall light built from ash, glass and brass belongs in a room where those materials are part of a wider scheme. Getting the balance right between texture, tone and lighting direction makes the difference between a room that feels considered and one that feels decorated.
Glass and Ash Wood Wall Light in Aged Brass
Overview
Description
Specifications
Delivery & Returns
FAQs
Knowledge Hub
Three materials on one backplate.
Glass, ash and aged brass occupy the same fitting, and each one does something the others cannot. The flared clear glass shade opens the light outward and keeps the decorative bulb visible. The turned solid ash brings grain, warmth and a tactile quality that metal alone never delivers. The aged brass metalwork ties the two together with a tone that sits quietly between them. At 220mm tall and projecting 290mm from the wall, it is a fitting with presence rather than one that disappears into the plaster. Dimmable with a compatible switch and weighing 0.75 kg, it moves from task brightness to a low ambient glow depending on the hour and the room.
What the ash wood actually does.
- It introduces grain at eye level: From across the room the ash registers as a warm, pale tone. Up close, the turned surface reveals a tight, subtle figure that gives the fitting a handmade quality metal cannot replicate.
- It softens the transition from wall to fitting: Where metal sits on plaster as an obvious attachment, wood bridges the gap between the room's surfaces and the light source, making the fitting feel integrated rather than applied.
- It ages well: Ash develops a slightly deeper tone over time without discolouring or yellowing. The fitting improves with the years rather than looking tired.
- It pairs with the flared glass shade: The open dome lets the bulb throw light upward across the wall and ceiling while the wood beneath grounds the fitting with warmth and weight.
- It earns the country label honestly: The ash is turned from solid wood, not moulded or veneered. The material is genuine, which is the difference between country style and country styling.
- It works with the brass, not against it: Aged brass and pale ash share a tonal warmth that holds together without either material trying to lead. The glass stays neutral between them.
Country kitchens and calm bedrooms.
In a kitchen with painted Shaker cabinetry and open shelving, this fitting adds material warmth at face height where the room needs it most. In a bedroom paired either side of a headboard, it brings texture and light without cluttering the nightstand. The ash, brass and glass combination suits country, coastal, Scandi-rustic and transitional interiors. For more on working warm-toned materials into a considered scheme, our 2025 home decor trends guide covers the latest thinking on natural textures and layered lighting.
When wood meets the wall.
Most wall fittings are metal and glass. They work, they light the room, but they feel like hardware attached to a surface. The moment you introduce a third material, something turned from solid timber and finished by hand, the fitting stops being an accessory and starts belonging to the room. That shift is what this wall light delivers, and it happens at the exact height where it matters most: eye level, where you see the grain, the warmth and the detail every time you walk past.
The shade is a flared clear glass dome that keeps the decorative bulb fully visible and throws light upward and outward without restriction. Behind it, the arm and detailing are turned from solid ash, a pale, close-grained hardwood with a tone that sits naturally between painted walls and unpainted timber. The metalwork connecting glass to wood is finished in aged brass with a warm, understated tone that ties the three materials together without dominating any of them.
Fully dimmable with a compatible switch and fitted for an E14 golf bulb, it works as task lighting beside a mirror, accent lighting in a dining room or a low ambient glow in a bedroom. For rooms where natural materials set the overall direction, our industrial living room guide covers how to balance wood, metal and glass as a cohesive scheme.
Six things that set this apart.
- Turned solid ash wood. The wooden elements are lathe-turned from real ash, not moulded or veneered. At eye level, the grain and material warmth are visible and unmistakable.
- Flared clear glass shade. The open, widening shape lets light spread upward and outward without restriction. The clear glass keeps the decorative bulb on full display.
- Aged brass metalwork. The steel fittings connecting glass to wood carry a warm brass tone that avoids the sharpness of polished metal. It sits as a quiet connector, not the focal point.
- Class 2, double insulated. No earth connection required. The wiring is simpler than Class 1 fittings, which makes it suitable for a wider range of domestic circuits.
- E14 golf bulb fitting. The small Edison screw accepts golf-shaped LEDs and decorative filament bulbs. Choose a warm white for the best pairing with the ash and brass tones.
- Dimmable with a compatible switch. Full brightness for task use beside mirrors, then dialled back to a warm glow for dining or evening rooms.
What turned ash brings to glass.
Ash is a pale, tight-grained hardwood with a subtle figure that becomes more visible in warm light. Turned on a lathe rather than machine-moulded, the wood carries a tactile quality that changes how the fitting feels at close range. From across the room it registers as a warm tone between the glass and the brass. Up close, the grain becomes the detail. It also ages gently, developing a slightly deeper tone over time without discolouring, which gives the fitting a quality that improves rather than degrades with years on the wall.
Rooms that suit three materials.
In a country kitchen with painted Shaker cabinetry and warm cream walls, this fitting sits between the woodwork and the crockery without competing with either. In a dining room beside a large mirror or above a sideboard, it adds warmth at face height that overhead lighting cannot provide on its own. In a bedroom against a chalky sage or soft oatmeal wall, paired either side of a linen-covered headboard, it replaces the bedside lamp while adding material interest the room would otherwise lack. The 290mm projection gives it more presence than a typical compact sconce, so it works best on walls with enough space to let the fitting breathe. The ash, brass and glass combination suits country, coastal, Scandi-rustic and transitional interiors where natural textures carry the palette.
Before you order.
- Bulb type: E14 golf. The fitting accepts small Edison screw golf-shaped bulbs. Decorative filament styles show beautifully through the clear flared glass. A warm white between 2200K and 2700K pairs best with the ash and brass tones.
- Class 2, IP20. Double insulated with no earth connection required. This is an indoor fitting only, not rated for bathrooms or any location exposed to moisture.
- Dimensions: 220 x 175 x 290mm. The 290mm projection is deeper than many wall lights, so check clearance in narrow hallways or beside doorways before committing to a position.
Delivery
| Service | Timescale | Cost |
|---|---|---|
| Standard | 3-5 working days | Free |
| Next working day | Order before 4pm | £5.95 |
UK mainland only. Orders placed on weekends or bank holidays are dispatched the next working day.
We are unable to deliver to Northern Ireland, the Scottish Isles, Jersey, Guernsey, the Isle of Wight, the Isle of Man, or the Isles of Scilly. Full delivery information.
Returns
28-day returns policy. Contact us within 28 days of receipt if you are not happy with your order.
Items must be returned unused and in their original packaging. Our UK-based team will guide you through the process. Full returns information.
Ash wood wall light: questions answered.
It is real solid ash. The wooden elements are turned on a lathe from a single piece of timber, not moulded, veneered or printed. At close range the natural grain is clearly visible, and the tone will develop a slightly richer warmth over time.
An all-metal fitting looks like hardware on the wall. Adding turned ash introduces grain, warmth and a material quality that bridges the gap between the fitting and the room. It feels less applied and more like a considered part of the interior, particularly at eye level where every detail is visible.
It takes an E14 golf bulb. A warm white LED in the 2200K to 2700K range pairs best with the ash wood and aged brass tones. Decorative filament golf bulbs show well through the clear flared glass and add to the character of the fitting.
Country kitchens with painted cabinetry, dining rooms with natural wood furniture, and bedrooms with warm neutral walls all work well. The ash, brass and glass combination suits country, coastal, Scandi-rustic and transitional interiors. It pairs naturally with other fittings that use natural materials, such as the Scandi Wooden Table Lamp on a nearby surface.
Yes, with a compatible dimmer switch. The ash wood looks warmer and richer at lower brightness levels because the grain catches softer light differently. Dimming also shifts the fitting from task brightness to a gentle ambient glow suited to dining and evening rooms.
No. It is rated IP20, which means it is designed for dry indoor environments only. The solid ash wood is not treated for moisture exposure, so bathrooms, en-suites and any damp locations should be avoided entirely.
Class 2 means the fitting is double insulated and does not require an earth connection. This simplifies wiring compared to Class 1 fittings and makes it compatible with a wider range of UK domestic circuits, including older properties without an earth conductor.
290mm. That is deeper than many wall lights, so it has more presence on the wall but requires more clearance. Check the intended position against doorways, furniture edges and walking lines before committing, particularly in narrow hallways.
220mm tall, 175mm wide, 290mm projection. Weight 0.75 kg. Materials: clear flared glass shade, turned solid ash wood, steel metalwork in aged brass. E14 golf bulb fitting, dimmable, 220-240V, Class 2, IP20.
Natural materials deserve natural light.
A wall light built from ash, glass and brass belongs in a room where those materials are part of a wider scheme. Getting the balance right between texture, tone and lighting direction makes the difference between a room that feels considered and one that feels decorated.
Overview
Three materials on one backplate.
Glass, ash and aged brass occupy the same fitting, and each one does something the others cannot. The flared clear glass shade opens the light outward and keeps the decorative bulb visible. The turned solid ash brings grain, warmth and a tactile quality that metal alone never delivers. The aged brass metalwork ties the two together with a tone that sits quietly between them. At 220mm tall and projecting 290mm from the wall, it is a fitting with presence rather than one that disappears into the plaster. Dimmable with a compatible switch and weighing 0.75 kg, it moves from task brightness to a low ambient glow depending on the hour and the room.
What the ash wood actually does.
- It introduces grain at eye level: From across the room the ash registers as a warm, pale tone. Up close, the turned surface reveals a tight, subtle figure that gives the fitting a handmade quality metal cannot replicate.
- It softens the transition from wall to fitting: Where metal sits on plaster as an obvious attachment, wood bridges the gap between the room's surfaces and the light source, making the fitting feel integrated rather than applied.
- It ages well: Ash develops a slightly deeper tone over time without discolouring or yellowing. The fitting improves with the years rather than looking tired.
- It pairs with the flared glass shade: The open dome lets the bulb throw light upward across the wall and ceiling while the wood beneath grounds the fitting with warmth and weight.
- It earns the country label honestly: The ash is turned from solid wood, not moulded or veneered. The material is genuine, which is the difference between country style and country styling.
- It works with the brass, not against it: Aged brass and pale ash share a tonal warmth that holds together without either material trying to lead. The glass stays neutral between them.
Country kitchens and calm bedrooms.
In a kitchen with painted Shaker cabinetry and open shelving, this fitting adds material warmth at face height where the room needs it most. In a bedroom paired either side of a headboard, it brings texture and light without cluttering the nightstand. The ash, brass and glass combination suits country, coastal, Scandi-rustic and transitional interiors. For more on working warm-toned materials into a considered scheme, our 2025 home decor trends guide covers the latest thinking on natural textures and layered lighting.
Description
When wood meets the wall.
Most wall fittings are metal and glass. They work, they light the room, but they feel like hardware attached to a surface. The moment you introduce a third material, something turned from solid timber and finished by hand, the fitting stops being an accessory and starts belonging to the room. That shift is what this wall light delivers, and it happens at the exact height where it matters most: eye level, where you see the grain, the warmth and the detail every time you walk past.
The shade is a flared clear glass dome that keeps the decorative bulb fully visible and throws light upward and outward without restriction. Behind it, the arm and detailing are turned from solid ash, a pale, close-grained hardwood with a tone that sits naturally between painted walls and unpainted timber. The metalwork connecting glass to wood is finished in aged brass with a warm, understated tone that ties the three materials together without dominating any of them.
Fully dimmable with a compatible switch and fitted for an E14 golf bulb, it works as task lighting beside a mirror, accent lighting in a dining room or a low ambient glow in a bedroom. For rooms where natural materials set the overall direction, our industrial living room guide covers how to balance wood, metal and glass as a cohesive scheme.
Six things that set this apart.
- Turned solid ash wood. The wooden elements are lathe-turned from real ash, not moulded or veneered. At eye level, the grain and material warmth are visible and unmistakable.
- Flared clear glass shade. The open, widening shape lets light spread upward and outward without restriction. The clear glass keeps the decorative bulb on full display.
- Aged brass metalwork. The steel fittings connecting glass to wood carry a warm brass tone that avoids the sharpness of polished metal. It sits as a quiet connector, not the focal point.
- Class 2, double insulated. No earth connection required. The wiring is simpler than Class 1 fittings, which makes it suitable for a wider range of domestic circuits.
- E14 golf bulb fitting. The small Edison screw accepts golf-shaped LEDs and decorative filament bulbs. Choose a warm white for the best pairing with the ash and brass tones.
- Dimmable with a compatible switch. Full brightness for task use beside mirrors, then dialled back to a warm glow for dining or evening rooms.
What turned ash brings to glass.
Ash is a pale, tight-grained hardwood with a subtle figure that becomes more visible in warm light. Turned on a lathe rather than machine-moulded, the wood carries a tactile quality that changes how the fitting feels at close range. From across the room it registers as a warm tone between the glass and the brass. Up close, the grain becomes the detail. It also ages gently, developing a slightly deeper tone over time without discolouring, which gives the fitting a quality that improves rather than degrades with years on the wall.
Rooms that suit three materials.
In a country kitchen with painted Shaker cabinetry and warm cream walls, this fitting sits between the woodwork and the crockery without competing with either. In a dining room beside a large mirror or above a sideboard, it adds warmth at face height that overhead lighting cannot provide on its own. In a bedroom against a chalky sage or soft oatmeal wall, paired either side of a linen-covered headboard, it replaces the bedside lamp while adding material interest the room would otherwise lack. The 290mm projection gives it more presence than a typical compact sconce, so it works best on walls with enough space to let the fitting breathe. The ash, brass and glass combination suits country, coastal, Scandi-rustic and transitional interiors where natural textures carry the palette.
Before you order.
- Bulb type: E14 golf. The fitting accepts small Edison screw golf-shaped bulbs. Decorative filament styles show beautifully through the clear flared glass. A warm white between 2200K and 2700K pairs best with the ash and brass tones.
- Class 2, IP20. Double insulated with no earth connection required. This is an indoor fitting only, not rated for bathrooms or any location exposed to moisture.
- Dimensions: 220 x 175 x 290mm. The 290mm projection is deeper than many wall lights, so check clearance in narrow hallways or beside doorways before committing to a position.
Specifications
Delivery & Returns
Delivery
| Service | Timescale | Cost |
|---|---|---|
| Standard | 3-5 working days | Free |
| Next working day | Order before 4pm | £5.95 |
UK mainland only. Orders placed on weekends or bank holidays are dispatched the next working day.
We are unable to deliver to Northern Ireland, the Scottish Isles, Jersey, Guernsey, the Isle of Wight, the Isle of Man, or the Isles of Scilly. Full delivery information.
Returns
28-day returns policy. Contact us within 28 days of receipt if you are not happy with your order.
Items must be returned unused and in their original packaging. Our UK-based team will guide you through the process. Full returns information.
FAQs
Ash wood wall light: questions answered.
It is real solid ash. The wooden elements are turned on a lathe from a single piece of timber, not moulded, veneered or printed. At close range the natural grain is clearly visible, and the tone will develop a slightly richer warmth over time.
An all-metal fitting looks like hardware on the wall. Adding turned ash introduces grain, warmth and a material quality that bridges the gap between the fitting and the room. It feels less applied and more like a considered part of the interior, particularly at eye level where every detail is visible.
It takes an E14 golf bulb. A warm white LED in the 2200K to 2700K range pairs best with the ash wood and aged brass tones. Decorative filament golf bulbs show well through the clear flared glass and add to the character of the fitting.
Country kitchens with painted cabinetry, dining rooms with natural wood furniture, and bedrooms with warm neutral walls all work well. The ash, brass and glass combination suits country, coastal, Scandi-rustic and transitional interiors. It pairs naturally with other fittings that use natural materials, such as the Scandi Wooden Table Lamp on a nearby surface.
Yes, with a compatible dimmer switch. The ash wood looks warmer and richer at lower brightness levels because the grain catches softer light differently. Dimming also shifts the fitting from task brightness to a gentle ambient glow suited to dining and evening rooms.
No. It is rated IP20, which means it is designed for dry indoor environments only. The solid ash wood is not treated for moisture exposure, so bathrooms, en-suites and any damp locations should be avoided entirely.
Class 2 means the fitting is double insulated and does not require an earth connection. This simplifies wiring compared to Class 1 fittings and makes it compatible with a wider range of UK domestic circuits, including older properties without an earth conductor.
290mm. That is deeper than many wall lights, so it has more presence on the wall but requires more clearance. Check the intended position against doorways, furniture edges and walking lines before committing, particularly in narrow hallways.
220mm tall, 175mm wide, 290mm projection. Weight 0.75 kg. Materials: clear flared glass shade, turned solid ash wood, steel metalwork in aged brass. E14 golf bulb fitting, dimmable, 220-240V, Class 2, IP20.
Knowledge Hub
Natural materials deserve natural light.
A wall light built from ash, glass and brass belongs in a room where those materials are part of a wider scheme. Getting the balance right between texture, tone and lighting direction makes the difference between a room that feels considered and one that feels decorated.
