Overview
Description
Specifications
Delivery & Returns
FAQs
Knowledge Hub
Wood, brass and glass together.
A wall light built from three materials that rarely appear together. The grooved walnut-stained wooden backplate introduces organic texture at the wall surface, the brass-toned steel arm bridges the gap between timber and glass, and the clear ribbed shade refracts and softens the light from a 6W E14 LED without hiding it. The result is a fitting with depth and warmth that flat metal cannot achieve. At 90mm wide, 150mm from the wall and 295mm tall, it works on narrow walls, between framed art or beside a mirror. Fully dimmable with a compatible bulb and switch.
Six details worth noticing up close.
- Light pattern on the wall behind: The ribbed glass throws soft vertical lines of brightness and shadow onto the surface behind it. Subtle from across the room but unmistakable at close range, adding texture to a plain wall without hanging anything on it.
- How it looks switched off: Most wall lights disappear when unlit. This one stays visible as a sculptural object: walnut grain, brass curve, ribbed glass catching daylight. It earns its wall space around the clock, not just after dark.
- The material transition matters: Wood to brass to glass. Warm to warm to clear. The eye follows the curve from organic backplate through metallic arm into transparent shade. Each material hands off to the next without a jarring change in tone.
- Built for rooms with panelling: The grooved walnut backplate echoes slatted wall features, timber cladding and mid-century wood furniture. In rooms that already use natural materials, this fitting looks native rather than added.
- Dimmed, it transforms completely: At full brightness the ribbing is defined and directional. Dimmed low, the entire shade holds a soft amber glow, turning the fitting into a warm accent rather than a light source.
- Vertical profile, minimal footprint: At 295mm tall and just 90mm wide, it occupies a narrow strip on the wall. Easy to position between framed art, beside a mirror or in a pair flanking a headboard without disrupting the composition.
Rooms that suit this mix.
Bedrooms with timber panelling or slatted wood where the walnut backplate echoes the wall surface. Living rooms with mid-century furniture in teak or oak where the tones speak the same language. Hallways on pale plaster where walnut grain becomes a focal point. For how warm metalwork and natural materials build layered interiors, our guide to industrial living room design covers how brass, wood and glass balance each other.
The backplate changes everything here.
There are hundreds of brass-and-glass wall lights on the market, and most of them mount to a metal disc or a rectangular steel plate. The fitting sits on the wall, and the wall behind it is just a surface. This one does something different. The backplate is grooved walnut-stained wood, which means the very first thing you register is not metal but timber. It changes the relationship between the light and the wall beneath it. The fitting looks planted rather than bolted, rooted in the surface rather than fixed to it.
From the walnut base, a brass-toned steel arm curves upward to hold a clear ribbed glass shade. The ribbing catches and refracts light as it passes through, softening the output without hiding the E14 LED bulb inside. The three materials, wood, brass and textured glass, work together at close range in a way that flat metal and smooth glass simply cannot. Dimensions are slim: 90mm wide, 150mm from the wall and 295mm tall. Weight is just 0.7 kg.
Fully dimmable with a compatible E14 LED and dimmer switch, it gives you control over the warmth and intensity at the wall. For how layered wall lighting transforms a narrow space, our guide to brightening a narrow dark hallway covers placement heights and the difference warm-toned fittings make to rooms people walk through every day.
Three materials that belong together.
- Grooved walnut-stained wooden backplate. The timber base sits directly against the wall, introducing organic texture at the point of contact. The vertical grooves catch light and shadow across the surface, adding depth that a flat metal plate cannot replicate.
- Brass-toned steel arm. The arm curves from the walnut base to the glass shade in a single sleek line. The warm brass tone bridges wood and glass, connecting the natural warmth of the backplate to the clarity of the shade above.
- Clear ribbed glass shade. The ribbing refracts and softens the light from the E14 LED without hiding it. The result is a warm, textured glow rather than a flat wash, with visible character in the glass itself at close range.
- Dimmable as standard. Pair with a dimmable E14 LED and compatible switch. Full brightness for task light beside a mirror; dimmed low for ambient warmth either side of a headboard or along a landing.
- Slim 90mm width. Narrow enough to sit between framed art, beside a mirror or on a slim hallway wall without competing for space. The 295mm height gives it vertical presence without bulk.
- Class 1, IP20, indoor use. Requires an earth connection. Rated for dry interior rooms only. Not suitable for bathrooms or any position exposed to moisture.
Why ribbed glass works harder.
Smooth clear glass shows the bulb and nothing else. Ribbed glass does something more: it bends light across the surface of the shade, creating vertical lines of brightness and shadow that shift as you move around the room. The effect is subtle but unmistakable at eye level. The shade itself becomes part of the visual interest, not just a container for the bulb. When dimmed, the ribbing holds a warm glow across its full surface. At full brightness, the texture becomes more defined and the light pattern on the wall behind it more pronounced.
Where walnut and brass sit best.
Bedrooms with timber panelling or slatted wood features where the walnut backplate echoes the wall surface. Living rooms with mid-century furniture in teak or oak where the warm wood tones speak the same language. Hallways on pale plaster walls where the walnut grain becomes a focal point and the ribbed glass throws textured light across the surface. Dining rooms beside a sideboard where the fitting looks like a considered object at eye level rather than a light source overhead.
Before you order.
- E14 LED bulb, 6W. Check the listing for whether the bulb is included. Replacement E14 LEDs are widely available. Choose warm white for the best result through ribbed glass.
- Class 1, requires earth connection. The fitting must connect to an earthed supply. IP20 means dry interior rooms only. Not suitable for bathrooms or kitchens with direct splash zones.
- Slim profile, check your wall space. At 90mm wide and 295mm tall, the fitting needs less wall than most sconces but still requires clear space. If pairing, allow at least 500mm between backplates.
Delivery
| Service | Timescale | Cost |
|---|---|---|
| Standard | 3-5 working days | Free |
| Next working day | Order before 4pm | £5.95 |
UK mainland only. Orders placed on weekends or bank holidays are dispatched the next working day.
We are unable to deliver to Northern Ireland, the Scottish Isles, Jersey, Guernsey, the Isle of Wight, the Isle of Man, or the Isles of Scilly. Full delivery information.
Returns
28-day returns policy. Contact us within 28 days of receipt if you are not happy with your order.
Items must be returned unused and in their original packaging. Our UK-based team will guide you through the process. Full returns information.
FAQs: Ribbed Glass Walnut Wall Light
Most wall lights mount to a metal disc or plate. This one uses a grooved walnut-stained wooden backplate, which introduces organic texture at the point where the fitting meets the wall. The vertical grooves catch light and shadow, and the wood grain varies naturally between fittings, so each one has its own character.
Smooth glass shows the bulb and nothing else. Ribbed glass refracts light across the surface of the shade, creating soft vertical lines of brightness that shift as you move. The shade itself becomes part of the visual interest, not just a container. When dimmed, the ribbing holds a warm glow across the full surface.
An E14 LED at 6W. Warm white (2700K) gives the best result through ribbed glass, enhancing the textured glow. Cool white works too but produces a crisper, less atmospheric effect. Check the listing for whether a bulb is included.
Bedrooms with timber panelling, living rooms with mid-century furniture, hallways on pale plaster walls, and dining rooms beside a sideboard or console. The walnut backplate echoes warm wood tones already in the room. For how natural textures and warm lighting build layered interiors, the Natural Seagrass Pendant Light brings a similar organic quality to the ceiling plane above.
Yes. You need a dimmable E14 LED and a compatible dimmer switch. Ribbed glass holds warmth well at low levels, making this fitting particularly effective as ambient bedside or hallway lighting when dimmed.
No. The IP20 rating means dry interior rooms only. The wooden backplate is not designed for moisture exposure. For bathrooms, choose a fitting rated IP44 or higher with a non-wood mounting.
Class 1 means the fitting requires an earth connection. The supply cable must include live, neutral and earth wires. Most standard UK lighting circuits provide this, but older properties may need checking before installation.
Yes. At 90mm wide, two sit comfortably either side of a headboard, hallway mirror or mantelpiece. Allow at least 500mm between backplates for balanced spacing. Each fitting needs its own wired wall point.
90mm wide, 150mm projection, 295mm tall. Steel arm with brass-toned finish. Grooved walnut-stained wooden backplate. Clear ribbed curved glass shade. E14 LED, 6W. Dimmable. 220-240V, Class 1, IP20. Weight 0.7 kg. Hardwired, wall-mounted, dry rooms only.
Build Rooms With Depth and Warmth
A wall light with wood, brass and textured glass is a starting point, not a finish line. How you layer the rest of the room around it determines whether the fitting looks considered or accidental. These guides cover the principles of building interiors where materials, textures and lighting work together.
Overview
Wood, brass and glass together.
A wall light built from three materials that rarely appear together. The grooved walnut-stained wooden backplate introduces organic texture at the wall surface, the brass-toned steel arm bridges the gap between timber and glass, and the clear ribbed shade refracts and softens the light from a 6W E14 LED without hiding it. The result is a fitting with depth and warmth that flat metal cannot achieve. At 90mm wide, 150mm from the wall and 295mm tall, it works on narrow walls, between framed art or beside a mirror. Fully dimmable with a compatible bulb and switch.
Six details worth noticing up close.
- Light pattern on the wall behind: The ribbed glass throws soft vertical lines of brightness and shadow onto the surface behind it. Subtle from across the room but unmistakable at close range, adding texture to a plain wall without hanging anything on it.
- How it looks switched off: Most wall lights disappear when unlit. This one stays visible as a sculptural object: walnut grain, brass curve, ribbed glass catching daylight. It earns its wall space around the clock, not just after dark.
- The material transition matters: Wood to brass to glass. Warm to warm to clear. The eye follows the curve from organic backplate through metallic arm into transparent shade. Each material hands off to the next without a jarring change in tone.
- Built for rooms with panelling: The grooved walnut backplate echoes slatted wall features, timber cladding and mid-century wood furniture. In rooms that already use natural materials, this fitting looks native rather than added.
- Dimmed, it transforms completely: At full brightness the ribbing is defined and directional. Dimmed low, the entire shade holds a soft amber glow, turning the fitting into a warm accent rather than a light source.
- Vertical profile, minimal footprint: At 295mm tall and just 90mm wide, it occupies a narrow strip on the wall. Easy to position between framed art, beside a mirror or in a pair flanking a headboard without disrupting the composition.
Rooms that suit this mix.
Bedrooms with timber panelling or slatted wood where the walnut backplate echoes the wall surface. Living rooms with mid-century furniture in teak or oak where the tones speak the same language. Hallways on pale plaster where walnut grain becomes a focal point. For how warm metalwork and natural materials build layered interiors, our guide to industrial living room design covers how brass, wood and glass balance each other.
Description
The backplate changes everything here.
There are hundreds of brass-and-glass wall lights on the market, and most of them mount to a metal disc or a rectangular steel plate. The fitting sits on the wall, and the wall behind it is just a surface. This one does something different. The backplate is grooved walnut-stained wood, which means the very first thing you register is not metal but timber. It changes the relationship between the light and the wall beneath it. The fitting looks planted rather than bolted, rooted in the surface rather than fixed to it.
From the walnut base, a brass-toned steel arm curves upward to hold a clear ribbed glass shade. The ribbing catches and refracts light as it passes through, softening the output without hiding the E14 LED bulb inside. The three materials, wood, brass and textured glass, work together at close range in a way that flat metal and smooth glass simply cannot. Dimensions are slim: 90mm wide, 150mm from the wall and 295mm tall. Weight is just 0.7 kg.
Fully dimmable with a compatible E14 LED and dimmer switch, it gives you control over the warmth and intensity at the wall. For how layered wall lighting transforms a narrow space, our guide to brightening a narrow dark hallway covers placement heights and the difference warm-toned fittings make to rooms people walk through every day.
Three materials that belong together.
- Grooved walnut-stained wooden backplate. The timber base sits directly against the wall, introducing organic texture at the point of contact. The vertical grooves catch light and shadow across the surface, adding depth that a flat metal plate cannot replicate.
- Brass-toned steel arm. The arm curves from the walnut base to the glass shade in a single sleek line. The warm brass tone bridges wood and glass, connecting the natural warmth of the backplate to the clarity of the shade above.
- Clear ribbed glass shade. The ribbing refracts and softens the light from the E14 LED without hiding it. The result is a warm, textured glow rather than a flat wash, with visible character in the glass itself at close range.
- Dimmable as standard. Pair with a dimmable E14 LED and compatible switch. Full brightness for task light beside a mirror; dimmed low for ambient warmth either side of a headboard or along a landing.
- Slim 90mm width. Narrow enough to sit between framed art, beside a mirror or on a slim hallway wall without competing for space. The 295mm height gives it vertical presence without bulk.
- Class 1, IP20, indoor use. Requires an earth connection. Rated for dry interior rooms only. Not suitable for bathrooms or any position exposed to moisture.
Why ribbed glass works harder.
Smooth clear glass shows the bulb and nothing else. Ribbed glass does something more: it bends light across the surface of the shade, creating vertical lines of brightness and shadow that shift as you move around the room. The effect is subtle but unmistakable at eye level. The shade itself becomes part of the visual interest, not just a container for the bulb. When dimmed, the ribbing holds a warm glow across its full surface. At full brightness, the texture becomes more defined and the light pattern on the wall behind it more pronounced.
Where walnut and brass sit best.
Bedrooms with timber panelling or slatted wood features where the walnut backplate echoes the wall surface. Living rooms with mid-century furniture in teak or oak where the warm wood tones speak the same language. Hallways on pale plaster walls where the walnut grain becomes a focal point and the ribbed glass throws textured light across the surface. Dining rooms beside a sideboard where the fitting looks like a considered object at eye level rather than a light source overhead.
Before you order.
- E14 LED bulb, 6W. Check the listing for whether the bulb is included. Replacement E14 LEDs are widely available. Choose warm white for the best result through ribbed glass.
- Class 1, requires earth connection. The fitting must connect to an earthed supply. IP20 means dry interior rooms only. Not suitable for bathrooms or kitchens with direct splash zones.
- Slim profile, check your wall space. At 90mm wide and 295mm tall, the fitting needs less wall than most sconces but still requires clear space. If pairing, allow at least 500mm between backplates.
Specifications
Delivery & Returns
Delivery
| Service | Timescale | Cost |
|---|---|---|
| Standard | 3-5 working days | Free |
| Next working day | Order before 4pm | £5.95 |
UK mainland only. Orders placed on weekends or bank holidays are dispatched the next working day.
We are unable to deliver to Northern Ireland, the Scottish Isles, Jersey, Guernsey, the Isle of Wight, the Isle of Man, or the Isles of Scilly. Full delivery information.
Returns
28-day returns policy. Contact us within 28 days of receipt if you are not happy with your order.
Items must be returned unused and in their original packaging. Our UK-based team will guide you through the process. Full returns information.
FAQs
FAQs: Ribbed Glass Walnut Wall Light
Most wall lights mount to a metal disc or plate. This one uses a grooved walnut-stained wooden backplate, which introduces organic texture at the point where the fitting meets the wall. The vertical grooves catch light and shadow, and the wood grain varies naturally between fittings, so each one has its own character.
Smooth glass shows the bulb and nothing else. Ribbed glass refracts light across the surface of the shade, creating soft vertical lines of brightness that shift as you move. The shade itself becomes part of the visual interest, not just a container. When dimmed, the ribbing holds a warm glow across the full surface.
An E14 LED at 6W. Warm white (2700K) gives the best result through ribbed glass, enhancing the textured glow. Cool white works too but produces a crisper, less atmospheric effect. Check the listing for whether a bulb is included.
Bedrooms with timber panelling, living rooms with mid-century furniture, hallways on pale plaster walls, and dining rooms beside a sideboard or console. The walnut backplate echoes warm wood tones already in the room. For how natural textures and warm lighting build layered interiors, the Natural Seagrass Pendant Light brings a similar organic quality to the ceiling plane above.
Yes. You need a dimmable E14 LED and a compatible dimmer switch. Ribbed glass holds warmth well at low levels, making this fitting particularly effective as ambient bedside or hallway lighting when dimmed.
No. The IP20 rating means dry interior rooms only. The wooden backplate is not designed for moisture exposure. For bathrooms, choose a fitting rated IP44 or higher with a non-wood mounting.
Class 1 means the fitting requires an earth connection. The supply cable must include live, neutral and earth wires. Most standard UK lighting circuits provide this, but older properties may need checking before installation.
Yes. At 90mm wide, two sit comfortably either side of a headboard, hallway mirror or mantelpiece. Allow at least 500mm between backplates for balanced spacing. Each fitting needs its own wired wall point.
90mm wide, 150mm projection, 295mm tall. Steel arm with brass-toned finish. Grooved walnut-stained wooden backplate. Clear ribbed curved glass shade. E14 LED, 6W. Dimmable. 220-240V, Class 1, IP20. Weight 0.7 kg. Hardwired, wall-mounted, dry rooms only.
Knowledge Hub
Build Rooms With Depth and Warmth
A wall light with wood, brass and textured glass is a starting point, not a finish line. How you layer the rest of the room around it determines whether the fitting looks considered or accidental. These guides cover the principles of building interiors where materials, textures and lighting work together.
Ribbed Glass Wall Light with Walnut Backplate
Overview
Description
Specifications
Delivery & Returns
FAQs
Knowledge Hub
Wood, brass and glass together.
A wall light built from three materials that rarely appear together. The grooved walnut-stained wooden backplate introduces organic texture at the wall surface, the brass-toned steel arm bridges the gap between timber and glass, and the clear ribbed shade refracts and softens the light from a 6W E14 LED without hiding it. The result is a fitting with depth and warmth that flat metal cannot achieve. At 90mm wide, 150mm from the wall and 295mm tall, it works on narrow walls, between framed art or beside a mirror. Fully dimmable with a compatible bulb and switch.
Six details worth noticing up close.
- Light pattern on the wall behind: The ribbed glass throws soft vertical lines of brightness and shadow onto the surface behind it. Subtle from across the room but unmistakable at close range, adding texture to a plain wall without hanging anything on it.
- How it looks switched off: Most wall lights disappear when unlit. This one stays visible as a sculptural object: walnut grain, brass curve, ribbed glass catching daylight. It earns its wall space around the clock, not just after dark.
- The material transition matters: Wood to brass to glass. Warm to warm to clear. The eye follows the curve from organic backplate through metallic arm into transparent shade. Each material hands off to the next without a jarring change in tone.
- Built for rooms with panelling: The grooved walnut backplate echoes slatted wall features, timber cladding and mid-century wood furniture. In rooms that already use natural materials, this fitting looks native rather than added.
- Dimmed, it transforms completely: At full brightness the ribbing is defined and directional. Dimmed low, the entire shade holds a soft amber glow, turning the fitting into a warm accent rather than a light source.
- Vertical profile, minimal footprint: At 295mm tall and just 90mm wide, it occupies a narrow strip on the wall. Easy to position between framed art, beside a mirror or in a pair flanking a headboard without disrupting the composition.
Rooms that suit this mix.
Bedrooms with timber panelling or slatted wood where the walnut backplate echoes the wall surface. Living rooms with mid-century furniture in teak or oak where the tones speak the same language. Hallways on pale plaster where walnut grain becomes a focal point. For how warm metalwork and natural materials build layered interiors, our guide to industrial living room design covers how brass, wood and glass balance each other.
The backplate changes everything here.
There are hundreds of brass-and-glass wall lights on the market, and most of them mount to a metal disc or a rectangular steel plate. The fitting sits on the wall, and the wall behind it is just a surface. This one does something different. The backplate is grooved walnut-stained wood, which means the very first thing you register is not metal but timber. It changes the relationship between the light and the wall beneath it. The fitting looks planted rather than bolted, rooted in the surface rather than fixed to it.
From the walnut base, a brass-toned steel arm curves upward to hold a clear ribbed glass shade. The ribbing catches and refracts light as it passes through, softening the output without hiding the E14 LED bulb inside. The three materials, wood, brass and textured glass, work together at close range in a way that flat metal and smooth glass simply cannot. Dimensions are slim: 90mm wide, 150mm from the wall and 295mm tall. Weight is just 0.7 kg.
Fully dimmable with a compatible E14 LED and dimmer switch, it gives you control over the warmth and intensity at the wall. For how layered wall lighting transforms a narrow space, our guide to brightening a narrow dark hallway covers placement heights and the difference warm-toned fittings make to rooms people walk through every day.
Three materials that belong together.
- Grooved walnut-stained wooden backplate. The timber base sits directly against the wall, introducing organic texture at the point of contact. The vertical grooves catch light and shadow across the surface, adding depth that a flat metal plate cannot replicate.
- Brass-toned steel arm. The arm curves from the walnut base to the glass shade in a single sleek line. The warm brass tone bridges wood and glass, connecting the natural warmth of the backplate to the clarity of the shade above.
- Clear ribbed glass shade. The ribbing refracts and softens the light from the E14 LED without hiding it. The result is a warm, textured glow rather than a flat wash, with visible character in the glass itself at close range.
- Dimmable as standard. Pair with a dimmable E14 LED and compatible switch. Full brightness for task light beside a mirror; dimmed low for ambient warmth either side of a headboard or along a landing.
- Slim 90mm width. Narrow enough to sit between framed art, beside a mirror or on a slim hallway wall without competing for space. The 295mm height gives it vertical presence without bulk.
- Class 1, IP20, indoor use. Requires an earth connection. Rated for dry interior rooms only. Not suitable for bathrooms or any position exposed to moisture.
Why ribbed glass works harder.
Smooth clear glass shows the bulb and nothing else. Ribbed glass does something more: it bends light across the surface of the shade, creating vertical lines of brightness and shadow that shift as you move around the room. The effect is subtle but unmistakable at eye level. The shade itself becomes part of the visual interest, not just a container for the bulb. When dimmed, the ribbing holds a warm glow across its full surface. At full brightness, the texture becomes more defined and the light pattern on the wall behind it more pronounced.
Where walnut and brass sit best.
Bedrooms with timber panelling or slatted wood features where the walnut backplate echoes the wall surface. Living rooms with mid-century furniture in teak or oak where the warm wood tones speak the same language. Hallways on pale plaster walls where the walnut grain becomes a focal point and the ribbed glass throws textured light across the surface. Dining rooms beside a sideboard where the fitting looks like a considered object at eye level rather than a light source overhead.
Before you order.
- E14 LED bulb, 6W. Check the listing for whether the bulb is included. Replacement E14 LEDs are widely available. Choose warm white for the best result through ribbed glass.
- Class 1, requires earth connection. The fitting must connect to an earthed supply. IP20 means dry interior rooms only. Not suitable for bathrooms or kitchens with direct splash zones.
- Slim profile, check your wall space. At 90mm wide and 295mm tall, the fitting needs less wall than most sconces but still requires clear space. If pairing, allow at least 500mm between backplates.
Delivery
| Service | Timescale | Cost |
|---|---|---|
| Standard | 3-5 working days | Free |
| Next working day | Order before 4pm | £5.95 |
UK mainland only. Orders placed on weekends or bank holidays are dispatched the next working day.
We are unable to deliver to Northern Ireland, the Scottish Isles, Jersey, Guernsey, the Isle of Wight, the Isle of Man, or the Isles of Scilly. Full delivery information.
Returns
28-day returns policy. Contact us within 28 days of receipt if you are not happy with your order.
Items must be returned unused and in their original packaging. Our UK-based team will guide you through the process. Full returns information.
FAQs: Ribbed Glass Walnut Wall Light
Most wall lights mount to a metal disc or plate. This one uses a grooved walnut-stained wooden backplate, which introduces organic texture at the point where the fitting meets the wall. The vertical grooves catch light and shadow, and the wood grain varies naturally between fittings, so each one has its own character.
Smooth glass shows the bulb and nothing else. Ribbed glass refracts light across the surface of the shade, creating soft vertical lines of brightness that shift as you move. The shade itself becomes part of the visual interest, not just a container. When dimmed, the ribbing holds a warm glow across the full surface.
An E14 LED at 6W. Warm white (2700K) gives the best result through ribbed glass, enhancing the textured glow. Cool white works too but produces a crisper, less atmospheric effect. Check the listing for whether a bulb is included.
Bedrooms with timber panelling, living rooms with mid-century furniture, hallways on pale plaster walls, and dining rooms beside a sideboard or console. The walnut backplate echoes warm wood tones already in the room. For how natural textures and warm lighting build layered interiors, the Natural Seagrass Pendant Light brings a similar organic quality to the ceiling plane above.
Yes. You need a dimmable E14 LED and a compatible dimmer switch. Ribbed glass holds warmth well at low levels, making this fitting particularly effective as ambient bedside or hallway lighting when dimmed.
No. The IP20 rating means dry interior rooms only. The wooden backplate is not designed for moisture exposure. For bathrooms, choose a fitting rated IP44 or higher with a non-wood mounting.
Class 1 means the fitting requires an earth connection. The supply cable must include live, neutral and earth wires. Most standard UK lighting circuits provide this, but older properties may need checking before installation.
Yes. At 90mm wide, two sit comfortably either side of a headboard, hallway mirror or mantelpiece. Allow at least 500mm between backplates for balanced spacing. Each fitting needs its own wired wall point.
90mm wide, 150mm projection, 295mm tall. Steel arm with brass-toned finish. Grooved walnut-stained wooden backplate. Clear ribbed curved glass shade. E14 LED, 6W. Dimmable. 220-240V, Class 1, IP20. Weight 0.7 kg. Hardwired, wall-mounted, dry rooms only.
Build Rooms With Depth and Warmth
A wall light with wood, brass and textured glass is a starting point, not a finish line. How you layer the rest of the room around it determines whether the fitting looks considered or accidental. These guides cover the principles of building interiors where materials, textures and lighting work together.
Overview
Wood, brass and glass together.
A wall light built from three materials that rarely appear together. The grooved walnut-stained wooden backplate introduces organic texture at the wall surface, the brass-toned steel arm bridges the gap between timber and glass, and the clear ribbed shade refracts and softens the light from a 6W E14 LED without hiding it. The result is a fitting with depth and warmth that flat metal cannot achieve. At 90mm wide, 150mm from the wall and 295mm tall, it works on narrow walls, between framed art or beside a mirror. Fully dimmable with a compatible bulb and switch.
Six details worth noticing up close.
- Light pattern on the wall behind: The ribbed glass throws soft vertical lines of brightness and shadow onto the surface behind it. Subtle from across the room but unmistakable at close range, adding texture to a plain wall without hanging anything on it.
- How it looks switched off: Most wall lights disappear when unlit. This one stays visible as a sculptural object: walnut grain, brass curve, ribbed glass catching daylight. It earns its wall space around the clock, not just after dark.
- The material transition matters: Wood to brass to glass. Warm to warm to clear. The eye follows the curve from organic backplate through metallic arm into transparent shade. Each material hands off to the next without a jarring change in tone.
- Built for rooms with panelling: The grooved walnut backplate echoes slatted wall features, timber cladding and mid-century wood furniture. In rooms that already use natural materials, this fitting looks native rather than added.
- Dimmed, it transforms completely: At full brightness the ribbing is defined and directional. Dimmed low, the entire shade holds a soft amber glow, turning the fitting into a warm accent rather than a light source.
- Vertical profile, minimal footprint: At 295mm tall and just 90mm wide, it occupies a narrow strip on the wall. Easy to position between framed art, beside a mirror or in a pair flanking a headboard without disrupting the composition.
Rooms that suit this mix.
Bedrooms with timber panelling or slatted wood where the walnut backplate echoes the wall surface. Living rooms with mid-century furniture in teak or oak where the tones speak the same language. Hallways on pale plaster where walnut grain becomes a focal point. For how warm metalwork and natural materials build layered interiors, our guide to industrial living room design covers how brass, wood and glass balance each other.
Description
The backplate changes everything here.
There are hundreds of brass-and-glass wall lights on the market, and most of them mount to a metal disc or a rectangular steel plate. The fitting sits on the wall, and the wall behind it is just a surface. This one does something different. The backplate is grooved walnut-stained wood, which means the very first thing you register is not metal but timber. It changes the relationship between the light and the wall beneath it. The fitting looks planted rather than bolted, rooted in the surface rather than fixed to it.
From the walnut base, a brass-toned steel arm curves upward to hold a clear ribbed glass shade. The ribbing catches and refracts light as it passes through, softening the output without hiding the E14 LED bulb inside. The three materials, wood, brass and textured glass, work together at close range in a way that flat metal and smooth glass simply cannot. Dimensions are slim: 90mm wide, 150mm from the wall and 295mm tall. Weight is just 0.7 kg.
Fully dimmable with a compatible E14 LED and dimmer switch, it gives you control over the warmth and intensity at the wall. For how layered wall lighting transforms a narrow space, our guide to brightening a narrow dark hallway covers placement heights and the difference warm-toned fittings make to rooms people walk through every day.
Three materials that belong together.
- Grooved walnut-stained wooden backplate. The timber base sits directly against the wall, introducing organic texture at the point of contact. The vertical grooves catch light and shadow across the surface, adding depth that a flat metal plate cannot replicate.
- Brass-toned steel arm. The arm curves from the walnut base to the glass shade in a single sleek line. The warm brass tone bridges wood and glass, connecting the natural warmth of the backplate to the clarity of the shade above.
- Clear ribbed glass shade. The ribbing refracts and softens the light from the E14 LED without hiding it. The result is a warm, textured glow rather than a flat wash, with visible character in the glass itself at close range.
- Dimmable as standard. Pair with a dimmable E14 LED and compatible switch. Full brightness for task light beside a mirror; dimmed low for ambient warmth either side of a headboard or along a landing.
- Slim 90mm width. Narrow enough to sit between framed art, beside a mirror or on a slim hallway wall without competing for space. The 295mm height gives it vertical presence without bulk.
- Class 1, IP20, indoor use. Requires an earth connection. Rated for dry interior rooms only. Not suitable for bathrooms or any position exposed to moisture.
Why ribbed glass works harder.
Smooth clear glass shows the bulb and nothing else. Ribbed glass does something more: it bends light across the surface of the shade, creating vertical lines of brightness and shadow that shift as you move around the room. The effect is subtle but unmistakable at eye level. The shade itself becomes part of the visual interest, not just a container for the bulb. When dimmed, the ribbing holds a warm glow across its full surface. At full brightness, the texture becomes more defined and the light pattern on the wall behind it more pronounced.
Where walnut and brass sit best.
Bedrooms with timber panelling or slatted wood features where the walnut backplate echoes the wall surface. Living rooms with mid-century furniture in teak or oak where the warm wood tones speak the same language. Hallways on pale plaster walls where the walnut grain becomes a focal point and the ribbed glass throws textured light across the surface. Dining rooms beside a sideboard where the fitting looks like a considered object at eye level rather than a light source overhead.
Before you order.
- E14 LED bulb, 6W. Check the listing for whether the bulb is included. Replacement E14 LEDs are widely available. Choose warm white for the best result through ribbed glass.
- Class 1, requires earth connection. The fitting must connect to an earthed supply. IP20 means dry interior rooms only. Not suitable for bathrooms or kitchens with direct splash zones.
- Slim profile, check your wall space. At 90mm wide and 295mm tall, the fitting needs less wall than most sconces but still requires clear space. If pairing, allow at least 500mm between backplates.
Specifications
Delivery & Returns
Delivery
| Service | Timescale | Cost |
|---|---|---|
| Standard | 3-5 working days | Free |
| Next working day | Order before 4pm | £5.95 |
UK mainland only. Orders placed on weekends or bank holidays are dispatched the next working day.
We are unable to deliver to Northern Ireland, the Scottish Isles, Jersey, Guernsey, the Isle of Wight, the Isle of Man, or the Isles of Scilly. Full delivery information.
Returns
28-day returns policy. Contact us within 28 days of receipt if you are not happy with your order.
Items must be returned unused and in their original packaging. Our UK-based team will guide you through the process. Full returns information.
FAQs
FAQs: Ribbed Glass Walnut Wall Light
Most wall lights mount to a metal disc or plate. This one uses a grooved walnut-stained wooden backplate, which introduces organic texture at the point where the fitting meets the wall. The vertical grooves catch light and shadow, and the wood grain varies naturally between fittings, so each one has its own character.
Smooth glass shows the bulb and nothing else. Ribbed glass refracts light across the surface of the shade, creating soft vertical lines of brightness that shift as you move. The shade itself becomes part of the visual interest, not just a container. When dimmed, the ribbing holds a warm glow across the full surface.
An E14 LED at 6W. Warm white (2700K) gives the best result through ribbed glass, enhancing the textured glow. Cool white works too but produces a crisper, less atmospheric effect. Check the listing for whether a bulb is included.
Bedrooms with timber panelling, living rooms with mid-century furniture, hallways on pale plaster walls, and dining rooms beside a sideboard or console. The walnut backplate echoes warm wood tones already in the room. For how natural textures and warm lighting build layered interiors, the Natural Seagrass Pendant Light brings a similar organic quality to the ceiling plane above.
Yes. You need a dimmable E14 LED and a compatible dimmer switch. Ribbed glass holds warmth well at low levels, making this fitting particularly effective as ambient bedside or hallway lighting when dimmed.
No. The IP20 rating means dry interior rooms only. The wooden backplate is not designed for moisture exposure. For bathrooms, choose a fitting rated IP44 or higher with a non-wood mounting.
Class 1 means the fitting requires an earth connection. The supply cable must include live, neutral and earth wires. Most standard UK lighting circuits provide this, but older properties may need checking before installation.
Yes. At 90mm wide, two sit comfortably either side of a headboard, hallway mirror or mantelpiece. Allow at least 500mm between backplates for balanced spacing. Each fitting needs its own wired wall point.
90mm wide, 150mm projection, 295mm tall. Steel arm with brass-toned finish. Grooved walnut-stained wooden backplate. Clear ribbed curved glass shade. E14 LED, 6W. Dimmable. 220-240V, Class 1, IP20. Weight 0.7 kg. Hardwired, wall-mounted, dry rooms only.
Knowledge Hub
Build Rooms With Depth and Warmth
A wall light with wood, brass and textured glass is a starting point, not a finish line. How you layer the rest of the room around it determines whether the fitting looks considered or accidental. These guides cover the principles of building interiors where materials, textures and lighting work together.
