Overview
Description
Specifications
Delivery & Returns
FAQs
Knowledge Hub
Light Held in Stone.
An 800 mm round top in solid white marble with grey and charcoal veining that belongs to this table and no other. The sculptural arched base lifts the surface to 400 mm and opens 380 mm of clear space beneath, letting the rug breathe and the floor stay visible through the curve rather than disappearing under a solid plinth. At 51 kg the table does not shift once placed. The white surface catches every light source in the room and distributes it back into the space rather than absorbing it, which is why a white marble table makes a room feel noticeably brighter and more open than a dark alternative at the same scale. The arch is the same marble throughout, curving from floor to the underside of the top in one unbroken sculptural form. Cool under the hand, visually deep, and impossible to replicate because the veining is geological rather than manufactured.
How White Marble Lifts a Room.
- It brightens the room from the centre: White marble reflects light back toward the walls and ceiling, making everything around it feel more vivid and more present by contrast.
- The arch lets the floor stay visible: 380 mm of open space beneath the top means the rug, the flooring and the light all pass through rather than being blocked by a solid base.
- It elevates everything placed on it: A book, a ceramic bowl, a vase of dried stems. White marble turns everyday objects into a considered arrangement because the surface itself carries intention and weight.
- The veining changes through the day: In direct sunlight the grey lines sharpen against the white. In low evening light they soften and the surface warms. The table looks subtly different every hour.
- It replaces disposable with permanent: Marble does not date, does not dent and does not lose its character with age. This is the last coffee table the room needs to buy.
- No corners in any direction: The round shape is the safest and most forgiving in tight seating layouts and rooms with children or pets moving through them.
- It defines the zone in open plan: In a room without walls between living and kitchen, 51 kg of white marble marks the boundary with a presence a rug or a change of flooring alone cannot match.
Rooms Built Around Brightness.
A pale living room with a linen sofa and bleached oak flooring where the marble continues the material palette and the veining adds the only texture the room needs. A navy or forest green sitting room where the white surface opens the centre and lifts the contrast. An open-plan space where it defines the living zone with light and material weight rather than mass alone. For ideas on how Scandinavian interiors use pale surfaces, natural light and considered texture to build rooms that feel calm and bright, our guide to Scandinavian living room design covers the approach in detail.
The Table That Brings Light In.
A dark coffee table absorbs the light in a room and pulls the eye downward. It creates a visual weight at the centre of the seating arrangement, anchoring everything around it with mass and shadow. A white marble coffee table does precisely the opposite. It catches every source of light in the room and holds it on its surface: the afternoon sun falling through the window and resting on the stone, the warm glow of a table lamp reaching the veining and illuminating it from within, the low amber flicker of a candle on a winter evening playing across the polished surface. The veining runs in grey and soft charcoal across the white, unique to this piece and impossible to replicate because the pattern was laid down by mineral deposits over millennia. The surface has depth, temperature and a character that shifts through the day as the light around it changes.
The base is a sculptural arch in the same white marble, rising from the floor in a single continuous curve that supports the 800 mm round top without visible fixings and without any break in the material from floor to surface. The arch creates 380 mm of clear space beneath, enough for a thick rug to sit underneath without compression and for the eye to travel through the base rather than hitting a solid block. At 51 kg the table stays exactly where you place it. It does not shift under elbows, does not wobble when a child runs past and does not need repositioning. It becomes a permanent feature of the space from the moment it arrives.
For a table lamp that carries a complementary warmth alongside the cool white stone, the ornate gold leaf table lamp introduces a rich metallic accent at a different height, catching the same light the marble holds and giving the living room a layered material palette that feels considered rather than accidental.
What the White Surface Delivers.
- 800 mm round top in solid white marble. A generous diameter for art books, a ceramic bowl, a tray of candles and a morning coffee. The round shape has no corners to catch shins or dominate with sharp angles. It is the most forgiving shape a coffee table can take in a room where people move around it constantly.
- 400 mm seated height with 380 mm clearance. The top sits level with the sofa cushion, the correct proportion for reaching a drink without leaning forward. The 380 mm beneath the arch gives the rug and the floor space to breathe underneath rather than being hidden by a solid base.
- Sculptural arched base in the same white marble. Stone from bottom to top, not a metal frame clad in veneer. The visual continuity from base to surface is unbroken, which is why the table holds together as a single sculptural form.
- Grey and charcoal veining unique to each piece. Marble veining is geological, formed over millennia. The pattern on this table will not appear on any other table anywhere. Each piece is a genuine, unrepeatable original.
- 51 kg of solid natural stone. It does not slide across a rug, does not shift when bumped and does not need repositioning. The weight is the material being honest about what it is.
- Cool to the touch throughout the year. White marble holds its temperature. In a warm room the surface stays cool under the palm, a tactile quality that engineered surfaces and painted wood cannot offer.
Why White Marble Photographs Differently.
Interior designers and photographers reach for white marble surfaces because the material reflects and distributes light rather than absorbing it. A dark table creates a visual mass in the centre of a room and pulls the energy downward. A white marble table opens the middle of the space, bounces ambient light back toward the walls and the ceiling, and makes surrounding furniture appear more vivid by contrast. In a real room the effect is tangible. On overcast afternoons when the sky is grey and the room is relying on whatever daylight makes it through the glass, the white surface acts as a secondary light source, holding that brightness on the stone and distributing it across the objects on the surface and the faces of the people sitting around it. It is the reason white marble is the surface of choice in rooms designed to feel bright and calm regardless of the weather outside the window.
Three Rooms, Three Different Lives.
In a living room with a deep navy velvet sofa and pale oak flooring, where a stoneware vase catches the morning light on the white surface and a stack of art books sits beside a half-drunk coffee in a warm ceramic mug. The stone brightens the room from the centre outward rather than grounding it with mass. In a Scandinavian open-plan space with white walls, bleached timber shelving and a linen sectional, where the marble continues the pale material palette and the grey veining provides the only visual contrast the room needs. In a traditional sitting room with sage green painted panelling and cream armchairs flanking a fireplace, where the white marble softens the formality and the arched base introduces a contemporary sculptural line beneath classical furniture. White marble works alongside gold accessories, brass lighting, pale timber, cream textiles and soft pastels without asking anything else in the room to change direction.
What to Know First.
- 51 kg requires planned positioning. Two people needed for safe placement. Decide the final position before delivery and ensure the route from door to room is clear and wide enough for the table to pass through without obstruction.
- Allow 300 mm clearance around the edge. Comfortable leg room between table and sofa. Allows natural movement around the piece without the arrangement feeling cramped.
- White marble shows spills more readily than dark stone. Use coasters for all drinks, especially coffee and red wine. Wipe promptly. A specialist marble sealant applied periodically protects the surface without changing the natural feel or the way light interacts with the stone.
Delivery
| Service | Timescale | Cost |
|---|---|---|
| Standard | 3-5 working days | Free |
| Next working day | Order before 4pm | £5.95 |
UK mainland only. Orders placed on weekends or bank holidays are dispatched the next working day.
We are unable to deliver to Northern Ireland, the Scottish Isles, Jersey, Guernsey, the Isle of Wight, the Isle of Man, or the Isles of Scilly. Full delivery information.
Returns
28-day returns policy. Contact us within 28 days of receipt if you are not happy with your order.
Items must be returned unused and in their original packaging. Our UK-based team will guide you through the process. Full returns information.
FAQs: White Marble Coffee Table.
The table is 800 mm in diameter and 400 mm tall. Allow at least 300 mm between the edge of the table and the sofa or armchairs for comfortable leg room and natural movement around the piece. It suits a standard three-seat sofa with armchairs either side, or a large sectional with the table centred in the open space between the seating and the opposite wall.
Solid marble throughout, both the round top and the sculptural arched base. There is no veneer, no composite core and no hidden metal subframe anywhere in the construction. The 51 kg weight confirms genuine natural stone from the polished surface through to the centre of the piece. This is not an engineered alternative with a marble print applied to a lighter substrate.
Marble veining forms from mineral deposits laid down under pressure over geological time. Each slab is cut from a different section of the quarried stone, which means no two surfaces carry the same pattern. The grey and charcoal lines running through the white on the piece you receive will not appear on any other table in any other room. Every piece is a genuine, unrepeatable original and the variation is what distinguishes natural marble from printed or engineered imitations.
Pale living rooms with linen sofas and bleached oak flooring where the marble continues the light, textured material palette. Navy or forest green sitting rooms where the white surface opens the centre and lifts the contrast dramatically. Open-plan spaces where it defines the living zone with brightness and material weight. White marble pairs naturally with gold, brass, pale timber, cream textiles and soft pastels in both warm and cool schemes. For ideas on pairing bold colour with white stone surfaces, our guide to modern navy kitchen ideas covers the approach in a way that translates directly to living room arrangements.
Black marble absorbs light and grounds a room with visual weight, pulling the energy downward. White marble reflects light and opens the space outward from the centre, making everything around it feel brighter and more vivid. Both are the same dimensions, the same sculptural arched base and the same 51 kg of solid stone. The choice depends on what the room needs: grounding or brightening.
White marble shows spills and marks more readily than dark stone because the pale surface makes any discolouration immediately visible. Use coasters for all drinks, particularly coffee, red wine and anything with colour. Wipe spills immediately and seal the surface periodically with a specialist marble sealant. With consistent, straightforward care the surface stays clean and the veining remains the only visible detail on the stone.
It lifts the 800 mm round top to 400 mm while creating 380 mm of open space beneath. Light, the rug and the floor all pass through the curve rather than being blocked by a solid plinth. The arch gives a 51 kg marble table a visual lightness that its weight alone would otherwise deny it.
No. At 51 kg two people are needed for safe placement and any repositioning. Decide the final position before delivery and ensure the route through the house is clear. Once positioned correctly the table does not need to be moved again.
At 51 kg, stone on a hard floor can mark the surface beneath if dragged rather than lifted. Place the table on a rug or use felt pads beneath the base to protect wooden, tiled or laminate flooring. Always lift rather than slide when repositioning.
Dimensions: 800 mm (W) x 800 mm (D) x 400 mm (H). Floor clearance: 380 mm beneath the arch. Material: solid marble throughout, top and base. Finish: white with natural grey and charcoal veining. Base: sculptural arch. Weight: 51 kg. Shape: round, 800 mm diameter. Also available in black marble as CT236B.
Living Rooms Built Around Light and Texture.
A white marble coffee table sets the tone for every surface, every textile and every accessory around it. The room responds to the brightness and the material quality of the stone at its centre. These two guides cover how to build living spaces where natural materials and considered palettes work together.
Overview
Light Held in Stone.
An 800 mm round top in solid white marble with grey and charcoal veining that belongs to this table and no other. The sculptural arched base lifts the surface to 400 mm and opens 380 mm of clear space beneath, letting the rug breathe and the floor stay visible through the curve rather than disappearing under a solid plinth. At 51 kg the table does not shift once placed. The white surface catches every light source in the room and distributes it back into the space rather than absorbing it, which is why a white marble table makes a room feel noticeably brighter and more open than a dark alternative at the same scale. The arch is the same marble throughout, curving from floor to the underside of the top in one unbroken sculptural form. Cool under the hand, visually deep, and impossible to replicate because the veining is geological rather than manufactured.
How White Marble Lifts a Room.
- It brightens the room from the centre: White marble reflects light back toward the walls and ceiling, making everything around it feel more vivid and more present by contrast.
- The arch lets the floor stay visible: 380 mm of open space beneath the top means the rug, the flooring and the light all pass through rather than being blocked by a solid base.
- It elevates everything placed on it: A book, a ceramic bowl, a vase of dried stems. White marble turns everyday objects into a considered arrangement because the surface itself carries intention and weight.
- The veining changes through the day: In direct sunlight the grey lines sharpen against the white. In low evening light they soften and the surface warms. The table looks subtly different every hour.
- It replaces disposable with permanent: Marble does not date, does not dent and does not lose its character with age. This is the last coffee table the room needs to buy.
- No corners in any direction: The round shape is the safest and most forgiving in tight seating layouts and rooms with children or pets moving through them.
- It defines the zone in open plan: In a room without walls between living and kitchen, 51 kg of white marble marks the boundary with a presence a rug or a change of flooring alone cannot match.
Rooms Built Around Brightness.
A pale living room with a linen sofa and bleached oak flooring where the marble continues the material palette and the veining adds the only texture the room needs. A navy or forest green sitting room where the white surface opens the centre and lifts the contrast. An open-plan space where it defines the living zone with light and material weight rather than mass alone. For ideas on how Scandinavian interiors use pale surfaces, natural light and considered texture to build rooms that feel calm and bright, our guide to Scandinavian living room design covers the approach in detail.
Description
The Table That Brings Light In.
A dark coffee table absorbs the light in a room and pulls the eye downward. It creates a visual weight at the centre of the seating arrangement, anchoring everything around it with mass and shadow. A white marble coffee table does precisely the opposite. It catches every source of light in the room and holds it on its surface: the afternoon sun falling through the window and resting on the stone, the warm glow of a table lamp reaching the veining and illuminating it from within, the low amber flicker of a candle on a winter evening playing across the polished surface. The veining runs in grey and soft charcoal across the white, unique to this piece and impossible to replicate because the pattern was laid down by mineral deposits over millennia. The surface has depth, temperature and a character that shifts through the day as the light around it changes.
The base is a sculptural arch in the same white marble, rising from the floor in a single continuous curve that supports the 800 mm round top without visible fixings and without any break in the material from floor to surface. The arch creates 380 mm of clear space beneath, enough for a thick rug to sit underneath without compression and for the eye to travel through the base rather than hitting a solid block. At 51 kg the table stays exactly where you place it. It does not shift under elbows, does not wobble when a child runs past and does not need repositioning. It becomes a permanent feature of the space from the moment it arrives.
For a table lamp that carries a complementary warmth alongside the cool white stone, the ornate gold leaf table lamp introduces a rich metallic accent at a different height, catching the same light the marble holds and giving the living room a layered material palette that feels considered rather than accidental.
What the White Surface Delivers.
- 800 mm round top in solid white marble. A generous diameter for art books, a ceramic bowl, a tray of candles and a morning coffee. The round shape has no corners to catch shins or dominate with sharp angles. It is the most forgiving shape a coffee table can take in a room where people move around it constantly.
- 400 mm seated height with 380 mm clearance. The top sits level with the sofa cushion, the correct proportion for reaching a drink without leaning forward. The 380 mm beneath the arch gives the rug and the floor space to breathe underneath rather than being hidden by a solid base.
- Sculptural arched base in the same white marble. Stone from bottom to top, not a metal frame clad in veneer. The visual continuity from base to surface is unbroken, which is why the table holds together as a single sculptural form.
- Grey and charcoal veining unique to each piece. Marble veining is geological, formed over millennia. The pattern on this table will not appear on any other table anywhere. Each piece is a genuine, unrepeatable original.
- 51 kg of solid natural stone. It does not slide across a rug, does not shift when bumped and does not need repositioning. The weight is the material being honest about what it is.
- Cool to the touch throughout the year. White marble holds its temperature. In a warm room the surface stays cool under the palm, a tactile quality that engineered surfaces and painted wood cannot offer.
Why White Marble Photographs Differently.
Interior designers and photographers reach for white marble surfaces because the material reflects and distributes light rather than absorbing it. A dark table creates a visual mass in the centre of a room and pulls the energy downward. A white marble table opens the middle of the space, bounces ambient light back toward the walls and the ceiling, and makes surrounding furniture appear more vivid by contrast. In a real room the effect is tangible. On overcast afternoons when the sky is grey and the room is relying on whatever daylight makes it through the glass, the white surface acts as a secondary light source, holding that brightness on the stone and distributing it across the objects on the surface and the faces of the people sitting around it. It is the reason white marble is the surface of choice in rooms designed to feel bright and calm regardless of the weather outside the window.
Three Rooms, Three Different Lives.
In a living room with a deep navy velvet sofa and pale oak flooring, where a stoneware vase catches the morning light on the white surface and a stack of art books sits beside a half-drunk coffee in a warm ceramic mug. The stone brightens the room from the centre outward rather than grounding it with mass. In a Scandinavian open-plan space with white walls, bleached timber shelving and a linen sectional, where the marble continues the pale material palette and the grey veining provides the only visual contrast the room needs. In a traditional sitting room with sage green painted panelling and cream armchairs flanking a fireplace, where the white marble softens the formality and the arched base introduces a contemporary sculptural line beneath classical furniture. White marble works alongside gold accessories, brass lighting, pale timber, cream textiles and soft pastels without asking anything else in the room to change direction.
What to Know First.
- 51 kg requires planned positioning. Two people needed for safe placement. Decide the final position before delivery and ensure the route from door to room is clear and wide enough for the table to pass through without obstruction.
- Allow 300 mm clearance around the edge. Comfortable leg room between table and sofa. Allows natural movement around the piece without the arrangement feeling cramped.
- White marble shows spills more readily than dark stone. Use coasters for all drinks, especially coffee and red wine. Wipe promptly. A specialist marble sealant applied periodically protects the surface without changing the natural feel or the way light interacts with the stone.
Specifications
Delivery & Returns
Delivery
| Service | Timescale | Cost |
|---|---|---|
| Standard | 3-5 working days | Free |
| Next working day | Order before 4pm | £5.95 |
UK mainland only. Orders placed on weekends or bank holidays are dispatched the next working day.
We are unable to deliver to Northern Ireland, the Scottish Isles, Jersey, Guernsey, the Isle of Wight, the Isle of Man, or the Isles of Scilly. Full delivery information.
Returns
28-day returns policy. Contact us within 28 days of receipt if you are not happy with your order.
Items must be returned unused and in their original packaging. Our UK-based team will guide you through the process. Full returns information.
FAQs
FAQs: White Marble Coffee Table.
The table is 800 mm in diameter and 400 mm tall. Allow at least 300 mm between the edge of the table and the sofa or armchairs for comfortable leg room and natural movement around the piece. It suits a standard three-seat sofa with armchairs either side, or a large sectional with the table centred in the open space between the seating and the opposite wall.
Solid marble throughout, both the round top and the sculptural arched base. There is no veneer, no composite core and no hidden metal subframe anywhere in the construction. The 51 kg weight confirms genuine natural stone from the polished surface through to the centre of the piece. This is not an engineered alternative with a marble print applied to a lighter substrate.
Marble veining forms from mineral deposits laid down under pressure over geological time. Each slab is cut from a different section of the quarried stone, which means no two surfaces carry the same pattern. The grey and charcoal lines running through the white on the piece you receive will not appear on any other table in any other room. Every piece is a genuine, unrepeatable original and the variation is what distinguishes natural marble from printed or engineered imitations.
Pale living rooms with linen sofas and bleached oak flooring where the marble continues the light, textured material palette. Navy or forest green sitting rooms where the white surface opens the centre and lifts the contrast dramatically. Open-plan spaces where it defines the living zone with brightness and material weight. White marble pairs naturally with gold, brass, pale timber, cream textiles and soft pastels in both warm and cool schemes. For ideas on pairing bold colour with white stone surfaces, our guide to modern navy kitchen ideas covers the approach in a way that translates directly to living room arrangements.
Black marble absorbs light and grounds a room with visual weight, pulling the energy downward. White marble reflects light and opens the space outward from the centre, making everything around it feel brighter and more vivid. Both are the same dimensions, the same sculptural arched base and the same 51 kg of solid stone. The choice depends on what the room needs: grounding or brightening.
White marble shows spills and marks more readily than dark stone because the pale surface makes any discolouration immediately visible. Use coasters for all drinks, particularly coffee, red wine and anything with colour. Wipe spills immediately and seal the surface periodically with a specialist marble sealant. With consistent, straightforward care the surface stays clean and the veining remains the only visible detail on the stone.
It lifts the 800 mm round top to 400 mm while creating 380 mm of open space beneath. Light, the rug and the floor all pass through the curve rather than being blocked by a solid plinth. The arch gives a 51 kg marble table a visual lightness that its weight alone would otherwise deny it.
No. At 51 kg two people are needed for safe placement and any repositioning. Decide the final position before delivery and ensure the route through the house is clear. Once positioned correctly the table does not need to be moved again.
At 51 kg, stone on a hard floor can mark the surface beneath if dragged rather than lifted. Place the table on a rug or use felt pads beneath the base to protect wooden, tiled or laminate flooring. Always lift rather than slide when repositioning.
Dimensions: 800 mm (W) x 800 mm (D) x 400 mm (H). Floor clearance: 380 mm beneath the arch. Material: solid marble throughout, top and base. Finish: white with natural grey and charcoal veining. Base: sculptural arch. Weight: 51 kg. Shape: round, 800 mm diameter. Also available in black marble as CT236B.
Knowledge Hub
Living Rooms Built Around Light and Texture.
A white marble coffee table sets the tone for every surface, every textile and every accessory around it. The room responds to the brightness and the material quality of the stone at its centre. These two guides cover how to build living spaces where natural materials and considered palettes work together.
White Marble Round Coffee Table with Sculptural Base
Overview
Description
Specifications
Delivery & Returns
FAQs
Knowledge Hub
Light Held in Stone.
An 800 mm round top in solid white marble with grey and charcoal veining that belongs to this table and no other. The sculptural arched base lifts the surface to 400 mm and opens 380 mm of clear space beneath, letting the rug breathe and the floor stay visible through the curve rather than disappearing under a solid plinth. At 51 kg the table does not shift once placed. The white surface catches every light source in the room and distributes it back into the space rather than absorbing it, which is why a white marble table makes a room feel noticeably brighter and more open than a dark alternative at the same scale. The arch is the same marble throughout, curving from floor to the underside of the top in one unbroken sculptural form. Cool under the hand, visually deep, and impossible to replicate because the veining is geological rather than manufactured.
How White Marble Lifts a Room.
- It brightens the room from the centre: White marble reflects light back toward the walls and ceiling, making everything around it feel more vivid and more present by contrast.
- The arch lets the floor stay visible: 380 mm of open space beneath the top means the rug, the flooring and the light all pass through rather than being blocked by a solid base.
- It elevates everything placed on it: A book, a ceramic bowl, a vase of dried stems. White marble turns everyday objects into a considered arrangement because the surface itself carries intention and weight.
- The veining changes through the day: In direct sunlight the grey lines sharpen against the white. In low evening light they soften and the surface warms. The table looks subtly different every hour.
- It replaces disposable with permanent: Marble does not date, does not dent and does not lose its character with age. This is the last coffee table the room needs to buy.
- No corners in any direction: The round shape is the safest and most forgiving in tight seating layouts and rooms with children or pets moving through them.
- It defines the zone in open plan: In a room without walls between living and kitchen, 51 kg of white marble marks the boundary with a presence a rug or a change of flooring alone cannot match.
Rooms Built Around Brightness.
A pale living room with a linen sofa and bleached oak flooring where the marble continues the material palette and the veining adds the only texture the room needs. A navy or forest green sitting room where the white surface opens the centre and lifts the contrast. An open-plan space where it defines the living zone with light and material weight rather than mass alone. For ideas on how Scandinavian interiors use pale surfaces, natural light and considered texture to build rooms that feel calm and bright, our guide to Scandinavian living room design covers the approach in detail.
The Table That Brings Light In.
A dark coffee table absorbs the light in a room and pulls the eye downward. It creates a visual weight at the centre of the seating arrangement, anchoring everything around it with mass and shadow. A white marble coffee table does precisely the opposite. It catches every source of light in the room and holds it on its surface: the afternoon sun falling through the window and resting on the stone, the warm glow of a table lamp reaching the veining and illuminating it from within, the low amber flicker of a candle on a winter evening playing across the polished surface. The veining runs in grey and soft charcoal across the white, unique to this piece and impossible to replicate because the pattern was laid down by mineral deposits over millennia. The surface has depth, temperature and a character that shifts through the day as the light around it changes.
The base is a sculptural arch in the same white marble, rising from the floor in a single continuous curve that supports the 800 mm round top without visible fixings and without any break in the material from floor to surface. The arch creates 380 mm of clear space beneath, enough for a thick rug to sit underneath without compression and for the eye to travel through the base rather than hitting a solid block. At 51 kg the table stays exactly where you place it. It does not shift under elbows, does not wobble when a child runs past and does not need repositioning. It becomes a permanent feature of the space from the moment it arrives.
For a table lamp that carries a complementary warmth alongside the cool white stone, the ornate gold leaf table lamp introduces a rich metallic accent at a different height, catching the same light the marble holds and giving the living room a layered material palette that feels considered rather than accidental.
What the White Surface Delivers.
- 800 mm round top in solid white marble. A generous diameter for art books, a ceramic bowl, a tray of candles and a morning coffee. The round shape has no corners to catch shins or dominate with sharp angles. It is the most forgiving shape a coffee table can take in a room where people move around it constantly.
- 400 mm seated height with 380 mm clearance. The top sits level with the sofa cushion, the correct proportion for reaching a drink without leaning forward. The 380 mm beneath the arch gives the rug and the floor space to breathe underneath rather than being hidden by a solid base.
- Sculptural arched base in the same white marble. Stone from bottom to top, not a metal frame clad in veneer. The visual continuity from base to surface is unbroken, which is why the table holds together as a single sculptural form.
- Grey and charcoal veining unique to each piece. Marble veining is geological, formed over millennia. The pattern on this table will not appear on any other table anywhere. Each piece is a genuine, unrepeatable original.
- 51 kg of solid natural stone. It does not slide across a rug, does not shift when bumped and does not need repositioning. The weight is the material being honest about what it is.
- Cool to the touch throughout the year. White marble holds its temperature. In a warm room the surface stays cool under the palm, a tactile quality that engineered surfaces and painted wood cannot offer.
Why White Marble Photographs Differently.
Interior designers and photographers reach for white marble surfaces because the material reflects and distributes light rather than absorbing it. A dark table creates a visual mass in the centre of a room and pulls the energy downward. A white marble table opens the middle of the space, bounces ambient light back toward the walls and the ceiling, and makes surrounding furniture appear more vivid by contrast. In a real room the effect is tangible. On overcast afternoons when the sky is grey and the room is relying on whatever daylight makes it through the glass, the white surface acts as a secondary light source, holding that brightness on the stone and distributing it across the objects on the surface and the faces of the people sitting around it. It is the reason white marble is the surface of choice in rooms designed to feel bright and calm regardless of the weather outside the window.
Three Rooms, Three Different Lives.
In a living room with a deep navy velvet sofa and pale oak flooring, where a stoneware vase catches the morning light on the white surface and a stack of art books sits beside a half-drunk coffee in a warm ceramic mug. The stone brightens the room from the centre outward rather than grounding it with mass. In a Scandinavian open-plan space with white walls, bleached timber shelving and a linen sectional, where the marble continues the pale material palette and the grey veining provides the only visual contrast the room needs. In a traditional sitting room with sage green painted panelling and cream armchairs flanking a fireplace, where the white marble softens the formality and the arched base introduces a contemporary sculptural line beneath classical furniture. White marble works alongside gold accessories, brass lighting, pale timber, cream textiles and soft pastels without asking anything else in the room to change direction.
What to Know First.
- 51 kg requires planned positioning. Two people needed for safe placement. Decide the final position before delivery and ensure the route from door to room is clear and wide enough for the table to pass through without obstruction.
- Allow 300 mm clearance around the edge. Comfortable leg room between table and sofa. Allows natural movement around the piece without the arrangement feeling cramped.
- White marble shows spills more readily than dark stone. Use coasters for all drinks, especially coffee and red wine. Wipe promptly. A specialist marble sealant applied periodically protects the surface without changing the natural feel or the way light interacts with the stone.
Delivery
| Service | Timescale | Cost |
|---|---|---|
| Standard | 3-5 working days | Free |
| Next working day | Order before 4pm | £5.95 |
UK mainland only. Orders placed on weekends or bank holidays are dispatched the next working day.
We are unable to deliver to Northern Ireland, the Scottish Isles, Jersey, Guernsey, the Isle of Wight, the Isle of Man, or the Isles of Scilly. Full delivery information.
Returns
28-day returns policy. Contact us within 28 days of receipt if you are not happy with your order.
Items must be returned unused and in their original packaging. Our UK-based team will guide you through the process. Full returns information.
FAQs: White Marble Coffee Table.
The table is 800 mm in diameter and 400 mm tall. Allow at least 300 mm between the edge of the table and the sofa or armchairs for comfortable leg room and natural movement around the piece. It suits a standard three-seat sofa with armchairs either side, or a large sectional with the table centred in the open space between the seating and the opposite wall.
Solid marble throughout, both the round top and the sculptural arched base. There is no veneer, no composite core and no hidden metal subframe anywhere in the construction. The 51 kg weight confirms genuine natural stone from the polished surface through to the centre of the piece. This is not an engineered alternative with a marble print applied to a lighter substrate.
Marble veining forms from mineral deposits laid down under pressure over geological time. Each slab is cut from a different section of the quarried stone, which means no two surfaces carry the same pattern. The grey and charcoal lines running through the white on the piece you receive will not appear on any other table in any other room. Every piece is a genuine, unrepeatable original and the variation is what distinguishes natural marble from printed or engineered imitations.
Pale living rooms with linen sofas and bleached oak flooring where the marble continues the light, textured material palette. Navy or forest green sitting rooms where the white surface opens the centre and lifts the contrast dramatically. Open-plan spaces where it defines the living zone with brightness and material weight. White marble pairs naturally with gold, brass, pale timber, cream textiles and soft pastels in both warm and cool schemes. For ideas on pairing bold colour with white stone surfaces, our guide to modern navy kitchen ideas covers the approach in a way that translates directly to living room arrangements.
Black marble absorbs light and grounds a room with visual weight, pulling the energy downward. White marble reflects light and opens the space outward from the centre, making everything around it feel brighter and more vivid. Both are the same dimensions, the same sculptural arched base and the same 51 kg of solid stone. The choice depends on what the room needs: grounding or brightening.
White marble shows spills and marks more readily than dark stone because the pale surface makes any discolouration immediately visible. Use coasters for all drinks, particularly coffee, red wine and anything with colour. Wipe spills immediately and seal the surface periodically with a specialist marble sealant. With consistent, straightforward care the surface stays clean and the veining remains the only visible detail on the stone.
It lifts the 800 mm round top to 400 mm while creating 380 mm of open space beneath. Light, the rug and the floor all pass through the curve rather than being blocked by a solid plinth. The arch gives a 51 kg marble table a visual lightness that its weight alone would otherwise deny it.
No. At 51 kg two people are needed for safe placement and any repositioning. Decide the final position before delivery and ensure the route through the house is clear. Once positioned correctly the table does not need to be moved again.
At 51 kg, stone on a hard floor can mark the surface beneath if dragged rather than lifted. Place the table on a rug or use felt pads beneath the base to protect wooden, tiled or laminate flooring. Always lift rather than slide when repositioning.
Dimensions: 800 mm (W) x 800 mm (D) x 400 mm (H). Floor clearance: 380 mm beneath the arch. Material: solid marble throughout, top and base. Finish: white with natural grey and charcoal veining. Base: sculptural arch. Weight: 51 kg. Shape: round, 800 mm diameter. Also available in black marble as CT236B.
Living Rooms Built Around Light and Texture.
A white marble coffee table sets the tone for every surface, every textile and every accessory around it. The room responds to the brightness and the material quality of the stone at its centre. These two guides cover how to build living spaces where natural materials and considered palettes work together.
Overview
Light Held in Stone.
An 800 mm round top in solid white marble with grey and charcoal veining that belongs to this table and no other. The sculptural arched base lifts the surface to 400 mm and opens 380 mm of clear space beneath, letting the rug breathe and the floor stay visible through the curve rather than disappearing under a solid plinth. At 51 kg the table does not shift once placed. The white surface catches every light source in the room and distributes it back into the space rather than absorbing it, which is why a white marble table makes a room feel noticeably brighter and more open than a dark alternative at the same scale. The arch is the same marble throughout, curving from floor to the underside of the top in one unbroken sculptural form. Cool under the hand, visually deep, and impossible to replicate because the veining is geological rather than manufactured.
How White Marble Lifts a Room.
- It brightens the room from the centre: White marble reflects light back toward the walls and ceiling, making everything around it feel more vivid and more present by contrast.
- The arch lets the floor stay visible: 380 mm of open space beneath the top means the rug, the flooring and the light all pass through rather than being blocked by a solid base.
- It elevates everything placed on it: A book, a ceramic bowl, a vase of dried stems. White marble turns everyday objects into a considered arrangement because the surface itself carries intention and weight.
- The veining changes through the day: In direct sunlight the grey lines sharpen against the white. In low evening light they soften and the surface warms. The table looks subtly different every hour.
- It replaces disposable with permanent: Marble does not date, does not dent and does not lose its character with age. This is the last coffee table the room needs to buy.
- No corners in any direction: The round shape is the safest and most forgiving in tight seating layouts and rooms with children or pets moving through them.
- It defines the zone in open plan: In a room without walls between living and kitchen, 51 kg of white marble marks the boundary with a presence a rug or a change of flooring alone cannot match.
Rooms Built Around Brightness.
A pale living room with a linen sofa and bleached oak flooring where the marble continues the material palette and the veining adds the only texture the room needs. A navy or forest green sitting room where the white surface opens the centre and lifts the contrast. An open-plan space where it defines the living zone with light and material weight rather than mass alone. For ideas on how Scandinavian interiors use pale surfaces, natural light and considered texture to build rooms that feel calm and bright, our guide to Scandinavian living room design covers the approach in detail.
Description
The Table That Brings Light In.
A dark coffee table absorbs the light in a room and pulls the eye downward. It creates a visual weight at the centre of the seating arrangement, anchoring everything around it with mass and shadow. A white marble coffee table does precisely the opposite. It catches every source of light in the room and holds it on its surface: the afternoon sun falling through the window and resting on the stone, the warm glow of a table lamp reaching the veining and illuminating it from within, the low amber flicker of a candle on a winter evening playing across the polished surface. The veining runs in grey and soft charcoal across the white, unique to this piece and impossible to replicate because the pattern was laid down by mineral deposits over millennia. The surface has depth, temperature and a character that shifts through the day as the light around it changes.
The base is a sculptural arch in the same white marble, rising from the floor in a single continuous curve that supports the 800 mm round top without visible fixings and without any break in the material from floor to surface. The arch creates 380 mm of clear space beneath, enough for a thick rug to sit underneath without compression and for the eye to travel through the base rather than hitting a solid block. At 51 kg the table stays exactly where you place it. It does not shift under elbows, does not wobble when a child runs past and does not need repositioning. It becomes a permanent feature of the space from the moment it arrives.
For a table lamp that carries a complementary warmth alongside the cool white stone, the ornate gold leaf table lamp introduces a rich metallic accent at a different height, catching the same light the marble holds and giving the living room a layered material palette that feels considered rather than accidental.
What the White Surface Delivers.
- 800 mm round top in solid white marble. A generous diameter for art books, a ceramic bowl, a tray of candles and a morning coffee. The round shape has no corners to catch shins or dominate with sharp angles. It is the most forgiving shape a coffee table can take in a room where people move around it constantly.
- 400 mm seated height with 380 mm clearance. The top sits level with the sofa cushion, the correct proportion for reaching a drink without leaning forward. The 380 mm beneath the arch gives the rug and the floor space to breathe underneath rather than being hidden by a solid base.
- Sculptural arched base in the same white marble. Stone from bottom to top, not a metal frame clad in veneer. The visual continuity from base to surface is unbroken, which is why the table holds together as a single sculptural form.
- Grey and charcoal veining unique to each piece. Marble veining is geological, formed over millennia. The pattern on this table will not appear on any other table anywhere. Each piece is a genuine, unrepeatable original.
- 51 kg of solid natural stone. It does not slide across a rug, does not shift when bumped and does not need repositioning. The weight is the material being honest about what it is.
- Cool to the touch throughout the year. White marble holds its temperature. In a warm room the surface stays cool under the palm, a tactile quality that engineered surfaces and painted wood cannot offer.
Why White Marble Photographs Differently.
Interior designers and photographers reach for white marble surfaces because the material reflects and distributes light rather than absorbing it. A dark table creates a visual mass in the centre of a room and pulls the energy downward. A white marble table opens the middle of the space, bounces ambient light back toward the walls and the ceiling, and makes surrounding furniture appear more vivid by contrast. In a real room the effect is tangible. On overcast afternoons when the sky is grey and the room is relying on whatever daylight makes it through the glass, the white surface acts as a secondary light source, holding that brightness on the stone and distributing it across the objects on the surface and the faces of the people sitting around it. It is the reason white marble is the surface of choice in rooms designed to feel bright and calm regardless of the weather outside the window.
Three Rooms, Three Different Lives.
In a living room with a deep navy velvet sofa and pale oak flooring, where a stoneware vase catches the morning light on the white surface and a stack of art books sits beside a half-drunk coffee in a warm ceramic mug. The stone brightens the room from the centre outward rather than grounding it with mass. In a Scandinavian open-plan space with white walls, bleached timber shelving and a linen sectional, where the marble continues the pale material palette and the grey veining provides the only visual contrast the room needs. In a traditional sitting room with sage green painted panelling and cream armchairs flanking a fireplace, where the white marble softens the formality and the arched base introduces a contemporary sculptural line beneath classical furniture. White marble works alongside gold accessories, brass lighting, pale timber, cream textiles and soft pastels without asking anything else in the room to change direction.
What to Know First.
- 51 kg requires planned positioning. Two people needed for safe placement. Decide the final position before delivery and ensure the route from door to room is clear and wide enough for the table to pass through without obstruction.
- Allow 300 mm clearance around the edge. Comfortable leg room between table and sofa. Allows natural movement around the piece without the arrangement feeling cramped.
- White marble shows spills more readily than dark stone. Use coasters for all drinks, especially coffee and red wine. Wipe promptly. A specialist marble sealant applied periodically protects the surface without changing the natural feel or the way light interacts with the stone.
Specifications
Delivery & Returns
Delivery
| Service | Timescale | Cost |
|---|---|---|
| Standard | 3-5 working days | Free |
| Next working day | Order before 4pm | £5.95 |
UK mainland only. Orders placed on weekends or bank holidays are dispatched the next working day.
We are unable to deliver to Northern Ireland, the Scottish Isles, Jersey, Guernsey, the Isle of Wight, the Isle of Man, or the Isles of Scilly. Full delivery information.
Returns
28-day returns policy. Contact us within 28 days of receipt if you are not happy with your order.
Items must be returned unused and in their original packaging. Our UK-based team will guide you through the process. Full returns information.
FAQs
FAQs: White Marble Coffee Table.
The table is 800 mm in diameter and 400 mm tall. Allow at least 300 mm between the edge of the table and the sofa or armchairs for comfortable leg room and natural movement around the piece. It suits a standard three-seat sofa with armchairs either side, or a large sectional with the table centred in the open space between the seating and the opposite wall.
Solid marble throughout, both the round top and the sculptural arched base. There is no veneer, no composite core and no hidden metal subframe anywhere in the construction. The 51 kg weight confirms genuine natural stone from the polished surface through to the centre of the piece. This is not an engineered alternative with a marble print applied to a lighter substrate.
Marble veining forms from mineral deposits laid down under pressure over geological time. Each slab is cut from a different section of the quarried stone, which means no two surfaces carry the same pattern. The grey and charcoal lines running through the white on the piece you receive will not appear on any other table in any other room. Every piece is a genuine, unrepeatable original and the variation is what distinguishes natural marble from printed or engineered imitations.
Pale living rooms with linen sofas and bleached oak flooring where the marble continues the light, textured material palette. Navy or forest green sitting rooms where the white surface opens the centre and lifts the contrast dramatically. Open-plan spaces where it defines the living zone with brightness and material weight. White marble pairs naturally with gold, brass, pale timber, cream textiles and soft pastels in both warm and cool schemes. For ideas on pairing bold colour with white stone surfaces, our guide to modern navy kitchen ideas covers the approach in a way that translates directly to living room arrangements.
Black marble absorbs light and grounds a room with visual weight, pulling the energy downward. White marble reflects light and opens the space outward from the centre, making everything around it feel brighter and more vivid. Both are the same dimensions, the same sculptural arched base and the same 51 kg of solid stone. The choice depends on what the room needs: grounding or brightening.
White marble shows spills and marks more readily than dark stone because the pale surface makes any discolouration immediately visible. Use coasters for all drinks, particularly coffee, red wine and anything with colour. Wipe spills immediately and seal the surface periodically with a specialist marble sealant. With consistent, straightforward care the surface stays clean and the veining remains the only visible detail on the stone.
It lifts the 800 mm round top to 400 mm while creating 380 mm of open space beneath. Light, the rug and the floor all pass through the curve rather than being blocked by a solid plinth. The arch gives a 51 kg marble table a visual lightness that its weight alone would otherwise deny it.
No. At 51 kg two people are needed for safe placement and any repositioning. Decide the final position before delivery and ensure the route through the house is clear. Once positioned correctly the table does not need to be moved again.
At 51 kg, stone on a hard floor can mark the surface beneath if dragged rather than lifted. Place the table on a rug or use felt pads beneath the base to protect wooden, tiled or laminate flooring. Always lift rather than slide when repositioning.
Dimensions: 800 mm (W) x 800 mm (D) x 400 mm (H). Floor clearance: 380 mm beneath the arch. Material: solid marble throughout, top and base. Finish: white with natural grey and charcoal veining. Base: sculptural arch. Weight: 51 kg. Shape: round, 800 mm diameter. Also available in black marble as CT236B.
Knowledge Hub
Living Rooms Built Around Light and Texture.
A white marble coffee table sets the tone for every surface, every textile and every accessory around it. The room responds to the brightness and the material quality of the stone at its centre. These two guides cover how to build living spaces where natural materials and considered palettes work together.
